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David Pickett wrote:
Somebody else said that he has encountered people who have difficulties
with stereo.
I said that I have met during the three decades or so, students who perceive
a stereo image reproduced by two loudpeakers in different ways.
Most people seem to integrate a stereo sound im
At 11:54 30-03-16, Eero Aro wrote:
If 90 degrees between the speakers works for you, fine. Most likely
the commercial
recordings you are listening to, have been monitored with an 60
degrees angle, as
that has been the "standard" setup in studios for more than 60
years. It didn't happen
when 5.
At the back of my mind, the4re's something nagging me - I'm sure I've read of
someone advocating 3 speaker stereo (is that similar to trifield?) and finding
that a wider spacing of LR speakers was desirable? - makes sense.
Dr. Peter Lennox
Senior Lecturer in Perception
College of Arts
University
At 14:27 30-03-16, Peter Lennox wrote:
>
>At the back of my mind, the4re's something nagging me - I'm sure I've
>read of someone advocating 3 speaker stereo (is that similar to
>trifield?) and finding that a wider spacing of LR speakers was
>desirable? - makes sense.
Michael Gerzon, "Three Channe
Peter Lennox wrote:
At the back of my mind, the4re's something nagging me - I'm sure I've
read of someone advocating 3 speaker stereo (is that similar to
trifield?) and finding that a wider spacing of LR speakers was
desirable? - makes sense.
Well, Harvey Fletcher and the Bell Labs team started
umber : NI635217
Registered 63 Ballycoan rd,
Belfast BT88LL
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On 03/30/2016 03:49 PM, Augustine Leudar wrote:
Can anyone point me to any kind of standard (BBC/AES etc) for control room
room/equipment responses as a whole transfer function.
Id like to know what decay times are acceptable. I read somewhere that ,
within reason, how dead or live a room is no
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The interesting case here is panned sources between the speakers; where
'equal power" implies the sound follows an arc of a circle centred on
the listener (constant distance = constant power etc). However, the
intuitive/vernacular understanding of panning is a linear path between
the speakers -
recordings in the 50's.
Maybe someone
knows if they were released on reel-to-reel tapes as three-channel?
These recordings have been re-released on SACD.
Eero
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Stereo released three channel stereo recordings in the 50's.
Maybe someone
knows if they were released on reel-to-reel tapes as three-channel?
These recordings have been re-released on SACD.
Eero
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At 17:10 30-03-16, Peter Lennox wrote:
>Alan Blumlein at the EMI started with 30...35 degrees stereo stage
>with two loudspeakers. Remember, he was thinking about "binaural" not
>stereo sound.
What Blumlein called "binaural" was not what we call "binaural",
using headphones -- it was his name
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Jim Moses
Technical Director/Lecturer
Brown University Music Department and M.E.M.E. (Multimedia and Electronic
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Thank you Eric. That sums it great up, and you give the sources of the
researches.
Finally some facts to the table.
Some of those papers are in the Motherlode, but by which names?
Eero
30.3.2016, 21:44, Eric Benjamin kirjoitti:
There are several classic papers on 2-channel stereo reproduc
At 20:44 30-03-16, Eric Benjamin wrote:
>I have two observations from my own research. The first is that the
>ear signals resulting from equal signals at the loudspeakers is not
>the same as for a real source located between the loudspeakers. The
>second is that, if I measure the ear signals for
Nice collected resource!
I'd add Gunther Theile's thesis " on the localisation in the superimposed sound
field:
http://www.google.co.uk/url?q=http://hauptmikrofon.de/theile/1980-2_Diss._Theile_englisch.pdf&sa=U&ved=0ahUKEwj_nK39lunLAhVMORoKHdT9AEcQFggeMAI&usg=AFQjCNH6nNtd5_yKnXJRQLeBwHJ8M3kEVw
In
l were you using when you made these observations,
please?
>
> David
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David Pickett wrote:
At 14:27 30-03-16, Peter Lennox wrote:
>
>At the back of my mind, the4re's something nagging me - I'm sure I've
>read of someone advocating 3 speaker stereo (is that similar to
>trifield?) and finding that a wider spacing of LR speakers was
>desirable? - makes sense.
Michae
David Pickett wrote:
Michael Gerzon, "Three Channels. The Future of Stereo?", Studio
Sound, vol. 32
no. 6, pp. 112, 114, 117, 118, 120, 123 & 125 (1990 June) (An account of
Ambisonic ideas applied to 3-speaker frontal stereo.)
http://www.audiosignal.co.uk/Resources/Three_channels_A4.pdf
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