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Kan Kaban wrote:
We´re working on documentary series based on a/b-format. This BBC
thing caught our attention... the future is here?.
A-format? "Progressive" stuff...Why this? ;-)
Best,
Stefan Schreiber
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Martin Leese wrote:
Schumacher Marlon wrote:
Hi,
Thanks everybody for your well-considered comments.
The reason for going for a 2-channel format is compatibility with
distribution media formats (CD) - and I suppose it will mostly be listened
to without a decoder.
The possibility of recoveri
Stefan Schreiber wrote:
I would call this a serious case of incompetence. In the sense that it
was possible to archive 3/4 channels, also in the 80s.
Strong words. I visited Nimbus in the early 90's. I must say that they used
the best possible equipment that was available at the time.
The peop
Dear sursounders,
folks may recall the adventure last year when I was able to arrange for
David Monacchi and Fons Adriaensen to record B-Format reverb responses
from the Darkside 50 detector at Gran Sasso. It's taken me far too long
to set up a web page for them, but at last here they are:
h
after normal programmes had shut down. That was interesting.
Every Blessing
Tony
On 16/03/2014 17:55, Augustine Leudar wrote:
Good find ! Chrome isn't so bad actually
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I set up my system (MacPro into Metric Halo ULN-8 into BlueSky Media Desk)
yesterday, using the online channel checker and after doing some very odd
routing, got it all sorted. I have Chrome installed anyway, so no problems
there. All I need is some firm idea of which broadcasts are actually in
ail.music.vt.edu/mailman/listinfo/sursound
>
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--On 17 March 2014 00:16 + Richard Dobson
wrote:
> It appears to be under the "Live in Concert" title.
So the 19:30 concerts from the South Bank? That makes some sense - it
also means that maybe tomorrow's reopening of the restored organ may be
in surround (note to self: check multi-channel
Am 17.03.14 16:25, schrieb Paul Hodges:
(note to self: check multi-channel recording setup is OK).
Speaking of which: how would one record this? I normally use Audio
Hijack Pro for recording web streams but that doesn't work for signals
with more than two channels. I'm on a Mac, BTW.
Ralf
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--On 17 March 2014 15:25 + Paul Hodges
wrote:
> As an aside, I'm amused to see that the web page listing next week's
> concert on the RFH organ (another must-hear) is headed by a picture of
> the organ in the Albert Hall!
Oops on my part, too - not the Albert Hall, but one I can't identify
(
--On 17 March 2014 16:32 +0100 Ralf R Radermacher
wrote:
> Speaking of which: how would one record this? I normally use Audio
> Hijack Pro for recording web streams but that doesn't work for
> signals with more than two channels. I'm on a Mac, BTW.
I'm using a PC, so I can't comment on the Mac a
and may or may not be shared by the University
Dave Malham
Honorary Fellow, Department of Music
The University of York
York YO10 5DD
UK
'Ambisonics - Component Imaging for Audio'
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your opinion by making a comparison with you actual decoder.
Thanks!
Davide Scaini
Daniel Arteaga
[1] https://github.com/BarcelonaMedia-Audio/idhoa
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lham
> Honorary Fellow, Department of Music
> The University of York
> York YO10 5DD
> UK
>
> 'Ambisonics - Component Imaging for Audio'
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Eero Aro wrote:
Stefan Schreiber wrote:
I would call this a serious case of incompetence. In the sense that it
was possible to archive 3/4 channels, also in the 80s.
Strong words. I visited Nimbus in the early 90's. I must say that they
used
the best possible equipment that was available
alware because avast! Antivirus protection
is active.
http://www.avast.com
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__
ai.sri.com)
Menlo Park, CA US
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Hi
The DASH format was published by Sony and Studer in 1982:
http://en.wikipedia.org/wiki/Digital_Audio_Stationary_Head
Mitsubishi had their own format.
I would assume that it was
possible at this time to combine several stereo tapes into some
"virtual" multitrack tape
I find this today as a
Stefan Schreiber wrote:
...
> Or distribute 3-4 channel UHJ, which is the stereo-compatible form of
> FOA. Of course this proposal didn't "catch" on, even if this should
> work. (I see this doesn't work for a CD distribution, but this is the
> only case by now. But if you chose physical distributio
Having tried earlier to get this to work -- unsuccessfully because I
was messing with the Realtek HD Audio Manager which turend out to be
irrelevant -- I decided to have another go at fooled around with my
PC and, as is often the case, it suddenly started doing what I wanted
(perseverance is in
t
> Sursound@music.vt.edu
> https://mail.music.vt.edu/mailman/listinfo/sursound
>
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On Mon, Mar 17, 2014 at 06:05:11PM +0100, /dav/random wrote:
> The project is called IDHOA and the code is hosted here [1] under GPL .
(after automatic conversion to python3)
Traceback (most recent call last):
File "./main.py", line 32, in
from constants import *
File "/data/build/idhoa
--On 17 March 2014 20:52 +0100 David Pickett wrote:
> The go to http://rdmedia.bbc.co.uk/radio3/index.html and click on the
> play button, and four channels of Brahms Tragic Overture appeared.
Followed by John Lill playing Rach 3 at the age of 70 - Magnificent!
But as for the surround, well huh
At 21:07 17-03-14, Augustine Leudar wrote:
>>
>> "I installed Chrome (having previously set a System Restore Point), "
>You are such a drama queen :) I'm glad you got it working though - Ill have
>to try this out
No. I have learned not to trust dwnloaded software, after some bad
experiences!
At 21:46 17-03-14, Paul Hodges wrote:
>--On 17 March 2014 20:52 +0100 David Pickett wrote:
>
>> The go to http://rdmedia.bbc.co.uk/radio3/index.html and click on the
>> play button, and four channels of Brahms Tragic Overture appeared.
>
>Followed by John Lill playing Rach 3 at the age of 70 - Ma
On 17 Mar 2014, at 21:46, Paul Hodges wrote:
> But as for the surround, well huh! The usual uncorrelated mish-mash in
> the rear channels, signifying nothing. Turning on the rear speakers
> did push the stereo image back from the front speakers just a bit.
That's hardly a surprise when reading t
--On 17 March 2014 22:06 +0100 David Pickett wrote:
> I turned the back up 4dB. It works for the applause. 6dB seems a
> bit too much to me. But how much sound do you expect to surround you
> in the RFH? It may be better than it was, but it's not King's Chapel!
Sure - but even with my 6dB, t
--On 17 March 2014 21:19 + Paul Hodges
wrote:
> the audience coughing in the gaps in the
> Brahms sounds from in front.
Dvorak, of course - a senior moment while typing too fast.
Paul
--
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--On 17 March 2014 22:06 +0100 David Pickett wrote:
> it is being streamed live over the internet, and apart from a few
> dropouts is actually WORKING! Furthermore, it is not TOO difficult
> to make it work at home.
A separate message to keep my disappointment away from this real step
forward.
On 2014-03-17, Eero Aro wrote:
The DASH format was published by Sony and Studer in 1982:
http://en.wikipedia.org/wiki/Digital_Audio_Stationary_Head
Weren't the first digital recorders actually adapted helical scan video
ones? Because, I mean, those things are line accurate by necessity, so
t
Am 17.03.14 18:27, schrieb Pierre Alexandre Tremblay:
I use very reliably jackosx
Would you have a set-up that you could share with me?
I've had Jack installed for a long while, never got it to wkork, and
every time I decide it might be worth another try to get it up and
running ends in tear
e lusted after the PCM-F1.
Michael
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At 23:03 17-03-14, mgra...@mstvp.com wrote:
>
> Weren't the first digital recorders actually adapted helical scan video
> ones? Because, I mean, those things are line accurate by necessity, so
> that once you have them time coded, you ought to be able to get sample
> accurate registration of the c
Pace Paul, by the time it got to the third movement of the Dvorak, I
was quite impressed. The Festival Hall is not over-endowed with
ambiance, but when I turned the back up a bit, what I heard was akin
to what I often hear in a concert hall when not too close to the
stage, as opposed to when I
decks.
We did edit using SLO series Betamax, but it was control track editing, nothing
with reference time code. It was much later before I encountered anything that
could be locked to proper SMPTE time code.
Michael
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On Tue, Mar 18, 2014 at 9:16 AM, David Pickett wrote:
> Pace Paul, by the time it got to the third movement of the Dvorak, I was
> quite impressed. The Festival Hall is not over-endowed with ambiance, but
> when I turned the back up a bit, what I heard was akin
On Mon, Mar 17, 2014 at 04:04:43PM -0700, mgra...@mstvp.com wrote:
> We did edit using SLO series Betamax, but it was control track
> editing, nothing with reference time code. It was much later
> before I encountered anything that could be locked to proper
> SMPTE time code.
I remember doing t
k pretty good for a challenging array.
Aaron (hel...@ai.sri.com)
Menlo Park, CA US
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Doctorow)
>
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On Mon, Mar 17, 2014 at 05:06:32PM -0700, Aaron Heller wrote:
> On Mon, Mar 17, 2014 at 1:09 PM, Fons Adriaensen wrote:
>
> > On Mon, Mar 17, 2014 at 06:05:11PM +0100, /dav/random wrote:
> >
> > > The project is called IDHOA and the code is hosted here [1] under GPL .
> >
> > (after automatic con
Mon, 17 Mar 2014 09:43:13 -0600,
John Abram wrote :
> I love this idea, and hope to tune in from Canada for some of the
> broadcasts.
I'm also in Canada, and I can't listen to the concerts while at work...
Are the 4 channels streams available after the concert?
--
Marc
_
Fons, here's my little code review:
The "bug" is harmless, because the WbinVec variable is used only if
WBIN is considered True, and WBIN is actually a constant set to 0.
--
Marc
Le Tue, 18 Mar 2014 01:01:25 +,
Fons Adriaensen a écrit :
> On Mon, Mar 17, 2014 at 05:06:32PM -0700, Aaron He
ve, reliable metadata would be an utopia.
> > It's also a pipe-dream, founded on self-delusion, nerd hubris
> > and hysterically inflated market opportunities. (Cory Doctorow)
> >
> > ___
> > Sursoun
Martin Leese wrote:
Stefan Schreiber wrote:
...
Or distribute 3-4 channel UHJ, which is the stereo-compatible form of
FOA. Of course this proposal didn't "catch" on, even if this should
work. (I see this doesn't work for a CD distribution, but this is the
only case by now. But if you chose p
> 1000
> > True
> > >>> A > -1000
> > True
> > >>> A < 1000
> > False
> > >>> A < -1000
> > False
> > >>>
> >
> > In other words, the compare that Python 3 refuses will always
> > return True in Python 2. I suspect this is a bug.
> >
> > Ciao,
>
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At 02:47 18-03-14, Marc Lavallée wrote:
>Are the 4 channels streams available after the concert?
It seems that they are realtime only.
David
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