On Thu, Jun 27, 2013 at 04:33:46PM -0700, Eric Carmichel wrote:
> I have to agree with Joern that the example miking demonstration
> isn’t all that fair, and for another reason: How much low-frequency
> energy can a 2-inch speaker provide?
I don't know what kind of signal was used for this test,
. (Cory Doctorow)
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At 06:34 28/6/2013, Eric Carmichel wrote:
>The technique assumes that the live source is *stereo* too; that is, a
>stage ahead of the mics with musicians aligned in rows that have L-R
>orientations.
Actually, if you think about it, the Blumlein technique assumes that
the musicians are arranged
At 19:02 26/6/2013, Eric Carmichel wrote:
>I have a friend who's an advocate of the Decca Tree mic arrangement.
>Many of his recordings (a lot of choir and guitar) sound quite nice,
Decca Trees sound nice on choirs because they do not have precise
stereo imaging and thus one cannot hear individ
David Picket:
> Since people who like Decca Trees usually
> like the phase effects that come with the setup,
When I started out recording in 69/70 I got a lot of help and suggestions
from an old Swedish Radio recording engineer.
He made it crystal clear that in his opinon when mixing spaced micr
--On 29 June 2013 00:07 +0200 Goran Finnberg wrote:
And no one sitting listening to this washed out and unstable real life
sterophonic image seems to think it is wrong at all.
I find that "ordinary" people are as likely to like coincident recordings
as spaced ones; indeed, so much so that se
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On Sat, Jun 29, 2013 at 12:07:20AM +0200, Goran Finnberg wrote:
> ... while my ears are certainly NOT occupying the exact same spot
> instead they sit some distance apart and this gives my brain both
> amplitude AND timing information lost in the pure coicident
> recording systems.
Whatever the
On 28 June 2013 23:07, Goran Finnberg wrote:
>
>
> He made it crystal clear that in his opinon when mixing spaced microphones
> in a reverberant space no phase effects or comb filtering of any sort could
> be heard even when listening in mono.
>
> The reason is simple, the mics are sufficiently sp
Oops, clicked the send button too soon - here's the rest of my comments
(continued from Varese quotation)
On 28 June 2013 23:07, Goran Finnberg wrote:
>
> It´s all a blob of washed out sound in the middle with very little
> directional effects at all. A very spacious effect that is totally missi
On 29 June 2013 00:35, Fons Adriaensen wrote:
>
> It is flawed because your ears are still separated by the same
> distance when listening to a stereo pair of speakers, and this
> will cause ITD for off-center sources even if the mics were
> coincident or the signals were amplitude-panned. It doe
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