On 05/23/2013 01:25 PM, Augustine Leudar wrote:
Hello all,
I want to start making a standalone 8 channel player (maybe more) -
something that can be used in museums, festivals etc for sound
installations that can just be turned on and will instantly start looping a
multichannel composition on an
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On 2013-05-27, Dave Malham wrote:
I should have pointed out that the output boards were connected via
the O2's PCi bus and were only 16 bit/48k - but then the processor's
clock was only 180 MHz (iirc) in the machines we had.
If I'm not wrong, the O2 had a pretty decent I/O architecture apart
r unit...
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&
On 2013-05-27, Augustine Leudar wrote:
That would be fine - there seems to be considerable debate amongst
engineers as to whether higher sampling rates than 48k are worth using
anyway
In that debate, I'd take a look at the Acoustical Reneissance for Audio
position paper, aimed at influencing
At 16:19 27/5/2013, Sampo Syreeni wrote:
In that debate, I'd take a look at the Acoustical Reneissance for
Audio position paper, aimed at influencing the rates and bitdepths
of DVD-A, at the time. (http://www.meridian.co.uk/ara/araconta.htm)
The limits it sets out says 48k is mostly enough, 56
Are you familiar with the JoeCo Blackbox Player?
http://www.joeco.co.uk/main/BBP_models.html
Len Moskowitz (mosko...@core-sound.com)
Core Sound LLC
www.core-sound.com
Home of TetraMic
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On 2013-05-27, David Pickett wrote:
Correct me if I am wrong, but it seems to me that the reference in
this documents to "12 bits" concerns an already packed signal, which
needs to start off at a higher bit rate.
That's right. What they talk about is the final distribution format,
where you
On 27 May 2013, at 21:23, Sampo Syreeni wrote:
> 24/96 is already twice as much even as a non-shaped format, but perhaps has
> to be chosen evenso if we want to be sure it's transparent; as the next
> common format which includes both sufficient sampling rate and sufficiently
> low self-noise
this is for people to know that I have posted a recording made with my modified
ZoomH2N. The A format recording was processed with Angelo's Brahmavolver (with
filters designed for another 14 mm microphone array) and David McGriffy's VVMic
to convert to stereo. The file is on soundcloud, in my na
My two penny worth...
On 15ips tape - yes, this is fairly limited in one way, that 20 k or less
was often the cut-off frequency, that was the 3dB point, but the roll off
was very slow, often only 6dB per Octave at first until near the first
extinction point caused by the head gap so it doesn't hav
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