Dear sursounders,
I found a reference in a musical text of the 1960s originated in the UK that
mentions the terms "audio point" and "audio plenum" perhaps in reference to a
technique that would be able to control the spread of a single source in the
stereophonic image. Do these terms ring the b
Stahlman
Brooklyn NY
-- next part --
An HTML attachment was scrubbed...
URL:
<https://mail.music.vt.edu/mailman/private/sursound/attachments/20120415/84c6c663/attachment.html>
___
Sursound mailing list
Sursound@music.vt.edu
https://mail.music.vt.edu/mailman/listinfo/sursound
On Sun, Apr 15, 2012 at 08:09:44AM -0400, newme...@aol.com wrote:
> There are two 10-speaker "rigs" set up to play this *breakthrough*
> technology -- the original in Robin's studio in Bethlehem PA and my "demo"
> system
> in Bushwick (currently disassembled).
I wonder what the function of
At 19:14 14/04/2012, JEFF SILBERMAN wrote:
> I'm thinking that the 99% own flatscreens by now.
Is that really so? My tv wont die. I dont use it for anything than
videos, but I see no need to replace it simply because it takes up a
lot of space.
David
__
On 15 Apr 2012, at 15:57, David Pickett wrote:
> At 19:14 14/04/2012, JEFF SILBERMAN wrote:
>
> > I'm thinking that the 99% own flatscreens by now.
>
> Is that really so? My tv wont die. I dont use it for anything than videos,
> but I see no need to replace it simply because it takes up a l
-
An HTML attachment was scrubbed...
URL:
<https://mail.music.vt.edu/mailman/private/sursound/attachments/20120415/e74a7b64/attachment.html>
___
Sursound mailing list
Sursound@music.vt.edu
https://mail.music.vt.edu/mailman/listinfo/sursound
On 15 Apr 2012, at 11:07, Gregorio Garcia Karman
wrote:
> I found a reference in a musical text of the 1960s originated in the UK that
> mentions the terms "audio point" and "audio plenum" perhaps in reference to a
> technique that would be able to control the spread of a single source in the
At 10:22 15/04/2012, Ronald C.F. Antony wrote:
>
>On 15 Apr 2012, at 15:57, David Pickett wrote:
>
>> At 19:14 14/04/2012, JEFF SILBERMAN wrote:
>>
>> > I'm thinking that the 99% own flatscreens by now.
>>
>> Is that really so? My tv wont die. I dont use it for anything than
>videos, but I see
At 10:22 15/04/2012, Ronald C.F. Antony wrote:
>
>On 15 Apr 2012, at 15:57, David Pickett wrote:
>
>> At 19:14 14/04/2012, JEFF SILBERMAN wrote:
>>
>> > I'm thinking that the 99% own flatscreens by now.
>>
>> Is that really so? My tv wont die. I dont use it for anything than
>videos, but I see
Gregorio Garcia Karman wrote:
> I found a reference in a musical text of the 1960s originated in the UK that
> mentions the terms "audio point" and "audio plenum" perhaps in reference to
> a technique that would be able to control the spread of a single source in
> the stereophonic image. Do thes
This is very unlikely to be true, that one can justify
getting a new TV to save electricity for the sake of the world.
To save on your own bills will also take a very long time.
People seldom do the arithmetic on this. When the first
gas crisis occurred(in the 1970s) I did some calculation
of ho
This is getting rather off-topic, but...
On 15 Apr 2012, at 23:02, Robert Greene wrote:
> This is very unlikely to be true, that one can justify
> getting a new TV to save electricity for the sake of the world.
> To save on your own bills will also take a very long time.
>
> People seldom do t
I've been following the "dissertation" thread. (We are one of the two
companies that build first-order Ambisonic microphones.)
First-order Ambisonics has/had lots of positives:
1. Needs only four source tracks for an essentially unlimited number of
playback formats
2. A set of good tools f
At 19:44 15/04/2012, Len Moskowitz wrote:
A lot of stuff, with which I agree, plus:
Ronald Antony talked about the cost of good speakers being a
barrier: " ... and anything halfway acceptable is on a good sale at
least $250/speaker".
This has changed in the last ten years. Good speakers toda
I should add one more thing:
In my opinion TetraMic is probably the finest Blumlein array available
today. That means that for stereo decodes, if you like how Blumlein sounds
(and I do), FOA is at the top of the heap.
It's interesting that Ambisonics - a technology that most people thi
Interesting indeed, but not new. I think the Unicorn
Fenby Legacy(Music of Delius), the part that was
done with the Soundfield mike, is one of the
finest of all stereo recordings of an orchestra.
For naturalness of sound, it is unbeatable and
hard for anything else to equal in my view.
Robert
On
16 matches
Mail list logo
