--On 05 April 2012 06:43 +0100 Dave Malham wrote:
Don't you just change the extension?
SoundForge will still refuse to open such a file because it doesn't have
the usual GUID; maybe Samplitude is the same (Audition CS5.5 will open it,
but gives a knowledgeable warning). I use CHXFORMAT fro
On Thu, Apr 05, 2012 at 06:05:31AM +0100, Dave Malham wrote:
> In one of my talks with Michael Gerzon (or, rather, one of my
> listening to MAG sessions - he talked, I listened and tried to
> understand), he hinted that there was a more direct path, but didn't
> elaborate further. Given that you c
--On 05 April 2012 09:03 + Fons Adriaensen
wrote:
> But such a matrix is still based on a particular choice of
> speaker locations, even if those are no longer visible.
Has anyone investigated, formally or informally, what number of
simulated speakers works best for binaural conversion? Or
At 00:43 05/04/2012, Dave Malham wrote:
>On 5 April 2012 02:22, David Pickett wrote:
>
>>
>> My normal method of playing first order is to load B format WXY .wav files
>> into Samplitude, matrix them and add shelf filters, but I have not yet
>> successfully discovered how to convert the .amb file
This works perfectly with Samplitude Pro X. I will find time to play
these over the weekend...
Thanks, Aaron, Dave and Paul!
David
At 02:32 05/04/2012, Paul Hodges wrote:
--On 05 April 2012 06:43 +0100 Dave Malham wrote:
Don't you just change the extension?
SoundForge will still refuse
On 04/04/2012 10:09 AM, Scott Wilson wrote:
why do people still fall for the BEAST?
jörn (with apologies to the birmingham crew ;)
Ahem...
;-D
http://scottwilson.ca/scottwilson.ca/News_and_Events/Entries/2010/10/27_Rethinking_the_BEAST.html
interesting food for thought, thanks for this
Glad to hear it. I fixed the permissions on the Beethoven files, and
checked the others.
Best regards... Aaron
On Thu, Apr 5, 2012 at 4:14 AM, David Pickett wrote:
> This works perfectly with Samplitude Pro X. I will find time to play these
> over the weekend...
>
> Thanks, Aaron, Dave and Pau
close-mic a piano (lid almost closed
in order to isolate piano)
Happy listening,
Eric
Eric L. Carmichel
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On 6/04/2012 4:28 AM, Eric Carmichel wrote:
Greetings All,
I'm glad the topic of Blumlein, ORTF, etc. came up. I've been doing a lot of
music recording (in contrast to my usual cochlear implant research).
Eric, I keep meaning to mention the concert I recorded of music written
specifically for c
