Folks,
There is truly nothing new under the sun. (translation by Goggles). I
just came across the following patent
http://www.google.com/patents/US2173219 for what is essentially a native B
Format microphone using ribbon microphones. The filing date? May 29th,
1937! (Actually, I was trying to
And this http://www.google.com/patents/US1892646 from May 29 (again!) 1931
would be (minus the thermocouples, etc) a full 3D native B format mic!
Dave
On Dec 21 2011, dave.mal...@york.ac.uk wrote:
Folks,
There is truly nothing new under the sun. (translation by Goggles). I
just came acr
I think I've answered my own question - here's Harry F. Olson's patent for
the ribbon mic
http://www.google.com/patents/US1885001
from March 31st 1931. Boy, were those guys on a roll in 1931! (But, of
course, if anyone knows of anything earlier)
Dave
On Dec 21 2011, dave.mal...@yo
u/mailman/listinfo/sursound
> >
>
> ___
> Sursound mailing list
> Sursound@music.vt.edu
> https://mail.music.vt.edu/mailman/listinfo/sursound
-- next part
Was there also a patent for a ribbon mic in the UK, perhaps even
earlier? (Blumlein?)
David
At 05:29 21/12/2011, dave.mal...@york.ac.uk wrote:
I think I've answered my own question - here's Harry F. Olson's
patent for the ribbon mic
http://www.google.com/patents/US1885001
from March 31st 19
On 21 Dec 2011, at 18:00, sursound-requ...@music.vt.edu wrote:
Subject: [Sursound] Nowt new under t'sun
That's great. I remember reading that early (1930's?, German?) radio
mixing desks
had a 360 degree panpot for M/S stereo, or Blumlein pairs. But I
don't remember
where I read that. Can
ny of the questions (by the way, as an AES member, I can download articles
from the AES library--I just need title/author in order to access articles).
Happy Holidays to Everyone!
Eric
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Hi all,
Just a friendly reminder that JANUARY 11 is the deadline for all
submissions to the Linux Audio Conference (LAC 2012), which will take
place at CCRMA (Stanford, California) in April
2012!http://lac.linuxaudio.org/2012/
Santa LACus wishes a great paper-and-music-submitting holiday to all!
> Questions follow:
Not answers, but some thoughts that might help, pending
any answers ...
> 1. Is there any preferred method of calibrating speakers used in an
> Ambisonic setup?
I'd look at Jörn Nettingsmeier's paper, and particularly his slides
(both PDFs) on digital room correction for amb
