Le 11-03-25 12:29, Anthony Palomba a écrit :
>I would like to take a multichannel performance and encode it in
>an ambisonic format, then decode it and send it to multiple speakers.
>
>I want to also be able to easily configure the number of speakers.
>My performance environment is Max/Ableton.
>
Hey Jörn,
Thanks for the info, this is just what I was looking for.
The video was very informative, I will study the paper as well.
Thanks for your help.
Anthony
2011/3/25 Jörn Nettingsmeier
> On 03/25/2011 05:29 PM, Anthony Palomba wrote:
>
>> So just to review things...
>>
>> I would l
On 03/25/2011 05:29 PM, Anthony Palomba wrote:
So just to review things...
I would like to take a multichannel performance and encode it in
an ambisonic format, then decode it and send it to multiple speakers.
you might be interested in a paper i did for last year's ambisonic
symposium, which
So just to review things...
I would like to take a multichannel performance and encode it in
an ambisonic format, then decode it and send it to multiple speakers.
I want to also be able to easily configure the number of speakers.
My performance environment is Max/Ableton.
So on the encode side I
Martin Leese a écrit :
> Darren - Bradley wrote:
>
> > Hi I am looking at recording 4 mono tracks with different samples on
> > them and then (not recording in ambisonic format) just in 'Ableton
> > Live' - doing an ambisonic setup with four speakers in a cube
> > (room)
> > > to create a bet
Darren - Bradley wrote:
> Hi I am looking at recording 4 mono tracks with different samples on
> them and then (not recording in ambisonic format) just in 'Ableton
> Live' - doing an ambisonic setup with four speakers in a cube (room)
> > to create a better setup then quadaphonic
>
> what do pe
in 3 dimensions
http://www.dmalham.freeserve.co.uk/bpan_help.html
- bo-Erik
-Original Message-
From: sursound-boun...@music.vt.edu [mailto:sursound-boun...@music.vt.edu] On
Behalf Of Anthony Palomba
Sent: den 16 mars 2011 14:10
To: Surround Sound discussion group
Subject: Re: [Sursound
I am very interested in this as well. I would like to eventually add
multichannel
capabilities to my performances.
I would also add the question...
If I want the setup to be scalable, that is to be able to go from a 4
channel cube
to a 12 channel configuration, what do I need to keep in mind?
Hello Darren,
and hello everybody - this is my first post on the list ! nice to be here.
decoding a 4-track (b-format) ambisonics recording is one thing and encoding a
mono source to ambisonics field is another one
you can only decode b-format material so the question is how to obtain one. on
