Hi Ricky,
> On 05 Mar 2015, at 17:39, Ricky Graham wrote:
> Does anyone have any experience recording B-Format with multiple microphones
> set to specific polar patterns (i.e. if you don’t have access to an ambisonic
> / tetramic?). Is it possible? If so, what are some of the issues / problems
At 23:57 07-03-15, Ricky Graham wrote:
>Folks, many thanks for the very helpful responses. I will give this a
>go on Monday evening. Iâll document and post the results.
>
>Ricky
NOTA BENE:
>> On Mar 6, 2015, at 12:00 PM, sursound-requ...@music.vt.edu wrote:
>> Also, please EDIT the quoted po
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>
> Message: 1
> Date: Thu, 5 Mar 2015 17:24:45 +
> From: James Anthony Enda Bates
> To: sursound@music.vt.edu
> Subject: Re: [Sursound] Recording B-Format (Enda Bates)
> Message-ID:
>
> Content-Type: text/plai
Hi Richard,
The Ambisonic Toolkit includes an encoder that will take a set of directions
and polar patterns and encode to FOA B-format.
The encoder is a simple "matrix only" encoding, and doesn't include coincidence
correction and/or any other frequency dependent operations. As you'd expect,
y
--On 05 March 2015 14:01 -0800 Eric Benjamin wrote:
> One idea that we didn't try is that perhaps the omni (W) should be
> facing upwards. Omnidirectional microphones, even very good ones
> like the Schoeps, are really not very omni. So facing the microphone
> upwards guarantees that the respon
Hey Eric,
Yes, please. I’d love to read them, and thanks for the information. I think I
will attempt the following:
1 Omni for W pointed upward
2 figure 8 placed across one another for front-back and left-right (X / Y)
No need for Z at the moment.
Does this sound reasonable? I read an article
Ricky Graham wrote:
Does anyone have any experience recording B-Format with multiple microphones
set to specific polar patterns (i.e. if you don’t have access to an ambisonic /
tetramic?). Is it possible? If so, what are some of the issues / problems with
this approach?
On Thu, Mar 05, 2015 at 11:39:26AM -0500, Ricky Graham wrote:
> Does anyone have any experience recording B-Format with multiple
> microphones set to specific polar patterns (i.e. if you don’t have
> access to an ambisonic / tetramic?). Is it possible? If so, what
> are some of the issues / probl
At 17:39 05-03-15, Ricky Graham wrote:
>Does anyone have any experience recording B-Format with multiple
>microphones set to specific polar patterns (i.e. if you dont have
>access to an ambisonic / tetramic?). Is it possible? If so, what are
>some of the issues / problems with this approach?
In
Native B-format would be the way to do it alright, although depending on
your decoding/loudspeaker array requirements, the Double MS technique could
be worth a look also.
http://www.schoeps.de/en/products/categories/dms-tool
e
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- www.endabates.net
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An HTML
--On 05 March 2015 11:39 -0500 Ricky Graham
wrote:
> Is it possible? If so, what are some of the issues / problems with
> this approach?
One issue is the difficulty of making the capsules sufficiently near to
coincident. Another might be the special calibration required.
If an omni and two fig
Hi Everyone,
Does anyone have any experience recording B-Format with multiple microphones
set to specific polar patterns (i.e. if you don’t have access to an ambisonic /
tetramic?). Is it possible? If so, what are some of the issues / problems with
this approach?
Thanks,
Richard
> On Feb 28,
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