Hi Dave,
I guess I’d like to hear how others have mapped the output from boids to
whatever ambisonic panner they’re using. I will have a look for the ICMC paper.
While I have your attention, I can use ambilib~ as an example. Would you simply
map the cartesian to polar output to the azimuth (ph
Hello,
I use the boids algorithm to pan materials around a space. The Cartesian output
number range per boid in space is difficult to scale in terms of distance;
azimuth seems to be fairly intuitive and sounds correct to my ears.
Do any of you have any similar experiences / advice on how best
post you are replying to - this will keep the archive useful and not
> polluted with extraneous posts.
>
> Today's Topics:
>
> 1. Re: Recording B-Format (Enda Bates) (James Anthony Enda Bates)
> 2. Re: Recording B-Format (David Pickett)
> 3. Re: Recording B-Format (Fons Adriae
on B+ format also using an
additional stereo pair. Could be useful?
Ricky
> On Mar 5, 2015, at 5:01 PM, Eric Benjamin wrote:
>
> Ricky Graham wrote:
>
> Does anyone have any experience recording B-Format with multiple microphones
> set to specific polar patterns (i.e.
Hi Everyone,
Does anyone have any experience recording B-Format with multiple microphones
set to specific polar patterns (i.e. if you don’t have access to an ambisonic /
tetramic?). Is it possible? If so, what are some of the issues / problems with
this approach?
Thanks,
Richard
> On Feb 28,
> Date: Sun, 24 Mar 2013 23:07:44 +
> From: Augustine Leudar
> Subject: Re: [Sursound] Ideal Space/Set-up for Multichannel Music
> Performance and Composition
> To: Surround Sound discussion group
> Message-ID:
>
> Content-Type: text/plain; charset="iso-8859-1"
>
> what speaker
Hi all,
A conversation starter of sorts; two very different multichannel loudspeaker
applications, which I am hoping to implement in the near future. What would
your ideal floor size and room height be for an 8-channel multi-channel
surround sound system for both music performance and compositi
