The Audio & Design Recording boxes that Geoff Barton designed were
intended as (analogue) outboard units that could be patched into a
conventional mixing console to generate (mainly) first-order (all there
was) Ambisonic B-Format.
The Pan-Rotate unit included eight 360-degree controls, each wi
Frankly, our group never used any of the other letters followed by "HJ".
Right or wrong, we prefixed "UHJ" with the number of channels, so we
talked about "2-channel UHJ", "2.5-channel UHJ", and so on. If we were
dealing with 4-channel UHJ we either called it that or "with-height UHJ"
which by
On 12/10/13, 1:07 PM, Jörn Nettingsmeier wrote:
...once you toss 4 components into 2 channels, you can never perfectly
separate them again. there will always be some sort of "crosstalk"
Ah yes, the downfall of "quad"...
--R
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Sursound mailing l
Researching some historical Meridian information today I came across a
piece from Hi-Fi Choice, March 1995, p20 et seq by Malcolm C Steward
entitled "Welcome to Digital Wonderland" that I had not previously read.
In a sidebar on Surround Sound Modes on Meridian's 565 Digital Surround
processor,
On 08/12/2011 02:25, Mark Anderson wrote:
Always nice to hear from you. Thanks so much for the offer but I am really
looking to keep the site as a whole since it offers more than my just my
interest in ambi but also helps collectors of surround recordings with the
research I have done. I certainl
