On 2013-06-01, David Pickett wrote:
What I take this to mean is that if one is using WXY (derived from
A-format) for horizontal only playback, W will contain unwanted
vertical information that should be discarded.
Correct for W, but also for X and Y. That's not the end of the story
either: y
At 09:54 1/6/2013, Sampo Syreeni wrote:
BTW, did you ever look through what Z really does to you *encoding*
equations? Formally, in order to arrive at proper pantophony you
always have to either reject Z fully or purposely subtract it from
the whole B-format signal set. Otherwise, even assumin
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On 2013-05-31, Daniel Courville wrote:
I always insist on recording 'Z', and then almost never end up using
it...
Not even to "look" down or up in a stereo decode? I use the Z quite
often (if not always) when recording large ensemble and the SF mic is
more than 10 feet off the floor.
BTW,
I have a question here: I want convolving a music signal with head-related
impulse response (HRIR), and use the FFF + voerlap and adding method. I
transfer a frame signal into frequency domain and multiply the HRTF (HRIR
in the frequency domain). The length of HRIR is 512, and the FFT lenght is
512
