There are large ambisonic and WFS systems in Tod Machover's opera Death and
the Powers.
The systems together are about 60 inputs and 140 outputs. 40-60 of those
outputs (depending on the venue because the show tours) are 3rd order
ambisonic (64 WFS). Much of the content is synthetically encoded ba
> Subject: Re: [Sursound] theatrical ambisonics
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> Iain Mott wrote:
>> I wonder if people on the list have
>> other references or links on ambisonics applied in theat
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I don't know about the others, but Mark Decker passed away, sadly.
That was the end of the Archers in surround.
I finally stopped using UHJ because the amount of people that had an
Ambisonic decoder in Finland were less than you can count with your fingers.
I knew them all and I could have as wel
These are excellent references, thank you! Curious to know why
ambisonics and uhj encoding ceased to be used in the 90s? I know nothing
about digital radio - but is dolby surround or some other surround
format being used presently in Europe, elsewhere? What is the present
state of play in surround
Iain Mott wrote:
I wonder if people on the list have
other references or links on ambisonics applied in theatrical
productions, either traditional theatre or theatrical installation?
In the Ancient Days (1990's), Jussi Lappalainen used Ambisonics in
the Oulu City Theatre in Finland. He had a Ce
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On 12/05/2013 13:13, Augustine Leudar wrote:
Ive used ambisonics in several site specific outdoor theatre productions -
here is a review of the last one :
http://www.irishtheatremagazine.ie/Reviews/Current/Ghosts-of-Drumglass
Very nice write-up for that - must have been quite an experience!
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On 12/05/2013 11:59, Iain Mott wrote:
I'd also be interested to know if people have examples of binaural
radio-drama.
ZBS Foundation have done a certain amount of binaural radio drama, and
their content is quite amazing (though their best work is in stereo).
See
http://www.zbs.org/catalog/ind
On 11/05/2013 18:13, John Leonard wrote:
Anyone seen/heard this?
http://www.earfilms.com/
Thanks for pointing this out, John - sounds really intriguing.
--R
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The Earfilms link is interesting. I wonder if people on the list have
other references or links on ambisonics applied in theatrical
productions, either traditional theatre or theatrical installation? Your
own productions or the work of others.
I'd also be interested to know if people have examples
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