Re: Ottava mark: edge dashed line

Thomas Morley-2 wrote > Would be nice the default would offer more tweaking-possibilities to > avoid such messing around. > Also, ly:line-spanner::print should have at least the option to cover > the whole specified length, _avoiding_ space at start/end. > > > Best, > Harm Isn't this working?

Re: Ottava mark: edge dashed line

One more thing: I have this problem when the modified 8va breaks lines: ottavaUp = { \once \override Staff.OttavaBracket.stencil = #ly:line-spanner::print \once \override Staff.OttavaBracket.bound-details = #`((left . ((Y . -0.2) (attach-dir . ,LEFT) (pad

Re: Ottava mark: edge dashed line

Thomas Morley-2 wrote > 'bound-details allows for left/right/left-broken/right-broken > subproperties. > Possible subsubproperties (read by ly:line-spanner::print) are documented > here: > http://lilypond.org/doc/v2.19/Documentation/notation/spanners#using-the-line_002dspanner_002dinterface > > Pl

Dotted notes

I struggle on this: \version "2.19.80" \paper { #(set-paper-size "a7") } \bookpart { \score { \relative c' { \cadenzaOn \omit Staff.TimeSignature c1.^"Default" d4.. e8... f16 } } } \bookpart { \paper { #(define fonts (set-global-fonts

Re: Ottava mark: edge dashed line

Thank you for the explanation! -- Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: temporarily disable Dot_column_engraver?

This post is old, but I can't find the solution for this specific problem. In a general way, I wonder how it is possible to remove an engraver temporarily? For this dot_column case, here's the exemple wrote in Elaine Gould's book: \version "2.19.80" \score { \relative c' { \cadenzaOn \

Re: temporarily disable Dot_column_engraver?

Oh yeah, it got mixed with the forum synthax. \version "2.19.80" \score { \relative c' { \cadenzaOn \omit Staff.TimeSignature << { c'2.^"OK" b \bar "|" b4. a } \\ { b2. a c4. b } >> \bar "|" << { c2. \bar "|" b } \\ { b2 a4 a2 g4 } >> \bar "|" << { < b c d

Re: temporarily disable Dot_column_engraver?

Thomas Morley-2 wrote > It's not possible to consist/remove engraver temporarily, but you can > have several named Voices (keep them alive) with and without the > engraver: Thank you for your answer. That's too bad this feature isn't available it would obviously get things easier! Anyway, thank y

Re: Dotted notes

Thomas Morley-2 wrote > Hi, > > obviously the flags from the beethoven-font have less y-extent. > Sometimes too less, so DotColumn doesn't notice there's flag which > should be avoided. > (I've cc-ed the original author of the font. Maybe he joins the > discussion.) > > To watch the values uncomm

Re: Dotted notes

foxfanfare wrote > Anyway, I tried your code this morning, but I wasn't able to get the > desiredresult. Maybe because I use the 2.19.80 version. I will try again > later thisafternoon. Okay I tested with the 2.19.81 version but the DotColumn.padding and details.dots-padding-facto

Re: Dotted notes

Thomas Morley-2 wrote > Please post some code. so that we can debug what's wrong and why.The code > was developed with 2.19.81 so at least the example works for me. Actually, if I just copy/paste your exemple above, I don't get any error message it works fine, except that when I change the Staff.D

Re: \include command and local network folders

Knute Snortum wrote > My tests on Windows 10 indicate that lilypond.exe can't handle UNC > notation. This is true even of a local file. Let me wonder if everybody here use linux! Maybe is it time for me to go for it... -- Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html

Re: Slurs do not work with Larsen articulations

If I may intervene here: about the documentation quality, I'd must say I disagree. As I said in another post, I find it (globaly) very high ended. I started LP about 3 weeks from now, I'm just finishing the full notation PDF book of almost 900 pages! Of course, I still have a lot more to learn an

Re: Slurs do not work with Larsen articulations

David Kastrup wrote > That's actually the killer reason. There are a few places where > documentation strings get drawn into the manual, and those documentation > strings can be used more and less tersely. They should be verbose > enough to be useful which may include examples (examples take up a

Re: Cross staff stems for beamed notes

I think you'd need to omit the beams: \version "2.19.81" \score { << \new PianoStaff << \new Staff { \time 6/8 fis'4. \stemDown a' } \new Staff { \time 6/8 \clef bass \crossStaff { 4. < a! a,!> } } >> \new PianoStaff << \new Staff { \time 6/8 r8 q \stemUp q[ q] \s

Re: Dots wrongly positioned in not merged chords

Hi, I think it is related to the \consists Dot_column_engraver which is attached by default to the staff. You'd need to add it in the voice context instead: \version "2.18.2" \new Staff { \relative c' << \new Voice \with {\consists Dot_column_engraver} { \voiceOne 2. f4

RE: Beam Length override not working.

Or maybe: \version "2.18.2" \new Staff \relative c'' { \time 2/4 << { \stemNeutral \override Rest.staff-position = #0 r16 \override Rest.staff-position = #-1 r8 r16 \override Rest.staff-position = #-

RE: Beam Length override not working.

But for your initial problem, if it is what you want, maybe: \version "2.18.2" \new Staff \relative c'' { \time 2/4 << {\voiceOne \stemUp r16 r8 r16 r8 } \\ {\override Beam.positions = #'(-1 . -1) \voiceOne \stemDown e8 e16 ees \override Beam.positi

DynamicTextSpanner

Hi everyone, I can't figure how to change the Y-attachement of the line in a DynamicTextSpanner. I try to attach it to the bottom of the dynamic text. Here is the sample code: \version "2.19.81" \relative { \override DynamicTextSpanner.bound-details = # '((right (attach-dir . -1)

Re: DynamicTextSpanner

Torsten Hämmerle wrote > foxfanfare wrote >> I can achieve it for the left part with "stencil-offset", but the same >> option didn't work in the right section! > > Hi, > > The reason why stencil-offset only works for the "cresc." on th

Tempo & Markup

Hi everyone,I currently try to change the default appearance of the \tempo command.I'm particularly interested in changing the metronome text.I can do this in a \markup command:But I was wondering if I could be able to write a small function for it. Is it possible to change the default command "2 =

Re: Tempo & Markup

Malte Meyn-3 wrote > Looks like I should get issue 5215 done soon > (https://sourceforge.net/p/testlilyissues/issues/5215/). I haven’t had > much time for LilyPond the last few weeks, hopefully it gets better soon. Oh, I just watched your code, it is amazing! Those options would be very welcomed

Re: Tuplet bracket spacing with multiple voices

I also agree with the suggestions, you should place two 8th rests instead. But in case you wished to know the solution for your initial layout problem, you could just put "\set tupletFullLength = ##t" before the lower tuplet! -- Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html

RE: Layout of a (piano) hand indicator

Hi everyone, I dig up this old topic because I need some help understanding this function. Simon has posted an interesting function which I would like to use: ... but I also would like to access some parameters in certain cases (let's say "rlineto 0 3" and "extra-offset #'(0.75 . 0)" with a sim

RE: Layout of a (piano) hand indicator

(* I forgot the function: hook = #(let ((direction? (lambda (n) (= 1 (abs n (hook-markup #{ \markup \path #0.12 #'((moveto 0 0) (rlineto -0.85 0) (rlineto 0 3)) #})) (define-event-functi

Re: Layout of a (piano) hand indicator

I andrew, thanks for your help! Andrew Bernard wrote > How is your Scheme coding skill? Very low... but I'm learning! Your exemple was a big help, especially because the order of appearence of the elements in my function wasn't good and didn't allowed me to add a variable in the original markup

Re: Layout of a (piano) hand indicator

Simon Albrecht-2 wrote > Please don’t infinitely propagate typos. It’s called ‘length’ in English. Sorry but I'm no native speacker... ...pardon my French :) -- Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html ___ lilypond-user mailing

Re: Layout of a (piano) hand indicator

Thomas Morley-2 wrote > Below my own attempt. > The function has an optional argument, `details', for finetuning. Ooo... Thank you very much Harm! This looks amazing :) I'll try to play with this tomorrow and tell you how it works for me :-) -- Sent from: http://lilypond.1069038.n5.nabble.com/U

Re: Layout of a (piano) hand indicator

I just played a little with the complex snippet of Harm and it worked like a charm! You definitely should put this code in the snippets directory! Thomas Morley-2 wrote > %% FingeringColumn present, because two or more fingerings present and > %% `fingeringOrientations' is `left' > %% > %

Re: Layout of a (piano) hand indicator

Thomas Morley-2 wrote > HTH a bit, Harm Yes it did! Thank you for the explanations! Thomas Morley-2 wrote > Likely better to create a new grob for piano-hand-indicator and whileon it > a barre-indicator for guitar. About this, I wonder if it is necessary for the hand-indicator bracket to be link

LilyPond and FontForge

Hi everyone, I'm trying to modify some glyphs in the emmentaler font and make a "custom" font which will fits better my tastes. I am using FontForge for this but cannot understand how the font table is working. If I open the default emmentaler and try then to generate it again in OTF, I get sever

RE: LilyPond and FontForge

Andrew Bernard wrote > Hello foxfanfare,Have you looked at Abraham Lee's superb lilypond > fonts?https://www.musictypefoundry.com/I realise that this does not answer > your question, but perhaps you may findthe hard work already done. What > are you attempting to produce?Andrew

Re: LilyPond and FontForge

I'm using FontForge version 08:20 on Windows 10. I just open the emmentaler-20.otf and try to export it again without any changes, and it shows several errors: - When I choose "Generate Fonts": "The font contains error / missing p

Re: LilyPond and FontForge

SoundsFromSound wrote > Sorry, but I don't see those errors when I use v8.20 on my Windows 10 > machine. I was able to generate an OTF without issues. > > I saved the OTF font on my Desktop. Maybe there is a problem with your > fonts? Thank you anyway for testing! I just tried on another compu

Re: LilyPond and FontForge

Thank you both for your reply and especially the video! Unfortunately, it still isn't working. After saving all the different sized fonts using the same method you showed in video, if you then copy the new fonts in LilyPond font folder and call for them, you'd get an ugly output (as LP can't acces

Re: variables for numbers

I don't know if it is the easier way, but I'd do: #(define-markup-command (raiseDistance layout props text) (markup?) (interpret-markup layout props #{ \markup { \raise #1.3 #text } #})) sottoVoce = <>^\markup \raiseDistance {

Re: variables for numbers

Thomas Morley-2 wrote > raiseDistance = #1.3 > \markup \raise #raiseDistance { \italic "sotto voce" } Much easier! ... and better! I should upgrade some of my codes... -- Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html ___ lilypond-use

Re: LilyPond and FontForge

Werner LEMBERG wrote > Hmm, I can't help here. No problem. I'll continue my investigations! Thx! -- Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/list

Re: LilyPond and FontForge

foxfanfare wrote > Werner LEMBERG wrote> Hmm, I can't help here.No problem. I'll continue my > investigations!Thx! Finally! I did solve this problem and succeed to make modifications in the fonts. Werner did directed me in the good direction, and it needed the use of TTX.But

Re: LilyPond and FontForge

Werner LEMBERG wrote > This is expected. The three tables are specific to lilypond; they are > simple text files put into SFNT tables – if you add or modify fonts > you probably have to update this information also in case you are > directly editing the fonts with FontForge instead of using lilypo

Re: \cadenzaOn: clefs, key signatures on line breaks

Robert Kubosz wrote > Hello! > I write a music piece with \cadenzaOn and \cadenzaOff. The example below > produces output without the clef and key signature after line break. Is > there a possibility to display them? > Also, I have second question: can the lines auto break in cadenza mode? > > Wi

Re: \cadenzaOn: clefs, key signatures on line breaks

Robert Kubosz wrote > Still I have question refering the breaks: is there any other method for > line breaking (preferably auto-breaking)? I don't understand your question. In your exemple, the breakings are working because you have added the barlines in your \repeat command. Then LP automatically

Re: LilyPond and FontForge

tisimst wrote > Glad to hear you got something working! Congrats! There are a lot of > nuances you should be aware of. It's not as cut-and-dry as it appears, but > getting something working at all is half the battle. > > I'm curious to know how you used TTX to accomplish the task. I can see how >

Broken Hairpin

Hi, Is it possible to adjust the padding of a broken hairpin after a line break? For instance: \new PianoStaff << \relative c' { c4 d e f \break g f e d } \new Dynamics { \override PianoStaff.Hairpin.to-barline = ##f \override PianoStaff.Hairpin.after-line-breaking = ##

Re: Broken Hairpin

Kieren MacMillan wrote > Hi foxfanfare, > >> Is it possible to adjust the padding of a broken hairpin after a line >> break? > > http://lilypond.org/doc/v2.18/Documentation/notation/modifying-broken-spanners > > Hope that helps! > Kieren. > __

Re: Broken Hairpin

Thomas Morley-2 wrote > No idea why alterBroken's not working, too late here to investigate. > > Anyway, below may give you a starting point for a different coding: > > \override Hairpin.after-line-breaking = > #(lambda (grob) > (let* ((orig (ly:grob-original grob)) >

Slurs and Ties break-overshoot

Hi everyone, Here's an exemple of the music I'm currently writting: As you can see at a line break, I have configured the beams to keep a certain distance to the barline when breaking, using the command "Beam.break-overshoot" I notic

Grace Notes size

Hi everyone, Is there a way to define the size of the small notes (\grace \appoggiatura \acciaccatura)? It seems the default size is something like 0.6% of the full size but I wonder if it is possible to set something different? I can't see any property in the internal references for that! --

Re: Grace Notes size

Thank you both for your help! I noticed I can include the new values in the layout context which is absolutely great for what I tried to achieve: \layout { \context { \Voice $(add-grace-property 'Voice 'Stem 'length-fraction 0.8) $(add-grace-property 'Voice 'Flag 'font-size -

Re: Lilypond is not generating a pdf file

Peter Horan wrote > I have previously used Lilypond on an older machine using Vista. > > This machine is new, running Windows 10. > > After installation, dropping test.ly onto the Lilypond short cut creates a > test.log file but no pdf file as expected. It looks as though Lilypond is > silently

Re: Grace Notes size

le.com/file/t5604/blocnote.png> 2018-05-27 13:58 GMT+02:00 foxfanfare <foxfanfare@>: I tried jEdit, it is much better, thanks! -- Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html ___ lilypond-user mailing list lilypond-user@gnu.org h

Re: reference for well-shaped slurs

Dummy question: what is the difference in using \shape or \shapeII ? -- Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Switching to drummode and back

Hi everyone, I'm currently working on a score in which I'd like to alternate from drums notation to instrument. I found this topic which explained how to make this, but in my case, I would like to start the score with the percussion line. If I take the previous exemple given by Malte and uncomm

Re: Switching to drummode and back

David Kastrup wrote > The problem here is that the DrumVoice context doesn't end since it is > the first context in the first context started in the sequential > iterator. > > You can force this using > > \new Voice { \clef bass ... } > > since the \new Voice can only be created in the enclosing

Re: Switching to drummode and back

for illustration, this works but I wonder if it is the "easiest" way to do it: \new Staff \with { \accepts DrumStaff } { \override Staff.StaffSymbol.line-count = #1 \clef percussion \drums { hh8 8 8 8 8 8 8 8 } \stopStaff \new Voice { \override Staff.StaffSymbol.line-count

Re: Switching to drummode and back

Thanks for your answers. Here is the example of what I'm trying to typeset: \version "2.19.81" #(define cross '((snare cross #t 0))) \new Staff \with { \accepts DrumStaff } \relative c' { \override Staff.StaffSymbol.line-count = #1 \clef percussion \numericTimeSignature \time

Re: Switching to drummode and back

Aaron Hill wrote > Another thing to consider: Is this stick part a recurring thing in the > song or just part of the introduction? If the latter, you might > consider typesetting the parts independently of each other. Have the > first system on the page be a simple RhythmicStaff (or DrumStaff), a

Re: Switching to drummode and back

David Kastrup wrote > There is a firstClef context property you can set to ##f . Hi David, thank you for your answer and sorry for the delay: I tried your solution and inserted: \layout { \context { \Staff firstClef = ##f } } but this doesn't solve my problem which is at th

Re: Switching to drummode and back

Thomas Morley-2 wrote > Hi, > > try > > \set Staff.explicitClefVisibility = ##(#f #t #t) > \set Staff.explicitKeySignatureVisibility = ##(#f #t #t) > > HTH, > Harm Exactly what I was looking for, thank you Harm! -- Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html

Re: How to reduce the size of a grandstaff in relation to the choir part?

Bernhard Kleine wrote > this works well but now I would like to reduce the size of the > grandstaff to \small oder \tiny but do not succeed. Putting \tiny in > front of \new Staff oder \new Voice does nothing. > > Any help welcome! > > Bernhard You don't use the \magnifyStaff property? Ex: \ne

Re: question about cross-staff stems

James Bailey-5 wrote > Is it possible to get cross-staff stems to ignore a voice? I'd like to > have the lowest voice here completely ignored for the cross-staff stems, > alternatively, have the cross staff stems connected to the upper voice. As > it is, the only way I can the stems to behave the w

Re: question about cross-staff stems

James Bailey-5 wrote > What I'm looking for is something like this: > \include "deutsch.ly" > \version "2.19.65" > > \score { > \new PianoStaff << > \new Staff = "RH" \relative c'' { \voiceOne > > 4~ q8 q~ q4~ q8 q } > \new Staff = "LH" \relative c' { >

Re: Multi-part score

You could also make a book like this: \book { \header { title = "MY BOOK" } \score { \header { piece = "Piece 1" } % music 1 \layout { % options 1 } \score { \header { piece = "Piece 2" } % music 2 \layout { % options 2 }

Spacing issue with magnifyStaff

Hi everyone, I'm working on a piece which need a small low staff for reference. I had several issues with \magnifyStaff since it would seem to work only in case the smaller staves are above a full-sized one (like in a chamber piece with a piano) (see: http://lilypond.1069038.n5.nabble.com/TimeSig

Re: Spacing issue with magnifyStaff

I found in music-functions-init.ly the code for magnifyStaff. I can't fully understand it but this line intrigued me: %% this might cause problems until Issue 3990 is fixed \newSpacingSection Does it have something to do with my issue? -- Sent from: http://lilypond.1069038.n5.nabble.com/U

Re: Spacing issue with magnifyStaff

Thanks for your answer Malte. Malte Meyn-3 wrote > Do you mean the too wide space directly before any accidentals? Yes exactly. In fact in the score I'm typesetting, I have several issues with spacing between the notes even when note related with magnifystaff... I may start another thread for th

Re: Spacing issue with magnifyStaff

Thank you both your advices. This solves a lot of issues I had and it is frankly way better than the magnifyStaff tool. Or I can't see where the differences are for the moment... Is it possible to include those parameters in a small variable that I can call in all my projects? Something like smal

Re: Spacing issue with magnifyStaff

Malte Meyn-3 wrote > smallInstrument = \with { … } > > should do the trick :) Also, if you need that often, you can define > another context SmallStaff and use \new SmallStaff: > > \layout { >\context { > \Staff > \name "SmallStaff" > \alias "Staff" > fontSize = #(magnifi

Offset PedalMarking

Hi all, I'd like to move globally the pedal markings for piano to the left, but only the SustainOn sign, not the release one. If I write someting like \override SustainPedal.X-offset, they will both move. I wonder how it is possible to be done. I found in the configuration file how the sustainOn/

Accidentals and Ledger Lines

Hi all, I find LilyPond default output for accidentals a bit weird with ledger lines. Here's a little exemple in a score context: accidentals.JPG As you can see, the ledger line of the note containing the accidental is shortned

Re: Offset PedalMarking

Malte Meyn-3 wrote > You can add a tweak to the definition of sustainOn: > > \version "2.19.82" > > sustainOn = > #(define-event-function () () > #{ > -\tweak X-offset 3 > -#(make-span-event 'SustainEvent START) > #}) > > { >b4\sustainOn 4 4 4 >b4\sustainOff 4 4 4 > }

Extend Whiteout property

Hi all, I wonder if it is possible to extend in the X-direction the whiteout property on a grob? For instance, I find in this exemple ( snippet ), that the slurs are too close to

Re: Extend Whiteout property

Lukas-Fabian Moser wrote > I took this as an intencive to take a stab at delving into the source > code (which I always did read-only up to now). I think I managed to > create a working branch from current master (I also never got the hang > of git...) that allows for > > \version "2.21" > > \

Re: changing the length (height? positions? endpoints?) of an arpeggio

Torsten Hämmerle wrote > Kieren MacMillan wrote >> I’m trying to tweak the "length" of an arpeggio (by 1 staff space at the >> top), and can’t seem to find the correct incantation or doc reference. > > > Hi Kieren, > > You can explicitly set an arpeggio's start/end positions by overriding the >

SustainPedal and outside-staff-priority

Hi all, Could someone please tell me what's wrong in my code? \version "2.19.81" \new Staff \relative c' { \override Staff.SustainPedal.outside-staff-priority = #5 \shape #'((0 . 0)(0 . -5)(0 . -5)(0 . 0))Slur c_( d e f g\sustainOn a b c d e f g)\sustainOff } pedal1.JPG

Re: changing the length (height? positions? endpoints?) of an arpeggio

Kieren MacMillan wrote > Do you know about extra-offsets in this context? Yes, but this is for moving systems through a page. I was talking about moving the staves within a system. For instance: << \new PianoStaff << \new Staff { \overrideProperty Score.NonMusicalPaperColumn.line-

RE: SustainPedal and outside-staff-priority

Mark Stephen Mrotek wrote > FoxFanFare, > > Why not place the slut above the notes? > To me that would be more conventional. > > Mark Actually, the exemple above was just for demonstration. The problem is in another context: pedal.JPG <http://lilypond.1069038.n5.nabble.com

Re: Spacing of titles and text in a \book

Ralph Palmer wrote > Greetings - > > I've been using LilyPond for a long time now, and *really* like it. I > transcribe and transpose classical music and fiddle tunes for myself and > friends. > > I'm running LilyPond 2.19.81 with Frescobaldi 3.0.0 under Linux/Ubuntu > 18.04.1. > > I'm putting t

Cover page

Hi all, I've ended the process of re-engraving several of my scores to LilyPond (and I'm still astounded by it, the more I use it, the less I see myself using again Sibelius or buying Dorico...). But I'd like now to go a bit further and create the "whole" score, with all the front and back pages,

A Midi question

Hi all, I'd like to know a bit more about your use of the midi file. First, I use LilyPond for its engraving qualities, nothing else. But still, a good audio output is sometimes very handy. I wonder if the average usage of LP is making PDF only and nothing else, or if I'm missing something big her

Re: Cover page

Malte Meyn-3 wrote > What do you mean by “manager”? What OS are you using? Thanks David & Malte for your first comments. What I meant by manager is a bit like Frescobaldi is to LilyPond to me! I'm still using Windows but probably going to change for Linux soon... -- Sent from: http://lilypond.

Re: A Midi question

Karlin High wrote > On 9/11/2018 11:05 AM, foxfanfare wrote: >> 2. What do you do with the default midi file? > > I often convert MIDI to audio formats via VLC Media Player and the > GeneralUser GS soundfonts by S. Christian Collins. Full details here: > > <http:/

Re: Cover page

Kieren MacMillan wrote > A decade ago, I tried to use Lilypond for the whole deal… but soon found > out it was not powerful or flexible enough. That's interesting! That's also what I fear, but I didn't try yet... Kieren MacMillan wrote > 2. Edit the "wrapper" in LaTeX, with the PDF score include

Re: Cover page

David Wright wrote > Judging from your posts here, I'm kind of surprised that you aren't > already using it, as you would seem to have the aptitude for it. Thanks David. But it is not as easy as it seems :) It is quite difficult to change all your habits, to learn everything again, even if I'm con

Re: Cover page

Aaron Hill wrote > In fact, that is > probably a good strategy for any application you are using that is not > currently cross-platform. Seek out an alternative and start getting > used to it now while you can still use your current setup. > > (Side note: Bear in mind you can start playing aro

Re: Cover page

Simon Albrecht-2 wrote > Maybe. LaTeX becomes less of a good choice the more you actually want to > design the visuals. In a scientific paper, looks don’t matter at all, > it’s only about the content; that’s where LaTeX is perfect, no doubt. If > you’re going to design a poster, LaTeX is most ce

Re: A Midi question

Mr Tim wrote > A friend of mine uses Anvil Studio for midi on Windows. I think they have > a free version, but even the premium is not much. Thanks for the tip. Unfortunately Anvil Studio isn't cross-platform. I should have been more specific, but I'm looking for something which could also work w

Re: A Midi question

Vaughan McAlley wrote > Hmmm... > > Has anyone tried > > \midi { > \context { > \Staff > \remove "Staff_performer" > } > \context { > \PianoStaff > \consists "Staff_performer" > } > } > > % ?? > (I haven't, but who knows?) > Vaughan I just tried. It kin

Re: Cover page

Thanks for all your useful thoughts. I think I'll try to make this with LateX for a start and see if I can manage it! -- Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.

Re: A Midi question

H. S. Teoh wrote > For the printed score, this would produce tons of redundant dynamic > markings, so I always use a separate score just for layout, and stick > \dynPart into a Dynamics context between the upper and lower parts of > the piano score for nicer layout. > > Hope this helps. Yes, very

Re: A separate line for dynamics?

Thomas Morley-2 wrote > 2018-09-17 12:40 GMT+02:00 Bernhard Kleine < > bernhard.kleine@ > >: >> I found it. >> However without the -"legato" the \f is centered , with the -"legato" it >> is >> not. How to draw them on the same line? >> >> dynOrgel = { >> { >>s2\f s4-"legato" >> } >> }

Lyluatex

Hi all, I'm beginning my first steps in the world of LaTeX and I'm currently trying to figure out how Lyluatex works. I'm using TeX Live (and TeXworks for editing) on Windows. I made this simple document: \documentclass{article} \usepackage{lyluatex} \begin{document} Bonjour, j'\'edite en \LaTeX

Re: Lyluatex

Urs Liska-3 wrote > Did you correctly quote that here? I see -shell-escape instead of > --shell-escape. Hi Urs, Actually, I just copied what was written in the GitHub documentation: https://github.com/jperon/lyluatex I tried with the -- and also with \usepackage[program={C:/Program Files (x86)

Re: Lyluatex

R. Padraic Springuel wrote > Well, LuaTeX is still having trouble finding the executable, just in this > case it’s looking for C:\Program. That, of course, is not a complete path > to the lilypond executable. The space in the path is clearly not being > escaped correctly. Try adding quotes aroun

Re: Lyluatex

foxfanfare wrote > Do you know how to add this > command in TeXworks if I want to compile with it? Don't bother, I found it! -- Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html ___ lilypond-user mailing list lilypond-user@gn

Re: I'm sorry I feel stupid asking so many questions. How do I make fingering go OUTSIDE of the staff?

tripleamia wrote > I know you have the note-fingering but when i do this it goes inside the > staff and it looks crowded and ugly. Is there any way I can make it go > outside? > > > ___ > lilypond-user mailing list > lilypond-user@ > https://lists.g

Re: Sample document to show music fonts

tisimst wrote > My 2 cents... > > A font preview is a font preview and the best, in my opinion, are those > that show something in a practical context. In this case, an image of a > single or grand staff showing 2-3 bars of a marginally interesting looking > passage would be much more representati

Re: Suppressing TextSpanner right boundary text at a system break

James Harkins-4 wrote > Apologies if this is a basic question. I've searched but I didn't find the > answer. > > I have many text spanners with text for both the left and right bounds. > > If a spanner crosses a system break, I would like the right-hand text to > be hidden at the end of the first

Re: Sample document to show music fonts

Urs Liska-3 wrote > In a nutshell (would take too long to explain in detail) > > * Significantly improve the "Show available fonts" dialog that so far > only shows the pretty uncomprehensible LilyPond log: > o Display real family names, grouped and sorted, with actual-font > pr

Re: Sample document to show music fonts

Urs Liska-3 wrote > Now that there seems to be a certain common understanding of my initial > idea, may I repeat my request for someone to provide a suitable default > sample document? > Coming up with a score that provides representative details with as > little content as possible does require

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