Hi all,
The 1st code snippett generates warnings, but the 2nd does not.
I'd like to keep the bar symbols in place as it helps me to keep track
in the music.
This is my first piece so I've likely made some newbie error, please advise.
__
1st, with warnings due to | sy
Thank you Thomas,
That's a nice simple fix. It makes sense that \midi and \layout should
be independent and thus the \contexts should be repeated. Now I know better.
Ebby.
On 2020-06-11 12:28, Thomas Morley wrote:
Am Do., 11. Juni 2020 um 09:43 Uhr schrieb ebenezer
:
Hello gent
Hi everyone,
I'm creating my first Lilypond score, an arrangement of A Te O Cara.
I am using Frescobaldi and used the Score Wiazrd to get started.
I have now come across a MIDI limitation, a maximum of 16 instruments as
I understand it.
I'm assuming I'm not the first to come across this limitatio
. (Kind of like stem export in a DAW.)
All the best
Christian
ebenezer <mailto:ebene...@thedorsetpagdens.plus.com>> schrieb am Mi., 30. Dez.
2020, 10:40:
Hi everyone,
I'm creating my first Lilypond score, an arrangement of A Te O Cara.
I am using Frescobaldi and used
, I don't know how MuseScore is doing it.
On 2020-12-31 10:09, ebenezer wrote:
Thanks Christian,
After a day of experimenting I will go the 2 scores route. Yes, I'll
be doing both: checking for wrong notes and outputting to a DAW.
Tim.
On 2020-12-30 10:02, Christian Masser wrot
Hi everyone,
I have a large number of staves in my current score, such that they
don't fit easily on paper.
Is there a way to split the staves up so that the first half fit on odd
pages (w/w, brass & perc), the second half on even pages (voices,
strings, saxes and guitars)?
Thanks.
Hi everyone,
How do I place tempo marks above a particular staff rather than a system
as a whole, please?
I have parts that speed up during an ensemble piece for a few measures,
and would like to see the tempo mark above the staff for that part
rather than above the system as is conventional
Thank you, I tried option 2 and it works perfectly... and I learned
about tagging :)
On 2021-01-22 14:42, Kieren MacMillan wrote:
Hi there,
How do I place tempo marks above a particular staff rather than a system as a
whole, please?
I have parts that speed up during an ensemble piece for a
Hello everyone,
I am attempting to use a percussion staff for a bongo part in a score.
staffBongo = \drummode {
boh4_\markup { \sans boh } boho8 bohm8 % -- and so on...
}
partBongo = \new RhythmicStaff \with {
} \staffBongo
doesn't output any MIDI. Note that using a DrumStaff works fin
nrinconbotero.com
On 27. Jan 2021, 11:52 +0100, ebenezer
, wrote:
Hello everyone,
I am attempting to use a percussion staff for a bongo part in a score.
staffBongo = \drummode {
boh4_\markup { \sans boh } boho8 bohm8 % -- and so on...
}
partBongo = \new RhythmicStaff \with {
} \staffBongo
ven't had any issues with MIDI. You don't even have
to manually select any MIDI instrument or do any extra
configuration. At least for me, this "just works" and is
notationally correct.
Cheers,
Martín.
Am Mi., 27. Jan. 2021 um 16:21 Uhr schrieb ebenez
Hello everyone,
I have noticed that use of a custom percussion staff is different from
the manner in which one of the pre-defined percussion staves is used:
partBongo = \new DrumStaff \with {
drumStyleTable = #bongos-style
} \staffBongo
... compared to ...
partPercCustom = \new DrumStaff \
Thank you Aaron,
Ah, makes sense. I prefer the way you suggested and have it working.
Cheers.
On 2021-01-28 15:19, Aaron Hill wrote:
On 2021-01-28 4:35 am, ebenezer wrote:
Hello everyone,
I have noticed that use of a custom percussion staff is different from
the manner in which one of the
"I'm forming the opinion that conventional notation is like the QWERTY
keyboard layout."
Exactly.
IMO a new system doesn't even need to be better, just more appealing to
the masses. If someone came up with a notation system that enabled
teenage girls to be able to sing a song just by simply l
Hello Miguel,
I've only been coding LP for a short while so my suggestion may not be
the best way. I took your code and changed 2 things:
1. the existing Staff definition was problematic, I couldn't understand
the errors, so suggest this Staff definition before the music,
\new Staff = "bass
I don't have the expertise of the rest of you, but the first thing I did
with Lilypond was give \relative the elbow. It just seemed like a
nightmare way to compose. Ditto duration persistence. All for the sake
of saving a few keystrokes?
Re: the manuals/guides where \relative is introduced as
Hello,
Does \scaleDurations not already fit the bill?
See the section "Scaling durations" at
http://lilypond.org/doc/v2.22/Documentation/notation-big-page
On 2021-03-26 02:19, Valentin Petzel wrote:
Hello!
Currently Lilypond only supports powers of 2 for specifying duration. Could we
use t
I confess I rarely know (if ever) who is behind a web site. It usually
becomes apparent very quickly if a web site is worthwhile.
That said, I doubt I would ever be as productive as I am today without
all the tools and knowledge that I have gained over the years from this
web thing.
I would
I am interested in learning about this capability, too.
I have 2 further questions:
1. What is ET?
2. Where is regular.ly available from?
Thank you.
On 2021-05-08 20:17, Hans Åberg wrote:
On 8 May 2021, at 20:33, brahim.pro wrote:
I would like to define a scale, let's say A minor, and sli
Hi mark,
This is exactly what I do - edit text, output midi, import in to Reaper.
I use a couple of scripts to copy files around but otherwise that's it.
On 2021-08-19 09:33, Mark Probert wrote:
Hi.
Sorry if this has been done to death, but I was unable to find a
consolidated source of info
Hi Pablo,
This covers what you can do with MIDI in terms of dynamics:
http://lilypond.org/doc/v2.22/Documentation/notation/controlling-midi-dynamics
http://lilypond.org/doc/v2.22/Documentation/notation/supported-notation-for-midi
http://lilypond.org/doc/v2.22/Documentation/notation/unsupported
Hi Jean,
I like the idea that it should be possible.
I would like for it to be (easily) customisable.
I already have a text editor colour scheme that I use for music, for
parts and scores I have found it is not so important.
My perspective is that I only need colour for highlighting key item
This made me smile - a lot. Thank you.
On 2022-01-12 14:02, David Kastrup wrote:
Emacs' LilyPond-mode is an abomination in desperate need of maintenance
or possibly rewriting from scratch. There is no reason to use it unless
you are one of those people who use Emacs for everything (in contras
Just to add clarity (I hope!) to VLC being used as a MIDI player...
If you do nothing but install VLC, it doesn't play MIDI. However, it has
a built-in MIDI synthesiser (good ol' FluidSynth). The 2nd 'however' is
that there is no soundfont bound to this built-in synthesiser. I've no
idea why,
Not a PDF viewer, but if you open a PDF file in Firefox and select
Wrapped Scrolling from the Tools menu (the >> button), you should see
pages side-by-side dependent upon your Zoom settings and how wide you
have resized your Firefox window. Just play with the zoom % and window
width to suit you
[ It sometimes makes me wonder if we need a concept of "infinitesimal
time", to allow disambiguating ]
Yes, the concept of 0-cycles, that can be allowed to execute in order
for decisions to be made at the end of the timestep once all the
0-cycles have completed, seems like a good idea.
I im
SVG preferred over PDF.
Thank you for asking.
On 2023-01-11 06:40, Benjamin Tordoff wrote:
Almost all the images I use for cover art etc are JPEG or PNG originally so for
me PNG is the most important format. Other images I use are generally icons or
clip art and these are almost always png o
FWIW, I'm quite happy with that wording.
On 2023-02-21 22:36, Jean Abou Samra wrote:
Hi,
I've not been an admin of this list for very long, yet I'm already
weary of telling people who post without being subscribed to the list
that they should subscribe in order to avoid each of their messag
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