\set chordChanges troubles

% have a look at the following score % containing lines for kb, tb (in C) and sax (in B) % see set chordChanges \version "2.10.33" % A4-Papier, oberen Rand verringern \paper { #(set-paper-size "a4") top-margin = -0.5\cm } % angenehme Höhe der Notenzeilen #(set-global-staff-size

ChordNames prints small characters for added bassnotes, I'd prefer capital like C/E or Cm/Es ...

For the following music in \chordmode ChordNames prints Fm7/as, (how) is it possible to obtain Fm7/As? f1:m7/as (btw.: Interistig would be too small characters for minor chords like g instead of Gm or gm instead of Gm ...) ___ lilypond-user maili

Re: ChordNames prints small characters for added bassnotes, I'd prefer capital like C/E or Cm/Es ...

Dominic Neumann dominicneumann.de> writes: > 2008/8/19 Werner web.de>: > > For the following music in \chordmode ChordNames prints Fm7/as, > > (how) is it possible to obtain Fm7/As? > > > > f1:m7/as > > Hi Werner, > > the bass notes being printe

Re: ChordNames prints small characters for added bassnotes, I'd prefer capital like C/E or Cm/Es ...

Thanks a lot for the hint with the change in /usr/local/lilypond/usr/share/lilypond/current/scm/chord-name.scm Werner ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Staff.voltaSpannerDuration

Staff.voltaSpannerDuration = #(ly:make-moment 4 4) command once inside every voice. Any hints? Thanks Werner ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Staff.voltaSpannerDuration

acket cannot be ended), when I put it inside one voice and also when I put it "as a voice" (simultanously with the Staffs and ChordNames) in the StaffGroup.) greetings Werner ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.

Re: repeats and ties

The problem of a tie, which connects the last note in a volta with its first note, seems to be without solution still (?) Any hints? (The repeatTie-command doesn't help.) example: { \relative c' { \partial 8*5 d8 f d f g~ \repeat "volta" 2 { g4 r4 es'2 | d4 r8 d, f d f g~ } \alternative { {

Re: repeats and ties

Sorry - I just found out a (the?) solution: { \relative c' { \partial 8*5 d8 f d f g~ \repeat "volta" 2 { g4 r4 es'2 | d4 r8 d, f d f g~ } \alternative { { g4 r4 c8 b4 a8~ | a4 r8 d, f d f g\laissezVibrer % here was the problem! } { g8\repeatTie c8 b4 a8 as~ as4 | g es8 d~ d2 \bar "|." } } } }

font and staff size

change the font. Who can help? Thank you. Werner --- 11.2 Music layout 11.2.1 Setting the staff size To set the staff size globally for all scores in a file (or in a book block, to be precise), use set-global-staff-size. #(set-global-staff-size 14) This sets the global default size to 14pt

file structure (hierarchy)

Hello, I've written a file containing a score with a structure like: \score { \new Staff = bla << \new voice =blu {\voiceOne \Sopran} \new voice =blu {\voiceTwo \Alt} >> } Wanted to put the \set Score.skipBars = ##t command in. This: \score { \new Staff = bla << \new voice =

Re: file structure (hierarchy)

imagine, that \set Score.skipBars = ##t was a music expression, for me it seems to be a command concerning the layout... Do you have a hint about what is what (no idea about „object_id_setting“ and „output definition“)? In the docu-section 10.1 Input files and 10.1.1, 10.1.2 File structure I didn&

Re: file structure (hierarchy)

Trevor Daniels treda.co.uk> writes: > > Section 3.1 in the LM recognises this problem and attempts > to tackle it. Like everything else in the manuals I'm sure > this could be improved. Suggestions welcome. There could/should be mentioned, beside that a score must start with a music expression

fermata and text (markup) on/above one note

% looking for an easy possibility to just % put a fermata followed by a text % on/above one note % \fermata followed by \markup would be nice, but doesn't work... \version "2.10.33" \relative c' { \clef G \time 3/2 % \key bes \major \key g \minor

Re: fermata and text (markup) on/above one note

Kieren MacMillan sympatico.ca> writes: > > Hi Werner, > > > % works, but very very laborious > > Not sure why you think your solution is particularly "laborious"...? > Once you put the code into a variable, it seems pretty easy to me -- > see e

TimeSignature as fraction: gap between numerator and denominator

. Is there any solution? Greetings Werner ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: shift accidental in chord

Damian leGassick mac.com> writes: > how do i shift the flat so that it doesn't overwrite the natural here: > > {} Could you provide a link to an example how that can be done (just take pencil and paper, make a drawing, scan it and put it to the web)? (I cannot imagine any solution than except f

Re: shift accidental in chord

Damian leGassick mac.com> writes: > \version "2.11.38" > > {} > > is what i want except for the flat needs to be moved to the left > (it's a pain, but the 'two-stave' or 'forked stem' solutions aren't > appropriate here) Sorry, I absolutely cannot imagine, what you want. The natural-sign bet

Re: TimeSignature as fraction: gap between numerator and denominator - solution

takt } > /Mats Hello Mats, your solution ist really great, thank you very much. Of course with font-size -1 (I put -2 just to show better the difference). (My opinion: That should be default layout.) Yours Werner ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: TimeSignature as fraction: gap between numerator and denominator - solution

Mats Bengtsson ee.kth.se> writes: > > Werner wrote: > > > > (My opinion: That should be default layout.) > > > The opinion of the main LilyPond developers is to use hand-engraved > scores by the main German publishers as the inpiration when deciding on >

gs doesn't handle unicode-filename

Unfortunately gs seems to be unable to deal with unicode-filenames... u...@suse10-3:~/noten/lilypond> lilypond Ča_ča_ča-in-B.ly GNU LilyPond 2.12.2 »Ča_ča_ča-in-B.ly« wird verarbeitet Analysieren... Interpretation der Musik...[8] Vorverarbeitung der grafischen Elemente... Ideale Seitenanzahl wird

slurs - once attached to stem ends, once to note heads

Hello, I got in a piece of music nearly all slurs and ties attached to the note heads. But one slur is attached to the stem ends and I want it to be attached to the note heads too. How to obtain this? greetings Werner \version "2.12.2" \include "deutsch.ly" Tenor = { \

Re: slurs - once attached to stem ends, once to note heads

Herbert Niemeyer niemeyerschoolofmusic.com> writes: > Werner, >you might want to try: \slurDown etc. I tried this all before, but I was surprised, that this doesn't take any effect. > Mark Polesky wrote: > > Technically, the slur over the eighth notes is not &g

Re: slurs - once attached to stem ends, once to note heads

(1.75 . 3.8) (2.25 . 3.65) (2.45 . 3.25)) > d'8( b)~ | b4 Werner ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: slurs - once attached to stem ends, once to note heads

> > \slurDown. Very strange - for me d'8( b)~\slurDown in the ly-file (see first posting) really doesn't take any effect. Werner ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: slurs - once attached to stem ends, once to note heads

Hello Mats. Mats Bengtsson ee.kth.se> writes: > Werner wrote: > > > > Very strange - for me > > > > d'8( b)~\slurDown > > > > in the ly-file (see first posting) really doesn't take any effect. > > > The macro \slurDown makes a

alternative notes in one voice (Stichnoten)

n answer (and the stems aren't up and down as they should be! Also I even don't know how to make the four notes smaller). Greetings Werner ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: alternative notes in one voice (Stichnoten)

Francisco Vila gmail.com> writes: > > 2009/5/21 Werner web.de>: > > Also > > > > h'2 a4 g | c2 d4 e | << { \stemUp f2 g4 f } { \stemDown e4 d e f } >> | > > \stemNeutral e2 r | > > cis2 h4 cis | d c b a | f e f g | gis2 g4 f | > &g

[dal segno / da capo] -> "Kopf" "Kopf"

Hello, I was looking for quite a long time till I found \mark \markup { \musicglyph #"scripts.coda" } 1.: In german this symbol is often called "Kopf" so this should be mentioned in the glossary. 2.: There could be an example for a dal segno al Ø-Ø in the NR. 3.: I have some questions about t

Re: [dal segno / da capo] -> "Kopf" "Kopf"

Werner web.de> writes: > It would be nice to have a possibility to put ^\mark \markup > { \musicglyph #"scripts.coda" } and _\mark \markup { \italic \bold {{d.s. }}} > to the same \bar "||" After the barline could be a \break The d.s. should appear at the end

Re: \mark beneath instead of above

Thanks for the hints. But there is not yet a solution. While lilypond is intelligent enough, to print the \mark -segno and coda symbols only once *above* if they are places in several voices/staves of a system/StaffGroup at the same position, I'm really missing a similar possibility for placing som

Re: \mark beneath instead of above

Hello Robin and David. Robin Bannister dataway.ch> writes: > > Have a look at LSR 402: > http://lsr.dsi.unimi.it/LSR/Item?id=402 > This hint would solve my problem if David Stocker thenotesetter.com> writes: > > There is a fix somewhere on the list to get more than one \mark to

Chordnames and added Bassnotes

Hello, is there a possibility to print e.g. F _ C instead of F/C ??? I would prefer it, also 'cause if got a problem with merging (an added bassnote merges with the following chordname). Werner ___ lilypond-user mailing list lilypond

chordChanges true, but certain "cautionary" chordnames wanted

Hello. For accidentals there is the possibility to obtain them also if not needed by adding an exclamation mark ! How to get a chordsymbol if \set chordChanges = ##t ? Is there a hint? (Would be nice with the exclamation mark too.) greetings Werner

midi output without harmonies from ChordNames

Hello. I want to create a score (pdf) containing chord-names above the notes and a midi-file, which containes all the notes but NOT the chords (harmonies). Is this somehow EASY to achieve? Thanks for hints. Werner % innerhalb des score-Blockes („neben“ dem layout-Block) % Ausgabe einer

Re: midi output without harmonies from ChordNames

> > In this case the one for Midi should get no \chordmode stuff. > > Cheers, > Robin Thank you - this is at least a solution. Werner ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: slurDown ignored?

temUp f8[f ges] f8[bes f] ees8[f ees] ~ > } > >> > } tie is not slur try des2._~ des4. _( _~ make the next slur / tie down \slurDown makes alle slurs down (till \slurUp or \slurNeutral appears) \tieDown doesn't exist as far as I know Greetings We

Re: midi output without harmonies from ChordNames

Carl Sorensen byu.edu> writes: > > > On 7/19/09 12:07 PM, "Werner" web.de> wrote: > > > Hello. > > > > I want to create a score (pdf) containing chord-names above the notes and a > > midi-file, which containes all the notes but NOT the

\breathe at the bottom in \voiceTwo ???

Hello, i have two voices in one staff. I would like to get breathe-signs for the lower voice at the bottom line instead of the top line of the stave. Is there a possibility to get that behavior? greetings Werner ___ lilypond-user mailing list

Re: \breathe at the bottom in \voiceTwo ???

Thank you for the solution!! I just insert it in every voiceTwo: \voiceTwo { % to get breathing-signs at bottom line instead of top line for lower voice: \override BreathingSign #'Y-offset = #-2 ... } Werner ___ lilypond

dynamics alignment

n the middle between the two staves. Do I have to write a fifth voice containing only s s s ... for that or to override DynamicLineSpanner again and again in one of my four voices or is there in lilypond a smarter possibility? Greetings Werner ___ l

PS (dynamic alignment)

> I would like to have dynamics for the single voices (I use ^ for voiceOne > and _ for voiceTwo) but also dynamics for all 4 voices. These should be > aligned just in the middle between the two staves. > > Do I have > to write a fifth voice containing only s s s ... for that > or > to overrid

Re: PS (dynamic alignment)

> to have dynamics for the whole score I would use a Dynamic voice between > the 2 staves (as you proposed) „between the 2 staves“ ‒ do you meen as a invisible 1-line-stave ? Du you have an example? Thank you Werner ___ lilypond-user m

Re: Joining rests in two voices

much to write btw. in the docs, I didnt find much about rests at all (at least in the german version, which I studied today (and btw. there is called "Bindebogen" in opposite to "Legatobogen", what I would call "Haltebogen". I would understand "Bin

How to join rests?

see answer ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: How to join rests?

Werner web.de> writes: > > see answer Hello. When two voices (in one staff) both have rests of the same duration, is there an easy way to join these rests? I searched the lilypond-docs and didn't find an answer to that old question. For two voices in g-clef it is possible to wr

Re: How to join rests?

#x27;ve also experienced > they are - sometimes - used the wrong way. maybe you could propose a better > text/translation here or in the bug list!? I think: english - german tie - Haltebogen slur - Bindebogen, Legatobogen phrasing slur - Phrasierungsbogen (For now it's like: tie - Bindebogen slur - Legatobogen phrasing slur - Phrasierungsbogen ) Werner ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: How to join rests?

ning is good. Something shorter like mergeSimultanRests = ##f mergeSimultanRests = ##t (like autoBeaming = ##f and others) and/or \simultanRestsMerge \simultanRestsEachVoice (like dynamicUp and others) would be great. Greetings Werner ___ lilypon

Re: How to join rests?

Thomas Morley googlemail.com> writes: > Attached a file demonstrating it. Thank you for both attachements and all the hints! (I did overlook your first attachement.) (Hope, one of these solutions finds its way to the general lilypond-code.) Greetings

Multi measure rests vertical positioning

hread.gmane.org/gmane.comp.gnu.lilypond.general/76997 http://thread.gmane.org/gmane.comp.gnu.lilypond.general/16000 didn't help me so much. (There is a hint, but I think, its bad, if I must solve everything for R manually while r works fine.) Any ideas to

vertical distance of articulations

Hello, i would like more space between note-head / end of a stem an tenuto/staccato/ portato-marks. How to get that? Greetings Werner (Btw - I also wonder about the big staccato-dot and the small dot in the portato- mark.) ___ lilypond-user

Re: vertical distance of articulations

> Try: > > { >         c4-. r >         \once \override Script #'padding = #5 >         c4-. r > } Thank you. \override Script #'padding = #.5 was good for me. Werner ___ lilypond-user mailing list lilypond-use

parts without time (and bars and key)

ready a predefined key and time for that or do I have to make everything manually? Greetings Werner ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: parts without time (and bars and key)

I did: \once \override Staff.TimeSignature #'transparent = ##t \time 41/4 But: One voice doesn't play this part. So I wrote R4*41 This always brings a warning, that bar check didn't work (but the printout is OK then. > It's all in there if you look hard eno

polymetric parts

cis another voice (and staff) ... \bar "||" \time 3/4 r4 r8 c, f8. e16 | gis4 c,8 f~ f e | gis4 c,8 f r16 e gis8~ | gis c, f2 \bar "||" % one voice still in 3/4 \time 2/4 e4 gis | a a8 gis | a c d f | % now all in 2/4 e4 e | f e | Could somebody explain a solution - but pl

Re: polymetric parts

r than the example (I even don't understand). Hope it works. Greetings Werner ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

spacer rests and/or \sustainOff don't work as expected

if spacer rest would be accepted as grace-notes and as referenc-point for \sustainOff. Greetings Werner ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: polymetric parts

:book-process in expression (process-procedure book paper ...): /usr/local/lilypond/usr/share/lilypond/current/scm/lily-library.scm:201:5: Wrong type (expecting exact integer): () So unfortunately I cannot solve the problem. Werner ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: polymetric parts

version 2.13.12: /usr/local/lilypond/usr/share/lilypond/current/scm/lily-library.scm:201:5: In procedure ly:book-process in expression (process-procedure book paper ...): /usr/local/lilypond/usr/share/lilypond/current/scm/lily-library.scm:201:5: Wrong type (expecting exact integer): () version 2

Re: Rehearsal marks

I'm more confused about, rehearsel marks are always *centered* over the element, they belong to. (Would like to have the possibility of left-align.) Because the rehearsel marks give the possibility, to get information in every single-voice but also in the whole partitur - there only once automatic

Re: Rehearsal marks

Using the break-alignable-interface Otherwise its hard to find! Btw - why not one level more in the toc ? Thanks for the good hint! Werner ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: polymetric parts - ???BUG???

Neil Puttock gmail.com> writes: > Please post you test file; it's difficult to diagnose what's wrong otherwise. > > Regards, > Neil Playing around I found out, that it doesn't work if there are the lines \context { \RemoveEmptyStaffContext % \context { \AncientRemoveEmptyStaffContext

Re: polymetric parts - ???BUG???

> That's too large. OK Just try to uncomment the 3-5th line from the end - lilypond will fail. \version "2.13.12" Cello = \relative c { \clef bass \key c \major \time 3/4 c4 c c c c c % pos already 2/4 c c c c c c \bar "||" % both 2/4 \time 2/4 c c c c c c } Posaune = \relative c { \clef ba

Re: polymetric parts - doc NR 1.6.2

lt-settings#Changing-context-default-settings > > Regards, > Neil > Thanks. PLEASE Add this warning to NR 1.6.2 Hiding Staves Werner ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: polymetric parts - ???Another BUG???

\break fails > http://lilypond.org/doc/v2.13/Documentation/notation/changing-context-default-settings#Changing-context-default-settings Sorry, if this problem maybe already was discussed here - somehow doesn't work the search function on http://thread.gmane.org/gmane.comp.gnu.lilypond.general

\partial after \cadenzaOff

I got problems with \partial after \cadenzaOff, which is ignored for three of four voices. In the DOC i found: The \partial command is intended to be used only at the beginning of a piece. If you use it after the beginning, some odd warnings may occur. It could be good to put there an example li

Using the break-alignable-interface (aligning RehearselMark)

c {frei im Rhythmus} } don't work. Who can help? Thanks Werner ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Using the break-alignable-interface (aligning RehearselMark)

Robin Bannister dataway.ch> writes: > > Werner wrote: > > I tried to get a left-aligned (or offset) RehearselMark. > > This could be above a dashed bar-line > > Does this do what you wanted? > > \once \override Score.RehearsalMark #'self-alignment-X

Re: Using the break-alignable-interface (aligning RehearselMark)

he example, Robin gave, I only find hidden in 1.8.1 (selected snippets) while it is missing in 1.5.2 and in 5.5.1. e.g. \override Score.RehearsalMark #'self-alignment-X = #LEFT Werner ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

page-number overwrites tagline

er centered at the bottom. But unfortunately it overwrites the tagline, which should (at least I would like that) appear at the last page above the page-number. So my standard-tagline \header { tagline = \markup \fontsize #-2 "Notensatz mit dem freien Programm LilyPond (ww

lyrics alignment problems with slurs and ties

? Greetings Werner PS: The docs http://lilypond.org/doc/v2.13/Documentation/notation-big-page#multiple-notes-to-one-syllable say, lilypond should align only one syllable to tied notes, but it doesn’t. ___ lilypond-user mailing list lilypond-user@gnu.org http

Re: lyrics alignment problems with slurs and ties

\set Score.melismaBusyProperties = #'() \context Lyrics = Text \lyricsto Erste \Text Sorry. Greetings Werner ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

print not only page-number, but #1 of #2 (#1 page number, #2 pages of the whole piece

.) (And of course 3/3, 3 von 3 oder 3 of 3 on last page.) Does someone have a hint? Greetings Werner ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: print not only page-number, but #1 of #2 (#1 page number, #2 pages of the whole piece

> I included both footer and header markups. Feel free to comment out > whatever you don't need. You might want to change »Page« and »of« to > »Seite« and »von«. Hello Patrick, sure that helps. Great. (Particularly, that it is a complete working example.) Thank you very

musicxml2ly - very little bug(s)

or \time 3/4 es4 \bar "|" “ as first lines inside a voice definition. Greetings Werner PS Even better: „ \clef "treble" \key as \major \time 3/4 es4 \bar "|" “ ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

space between systems

Hello, in NR 4.4 I find some hints about vertical spacing of staves within a system. But unfortunately I don't find no hint about the spacing between systems. I want to get just more space between systems. How to do that? Thanks W

barline troubles

da \mark \markup { \musicglyph #"scripts.coda" } r1 Before it worked fine. (The piece has three voices in three staves in one StaffGroup.) Any ideas? Greetings Werner ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: barline troubles

Hello Federico, > this has changed to \bar ":|." thank you very much! Werner ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: change default horizontal spacing

t; look like the above line? How odd. Yes, it is done that way. Werner ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: not-so-ancient flags

. the stem and the flags are not AND'ed), but instead XOR'ed, as > the attached screenshot of the glyph shows (I opened the otf file in > fontforge). If I don't use y_mirror_char, all the outlines are > properly merged... With the changed outline now everything seems to be fine (bu

Re: not-so-ancient flags

g at the results? Usually yes. If you find good values, we can still check that later on to parameterize if needed. Werner ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Towards something like a "helper" to write in Lilypond

re's a paper: www.pytex.org/doc/euro2002.pdf Werner ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Terrible question about a distinctive chord name system

os and send it to the list, there are good guys who can check it for you. Werner ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: ||o||

> Is this a notehead for ancient music? Not really. > You'll find it in NR 2.8.1.1 or NR appendix B.5. He won't find it since we don't have a glyph for it. It's probably best to submit a bug report, together with a high-resolution scan of such

Re: ||o||

gt; http://en.wikipedia.org/wiki/Note_value Well, not in German typography, which usually uses the squared form. Werner ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: terrible question for a distinctive chord name system

ord notation, I can only guess. Two remarks: . Your code produced stems into the wrong direction. . You need the \textLengthOn command to avoid overlappings. There's certainly room for improvements, but I don't have time for more fiddling. Werner \version "2.11.46"

Re: terrible question for a distinctive chord name system

> IupperI = \relative c'' { > \voiceOne > > IupperII = \relative c' { > \voiceTwo Those \voiceOne and \voiceTwo are redundant, of course. Werner ___ lilypond-user mailing list lilypond-user@gnu.or

Re: strange error when creating context

> Now the strange warning comes, saying it can't create the > CHordMarks context. This comes from the MIDI processing (and admittedly, there is no indication for that in the warning message). You can ignore it safely. Werner  ___ li

Re: Inspirational Headwords for Chords section of manual

http://www.bach-cantatas.com/Pic-Sco-BIG/BWV478-Fascimile.jpg Werner ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: sustainOn

oppose to the new names: Just think of using |_| as a synonym for Ped * For the former, commands `on' and `off' are not unnatural if you consider them as commands controlling the graphical shape (namely to start and stop the p

Re: LSR search is broken

ing is brain damaged. See EWD831: > http://www.cs.utexas.edu/users/EWD/transcriptions/EWD08xx/EWD831.html This might be true for Mathematics, but not for `real' life: If there are four items lying on the table, and you have to enumerate them, most people will call them item 1 to item 4, and *not* ite

Re: changelog

> True, but I usually avoid command line stuff. I'm on Windows XP. Poor guy :-) There's nothing more powerful than a good shell and small scripts written for it. Just for fun I suggest to install, say, bash or zsh... Werner ___

Re: ||o||

> > It's probably best to submit a bug report, together with a > > high-resolution scan of such a note head. Werner > > Here it is: > > http://www.nabble.com/file/p18178776/Rondes%2Bdouble%2Bbarr%25C3%25A9es.bmp This is now registere

Re: [PATCH] Re: not-so-ancient flags

> >However, I didn't find the exact cause of my second problem, where > >the flags do not start at the very end of the stem, but are shifted > >a little inwards... Will have a look in the next days. Werner ___ lil

Re: Double \time change

> I have a "Psalmenproprium" by Hans Haselböck (writte 1968), where in > one place there are four (!!!) time signatures at the same time (the > following measures alternate freely between those four time > signatures): 2/4 3/4 3/8 5/8 Bartók uses simila

Re: Double \time change

> > Bartók uses similar things. > > > > > > Werner > > [...] The score is 3/4; so probably an error. I was rather talking about a movement in the Trio for Violin, Klarinet, and Piano (`Contrasts') which contains a chain of five time signatures (IIRC)

Re: Double \time change

lus" signs between the timesigs in such cases? I can't remember, sorry. However, for me both cases, with and without plus signs, are fine. Werner ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

spacing problem

ing of the dotted half note is too small. How can I increase it? I've nothing found in the manual which controls this squeezing. Please don't give educated guesses but hard facts -- I tried a lot, and I wasn't successful. Werner notehea

Re: spacing problem

n a part it might be fine; within a score it is horrible). Werner ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: spacing problem

longer durations, and which get squeezed far too much -- the same problem occurs for, say, half notes and whole notes. I simply want to control these squeezing values globally. Werner ___ lilypond-user mailing list lilypond-user@gnu.org http://list

Re: spacing problem

ings are symmetric in stretch and shrink). You could > experiment with > > Spacing_spanner::musical_column_spacing > > to tweak the fixed length. You mean a factor for base_note_space (at least this is what I understand at looking a

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