ike, bar numbers counting correctly and
accidentals behaving correctly.
http://lsr.dsi.unimi.it/LSR/Item?u=1&id=327
-Rune
--
There's a party in your skull. And you're invited!
Name:Ted Walther
Phone: 778-320-0644
Email: [EMAIL PROTECTED]
Skype: tederific
Address
dental code that causes trouble
:-)
-Rune
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There's a party in your skull. And you're invited!
Name:Ted Walther
Phone: 778-320-0644
Email: [EMAIL PROTECTED]
Sky
e refrain
start on a new line, all the time. This is wasteful of space.
Ted
--
There's a party in your skull. And you're invited!
Name:Ted Walther
Phone: 778-320-0644
Email: [EMAIL PROTECTED]
Skype: tederific
Address: 3422 Euclid Ave
e gap thing was fixed, I could make do. But I'd like to
avoid typing in a whole bunch of _ for every refrain.
Ted
On Fri, Oct 05, 2007 at 08:37:30AM +0200, Wilbert Berendsen wrote:
Op donderdag 4 oktober 2007, schreef Ted Walther:
In hymn typesetting, the refrain is nicely centered between
o take no space }{ attached to refrain } }
{context b { attached to melody }}
Am Montag, den 08.10.2007, 14:51 -0700 schrieb Ted Walther:
Thanks Rene. I was hoping for something free-floating; for instance, if
I have 3 verses, and in the refrain there are
bar
c'4 dis' e' eis' \nibar "||"
c' dis' eis'8 dis' eis' \ibar
c'1 dis' eis' eis'2 \nibar "|."
}
}
}
%%% END %%%
Valentin, will you update LSR?
-Rune
--
The
\context Lyrics = "versetrois" \lyricmode { \lyricsto "melodySop"
\versetrois }
>>
\layout
{
\context {
\Lyrics
\override LyricSpace #'minimum-distance = #0.6
\override LyricText #'font-size
y in your skull. And you're invited!
Name:Ted Walther
Phone: 778-320-0644
Email: [EMAIL PROTECTED]
Skype: tederific
Address: 3422 Euclid Ave, Vancouver, BC V5R4G4 (Canada)
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wrote:
On Tue, 11 Dec 2007 00:28:15 -0800
Ted Walther <[EMAIL PROTECTED]> wrote:
I read in the documentation on the website that dynamic markings like
crescendo and decrescendo, mezzoforte, etc, are not incorporated into
the MIDI output.
Where? That is incorrect. We don't inclu
>>
\layout {
\context { \GrandStaff \accepts "Lyrics" }
}
}
%%
--
It's not true unless it makes you laugh,
but you don't understand it until it makes you weep.
Eukleia: Te
; and "two". Why can't I \lyricsto "one" ? I tried, but it didn't
work. What are these mysterious "one" and "two" voices viz lyrics
context?
Ted
--
It's not true unless it makes you laugh,
but you do
le in the manual no longer compiles:
http://www.lilypond.org/doc/v2.0/input/test/out-www/lily-880656865.ly
Ted
--
It's not true unless it makes you laugh,
but you don't understand it until it makes you weep.
Eukleia: Ted Walther
Address
#x27;s not true unless it makes you laugh,
but you don't understand it until it makes you weep.
Eukleia: Ted Walther
Address: 2459 E 41 Ave, Vancouver, BC V5R2W2 (Canada)
Contact: 604-435-5787
___
lilypond-us
@gnu.org/msg04010.html
Would $50 USD be sufficient to get this change into lilypond?
Ted
--
It's not true unless it makes you laugh,
but you don't understand it until it makes you weep.
Eukleia: Ted Walther
Address: 2459 E 41 Ave, Vancouver,
On Thu, Sep 14, 2006 at 10:08:42AM +0200, Erik Sandberg wrote:
Citerar Ted Walther <[EMAIL PROTECTED]>:
To typeset hymns with the same high quality that lilypond brings to
other areas of music typesetting, I need to be able to use \lyricsto
with \partcombine.
What exactly do you want
Guile and C++ of lilypond interact with each other and with
input .ly files. Be nice if there was a writeup of that somewhere.
Ted
--
It's not true unless it makes you laugh,
but you don't understand it until it makes you weep.
Eukleia: Te
It's not true unless it makes you laugh,
but you don't understand it until it makes you weep.
Eukleia: Ted Walther
Address: 2459 E 41 Ave, Vancouver, BC V5R2W2 (Canada)
Contact: 604-435-5787
___
lilypond-u
mmand.
I agree! I hope whoever answers your question posts their answer to
this list.
Ted
--
It's not true unless it makes you laugh,
but you don't understand it until it makes you weep.
Eukleia: Ted Walther
Address: 2459 E 41 Ave, Vancouver
ed through it using the find function in my
browser for keywords and didn't find anything directly relevant.
Ted
--
It's not true unless it makes you laugh,
but you don't understand it until it makes you weep.
Eu
size = #-1
\override VerticalAxisGroup #'minimum-Y-extent = #'(-1 . 1.8)
\override LyricSpace #'minimum-distance = #0.6
}
\context {
\Score
\remove Bar_number_engraver
\override PaperColumn #'keep-inside-line = ##t
}
}
}
\paper { paper-width = 5.5\in
paper-height = 8.5\in
between-system-space = 0.85\cm
between-system-padding = 0.2\cm
line-width = 11.5\cm
ragged-bottom = ##t
after-title-space = 0.1\cm
}
%
--
It's not true unless it makes you laugh,
but you don't understand it until it makes you weep.
Eukleia: Ted Walther
Address: 2459 E 41 Ave, Vancouver, BC V5R2W2 (Canada)
Contact: 604-435-5787
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.
Also, the sequence for Sacred Harp style heads should be ##(fa #f la fa #f la mi).
--
It's not true unless it makes you laugh,
but you don't understand it until it makes you weep.
Eukleia: Ted Walther
Address: 2459 E 41 Ave, Vancouver, BC V5R2
laugh,
but you don't understand it until it makes you weep.
Eukleia: Ted Walther
Address: 2459 E 41 Ave, Vancouver, BC V5R2W2 (Canada)
Contact: 604-435-5787
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t until it makes you weep.
Eukleia: Ted Walther
Address: 2459 E 41 Ave, Vancouver, BC V5R2W2 (Canada)
Contact: 604-435-5787
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On Thu, Sep 21, 2006 at 08:25:48AM +0200, Erik Sandberg wrote:
On Wednesday 20 September 2006 22:55, Ted Walther wrote:
On Wed, Sep 20, 2006 at 11:34:33AM -0500, David Greene wrote:
>>If you want to do something more generic (something you can apply
>>on any existing ly score),
laugh,
but you don't understand it until it makes you weep.
Eukleia: Ted Walther
Address: 2459 E 41 Ave, Vancouver, BC V5R2W2 (Canada)
Contact: 604-435-5787
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notated or expressed; it is implied.
Ted
--
It's not true unless it makes you laugh,
but you don't understand it until it makes you weep.
Eukleia: Ted Walther
Address: 2459 E 41 Ave, Vancouver, BC V5R2W2 (Canada)
C
s it makes you laugh,
but you don't understand it until it makes you weep.
Eukleia: Ted Walther
Address: 2459 E 41 Ave, Vancouver, BC V5R2W2 (Canada)
Contact: 604-435-5787
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lilypond-us
ignored.
Ted
--
It's not true unless it makes you laugh,
but you don't understand it until it makes you weep.
Eukleia: Ted Walther
Address: 2459 E 41 Ave, Vancouver, BC V5R2W2 (Canada)
Contact: 60
o hide the accidental and stop it from being printed on the sixth note?
Ted
--
It's not true unless it makes you laugh,
but you don't understand it until it makes you weep.
Eukleia: Ted Walther
Address: 2459 E 41 Ave, Vancouver, B
ne on notes that are part of the same slur?
Ted
--
It's not true unless it makes you laugh,
but you don't understand it until it makes you weep.
Eukleia: Ted Walther
Address: 2459 E 41 Ave, Vancouver, BC V5R2W2 (Canada)
Contac
It's not true unless it makes you laugh,
but you don't understand it until it makes you weep.
Eukleia: Ted Walther
Address: 2459 E 41 Ave, Vancouver, BC V5R2W2 (Canada)
Contact: 604-435-5787
___
lilypond
sh.
/Mats
Ted Walther wrote:
Is there a simple way to make the midi output of a piece ignore
accidentals?
By this I mean, if the printed sheet music shows a b-flat in the key of
C major, I would just want b-normal to go out to the midi file.
In Sacred Harp music, accidentals are sometimes (tho
't understand it until it makes you weep.
Eukleia: Ted Walther
Address: 2459 E 41 Ave, Vancouver, BC V5R2W2 (Canada)
Contact: 604-435-5787
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marks means to hold the note longer.
Ted
On Sat, Jan 20, 2007 at 10:12:37AM +1100, Cameron Horsburgh wrote:
On Fri, Jan 19, 2007 at 03:01:04PM -0800, Ted Walther wrote:
When you see fermata in hymns, it almost always means "hold the note
longer, robbing the next note of some durat
a way for the fermata to hold the note for some
extra time in the MIDI output?
Ted
On Sat, Jan 20, 2007 at 01:10:07AM +0000, Carl Sorensen wrote:
Ted Walther reactor-core.org> writes:
I am using the description of the fermata in the "Sacred Harp" hymnal,
first published in 184
27;s easy to do and works fine.
Trevor
[EMAIL PROTECTED] Behalf Of
Ted Walther
Sent: 20 January 2007 03:05
That said, is there a way for the fermata to hold
the note for some
extra time in the MIDI output?
Ted
--
It's not true unless it makes you laugh,
7;transparent = ##t % hide
the marks
s1 | \tempo 2=50 s | \tempo 2=80 s | s1 | s | s | s | s | s
|
%Page 1 System 3 Bar 17
% the following tempo changes implement the fermata in bar
18
s1 | \tempo 2=50 s | \tempo 2=80 s | s | s | s | s | s |
}
Trevor
From: Ted Walther [mailto:[EMAIL PROTECTED]
cis | cis1 \bar "|."
}
\score {
\new Staff << \key fis \minor \soprano >>
\layout { }
}
%%% end of example
Ted
--
There's a party in your skull. And you're invited!
Eukleia: Ted Walther
Address: 2459 E 41 Ave, Vancouver, BC V5R2W2 (Canada)
Contact: 604-435
Thank you, that worked very nicely. Results here:
http://hymns.reactor-core.org/SacredHarp/Pilgrim.pdf
Ted
On Tue, Jan 23, 2007 at 10:08:03PM -0600, Walter Hofmeister wrote:
On 1/23/07 9:42 PM, "Ted Walther" <[EMAIL PROTECTED]> wrote:
I put orientation = "la
gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
--
There's a party in your skull. And you're invited!
Name:Ted Walther
Phone: 604-755-7732
Skype: tederific
Email: t...@reactor-core.org
Address: 1755 246 St, LANGLEY BC V2Z1G4
___
eme code to suppress the accidental!!!
Ted
--
There's a party in your skull. And you're invited!
Name:Ted Walther
Phone: 604-755-7732
Skype: tederific
Email: t...@reactor-core.org
Address: 1755 246 St, LANGLEY BC V2Z1G4
___
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
--
There's a party in your skull. And you're invited!
Name:Ted Walther
Phone: 604-755-7732
Skype: tederific
Email: t...@reactor-core.org
Address: 1755 246 St, LANGLEY BC V2Z1G4
__
It is going on 8 years now I've been typesetting hymns in Lilypond, and one
thing is still very irritating.
For many hymns, you have 3 or 4 verses. And you have a refrain/chorus. It
is standard hymn practice to vertically center the chorus between two
staves.
Yes, it is easy to add the chorus t
be pasted together on the same line, since scores already follow one
another sequentially inside a book?
Ted
On 20 August 2013 13:41, Carl Peterson wrote:
> On Tue, Aug 20, 2013 at 4:20 PM, Ted Walther wrote:
>
>>
>> Now, someone posted another alternative; I could mark the mus
ating
lilypond code from templates. I can compensate for some complexity, but
the simpler the better.
Ted
On 20 August 2013 14:47, Ted Walther wrote:
> Thank you Carl. Interesting example. For the hymns I do, that might work
> for the first couple bars, but then I'll have to p
rfectly really helps me with singing.
Ted
On 20 August 2013 20:46, Carl Peterson wrote:
> On Tue, Aug 20, 2013 at 6:02 PM, Eluze wrote:
>
>> Ted Walther wrote
>> > Another problem with that snippet is the amount to drop. With a good
>> > centering command,
I have some pieces that take a minute or two to play. I'd like to make
them into youtube videos so people can see the notes and lyrics while
hearing the midi file.
Is there some simple way I can have lilypond put each bar (and its
corresponding midi) into separate files? Then I can use standard
Beautiful, thank you. Is there a way to make the MIDI output go to a
separate file for each page of output?
On Fri, 18 Jan 2019 at 10:16, Valentin Villenave
wrote:
> On 1/18/19, Ted Walther wrote:
> > Is there some simple way I can have lilypond put each bar (and its
> > cor
I'm just getting back into lilypond after a ten year absence. Can you
suggest some search terms?
On Sat, 19 Jan 2019 at 03:43, Thomas Morley
wrote:
> Am Sa., 19. Jan. 2019 um 08:53 Uhr schrieb Ted Walther <
> tederi...@gmail.com>:
> >
> > Beautiful, thank you. Is
Thank you Thomas, this is beyond what I'd hoped for. Lilypond is the
best. I hope the changes can be incorporated in mainline lilypond.
On Sat, 19 Jan 2019 at 04:43, Thomas Morley
wrote:
> Am Sa., 19. Jan. 2019 um 13:05 Uhr schrieb Ted Walther <
> tederi...@gmail.com>:
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