All:
I would like to use Lilypond to generate sheet music that can best be
described as having 2 distinct and independent sections. The first - and upper
section - is simply a list of chords used in the song along with fretboard
diagrams. The second - lower part - is similar to a lead sheet wi
All:
Ok, my next Lilypond stumper (at least to me). Is it possible to generate
sheets that comprise lyrics plus chord changes *without* the need to specify
(or display) the melody. Something like this:
G D/F# Em7 Am C
A long, long time ago I can still re-member h
When creating a jazz score I typically want to break the page into two
distinct sections - a top section composed of fretboard diagrams followed
by the actual score. I do *not* want the sections to be on separate pages.
I've got this basically to work using a \bookpart section enclosing 2
\score
gt; actually necessary.
>
>
> On 22.07.2017 23:49, Stephen Nesbitt wrote:
> > I actually did see the score-system-spacing in the
> > flexible-vertical-spacing-paper at
> >
> http://lilypond.org/doc/v2.18/Documentation/notation/flexible-vertical-spacing-paper-variable
Kieran:
What a great resource!
Thank you!
-steve
On Sun, Jul 23, 2017 at 9:22 AM Kieren MacMillan <
kieren_macmil...@sympatico.ca> wrote:
> Hi Stephen,
>
> > Do you know what the relationship is between system-system-spacing and
> score-systems-spacing. Does one have precedence over the other?
I transcribe a lot of fiddle tune music and I struggled with the anacrusis
element. I thought I'd share my experience and how I resolved them. There
may be a more elegant way, but my solution is working for me.
The anacrusis limitations/quirks that I struggled with included the
following.
1) Plac
Yeah hard to describe. Assume that both the A and B part have a quarter
note pickup measure. These pickups bars differ from each other. The first
alternative in the A section will end with the notes from the A anacrusis.
The second alternative in the A section will end with the notes from the B
ana
