Simon,
Attached is a snippet for bracket and hand indication from my library. I
cannot remember from whom I got it, so I cannot properly ascribe.
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] O
Gilberto,
A rather tedious, yet precise method, is:
\once \set stemRightBeamCount = #x
\once \set stemLeftBeamCount = #x
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Gilberto Ago
Bernard,
Not sure which “November” font to which you refer.
Here are some free fonts of the same name.
http://www.fontpalace.com/font-download/November+Regular/
https://www.fontyukle.net/en/November+Regular.ttf
http://www.azfonts.net/load_font/novem.html
http://ufonts.com/fonts/november-re
Mike:
Looking at the piece
http://petrucci.mus.auth.gr/imglnks/usimg/f/f5/IMSLP24315-PMLP55004-Mozart_3_Deutsche_Tanze_K.605.pdf
the first section does not have alternative endings.
The Trio starts a new staff/section.
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[m
Andrew:
When I transcribe piano music I use:
\newDynamics { }
in the Staff context. It allows me to adjust the length of the sustain line by
fraction of a beat.
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
What you term the pound sign, derives from the Latin libra, pound. The word was
altered into livre, £ (1550's), as a French monetary amount equal to one pound
of silver. The unit of measure was changed to the term franc. Today the same
symbol is used as designation for the English pound - at one
"Thorpe" is a Middle English term for a small village. England still has
many towns with that appellation, e.g., Thorpe Willoughby.
M
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Cynthi
Chris:
My experience in setting piano music is that the “\set Timing” instruction must
be in both voices. If you have not done so, that might be the cause.
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Beha
Chris:
What is the time signature? 6/8?
Or is it 2/4 grouped as if in tuplets?
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of Chris
Yate
Sent: Wednesday, January 06, 2016 5:21 PM
To: Thomas Morley
Hello:
I cannot find the "unterminated tie" in the following measures.
r4 q2 | r4 2 | q2. |
r4 2 | r4 2 | % this line highlighted.
2. ( | ) |
When compiled the notation is correct.
Any help from sharper eyes is greatly appreciated.
Thank you!
Mark
Ho [mailto:nat...@snappizz.com]
Sent: Friday, January 15, 2016 11:53 AM
To: Mark Stephen Mrotek
Cc: 'Lilypond-User Mailing List' ;
lilypond-user-bounces+nathan=snappizz@gnu.org
Subject: Re: unterminated tie
On 2016-01-15 11:49, Mark Stephen Mrotek wrote:
> Hello:
>
> I cannot
Nathan and others,
Thank you for the suggestions. I found the error - a tie over a rest.
Mark
-Original Message-
From: Nathan Ho [mailto:nat...@snappizz.com]
Sent: Friday, January 15, 2016 1:04 PM
To: Mark Stephen Mrotek
Cc: 'Lilypond-User Mailing List' ;
lilypond-user-boun
Stan,
In 2.18,
Tuplet - no bracket \override TupletBracket #'bracket-visibility = ##f
Tuplet - no number \override TupletNumber #'stencil = ##f
Tuplet - number \revert TupletNumber #'stencil
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailt
Marcos,
The format for alternative is:
\alternative { {%here first alternative} {%here second alternative}}
Any voice splitting would happen within each alternative.
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gn
Marcos,
Just as I have found very, very often.
Mark
From: tdy.p...@gmail.com [mailto:tdy.p...@gmail.com] On Behalf Of tdy lists
Sent: Tuesday, January 26, 2016 5:33 PM
To: Mark Stephen Mrotek
Cc: Lilypond List
Subject: Re: alternative problem in repetition
Thats why I love these
Przemyslaw,
If acceptable, the use of "bracket" style can eliminate the conflict.
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Przemyslaw Pawelczyk
Sent: Wednesday, January 27, 20
Hello,
I want to make a template for a piano staff with two explicitly instantiated
voices (not <<{ } \\{ } >>) in each staff - this for four part fugues.
Any assistance in accomplishing this would be greatly appreciated.
Thank you for your kind attention.
Mark
\version "2.18.2"
\hea
rom: David Wright [mailto:lily...@lionunicorn.co.uk]
Sent: Monday, February 01, 2016 7:27 PM
To: Mark Stephen Mrotek
Cc: 'lilypond-user'
Subject: Re: Four Part Piano Staff
On Mon 01 Feb 2016 at 18:25:36 (-0800), Mark Stephen Mrotek wrote:
> I want to make a template for a piano st
..@bluewin.ch]
Sent: Monday, February 01, 2016 9:28 PM
To: Mark Stephen Mrotek
Cc: Jacques Menu ; lilypond-user@gnu.org
Subject: Re: Four Part Piano Staff
Hello Mark,
What do you mean by « variable format » ?
Using variables is very handy for source code readability and if you need
separate p
[mailto:simon.albre...@mail.de]
Sent: Tuesday, February 02, 2016 2:09 PM
To: Mark Stephen Mrotek ; 'lilypond-user'
Subject: Re: Four Part Piano Staff
On 02.02.2016 03:25, Mark Stephen Mrotek wrote:
>
> Hello,
>
> I want to make a template for a piano staff with two explicitly
Michael,
Thank you for your response and suggestion. Whenever I make an inquiry I
attach a .ly file.
Mark
-Original Message-
From: Michael Gerdau [mailto:m...@qata.de]
Sent: Tuesday, February 02, 2016 3:17 PM
To: lilypond-user@gnu.org
Cc: Mark Stephen Mrotek
Subject: Re: Four Part
Simon,
Thank you for your reply and the suggested code. It is exactly what I
wanted!
Mark
-Original Message-
From: Simon Albrecht [mailto:simon.albre...@mail.de]
Sent: Tuesday, February 02, 2016 3:17 PM
To: Mark Stephen Mrotek ; 'lilypond-user'
Subject: Re: Four Part Piano
Joseph,
You are welcome.
Mark
-Original Message-
From: Joseph N. Srednicki [mailto:jos.sredni...@verizon.net]
Sent: Tuesday, February 09, 2016 5:00 AM
To: 'Brian Barker' ; 'Mark Stephen Mrotek'
; lilypond-user@gnu.org
Subject: RE: Cannot resolve rest collision: re
Patrick,
The location of the rest can be “pitch” specified.
Change the third line to:
\new Voice { \oneVoice r4 b’\rest \voiceOne g' }
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Patri
As of Thursday 10 March, 14:34 PST, not I also.
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Joseph N. Srednicki
Sent: Thursday, March 10, 2016 12:45 PM
To: lilypond-user@gnu.org
Subject: Cannot reach
Paul,
A slur, or a tie, cannot be written from a single voice into a polyphony. Try
starting the polyphony with the third blue note. The other voice would have an
“s4.” Then the slur should work.
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-boun
Daniel,
Yes, cc-ing the group is the best way to go.
Mark
-Original Message-
From: Redwood (Daniel) [mailto:redwood5...@icloud.com]
Sent: Saturday, March 19, 2016 9:12 PM
To: Mark Stephen Mrotek
Cc: lilypond-user
Subject: Re: Initial grace notes
Thanks, Yes, I got this from others
Andrew,
Just read your post and what came to mind was the possible use of
\set tieWaitForNote = ##t
and
\autoBeamOff \crossStaff {% here pitches/durations} \autoBeamOn
As soon as I have tried it, I shall respond again.
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu
Alex,
Don't know if it is a bug. The beam in the first set is higher to make room
for the accidentals. Remove the accidentals and the beams line up.
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Ale
David,
Under 2.18.0 the first example (dynamics assigned to notes) compiles with
the dynamics aligned. Consider the benefit of updating Lilypond.
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] O
ot; #. "
Should any of these be included.
Mark
-Original Message-
From: Kieren MacMillan [mailto:kieren_macmil...@sympatico.ca]
Sent: Monday, January 27, 2014 4:23 PM
To: Mark Stephen Mrotek
Cc: Lilypond-User Mailing List
Subject: Re: Rolled Chord
Hi Mark,
> What term should b
Ed,
Thank you for your reply.
Taking your suggestion, I found it at
http://www.lilypond.org/doc/v2.17/Documentation/notation/writing-rhythms#tie
s
Mark
From: Ed Gordijn [mailto:ed.klari...@gmail.com]
Sent: Monday, January 27, 2014 8:11 PM
To: Mark Stephen Mrotek
Subject: RE: Rolled
Gentlemen,
I have tried both (in 2.18),
\set tieWaitForNote = ##t, works
\set tieWaitForNote = #t, does not work.
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Noeck
Sent: Tuesday,
boolean. Of the use of " \set " and the hash marks, I
did not.
Learning some basic syntax and grammar of Scheme would help me. Any suggestions?
Mark
-Original Message-
From: Noeck [mailto:noeck.marb...@gmx.de]
Sent: Tuesday, January 28, 2014 9:44 AM
To: Mark Stephen Mrotek; l
Joram,
Thank you for the table. Speaking only for myself, it does answer many
questions.
Mark
-Original Message-
From: Noeck [mailto:noeck.marb...@gmx.de]
Sent: Tuesday, January 28, 2014 11:08 AM
To: Mark Stephen Mrotek; lilypond-user@gnu.org
Subject: Re: Rolled Chord
Hi,
here is a
Joram,
You exemplify the best of what the user's group has to offer. Thank you for
promoting my learning of Lilypond!
Mark
-Original Message-
From: Noeck [mailto:noeck.marb...@gmx.de]
Sent: Tuesday, January 28, 2014 10:27 AM
To: Mark Stephen Mrotek; lilypond-user@gnu.org
Subjec
Joram,
Noted and thank you again.
Mark
-Original Message-
From: Noeck [mailto:noeck.marb...@gmx.de]
Sent: Tuesday, January 28, 2014 12:01 PM
To: Mark Stephen Mrotek; lilypond-user@gnu.org
Subject: Re: Rolled Chord
Hi Mark,
glad that I could help. The table has some mistakes:
- no
David,
Putting a "\pagebreak" after the first header and before the first score
seems to accomplish what you want.
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
David Sumbler
Sent:
Peter,
I ran into this for piano score. The solution works here also (I tried it).
Insert "\grace { s8 s s } " at the beginning of the first alternative for
the upper voice.
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+car
I this is the norm, should Lilypond be changed to conform?
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Shane Brandes
Sent: Wednesday, February 12, 2014 1:03 PM
To: Noeck
Cc: lilyp
Francisco,
I do not know why the slur jumps, yet if "\slur up" is inserted before the
last tuplet the slur position matches the previous three.
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On
Shane,
I don't know the source of the problem with the stem. Does this get you what
you want?
\version "2.18.0"
rightOne = \relative c' {
<< { 4. q } \\
{ b2. } \\
{a''8\rest a ( g) a\rest e ( b )} >>
}
\score { \new Staff = "right" \rightOne
}
Mark
-Original Message-
From: lily
Fellow Users,
How do I get the "Mit Humor" in the attached above the treble staff?
Thank you.
Mark
\version "2.18.0"
global = {
\key ges \major
\numericTimeSignature
\time 3/4
}
right = \relative c'' {
\global
\partial 4
\change Staff = "left" \stemUp
< f,, a c >^.^\
-0800
"Mark Stephen Mrotek" wrote:
> Fellow Users,
>
>
>
> How do I get the "Mit Humor" in the attached above the treble staff?
>
>
>
> Thank you.
>
>
>
> Mark
>
___
lilypond-us
Shane,
It can be done without invoking "\newStaff." Look at the second example
here:
http://lilypond.org/doc/v2.18/Documentation/notation/modifying-single-staves
#ossia-staves
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+c
new glyph would be printed in the exact same position?
David
On 16 March 2014 22:00, Paul Morris wrote:
> David Stephen Grant wrote
> > Ideally I'd like to be able to append something other than . to a
> > duration,
> > that would then automatically assign the correct d
Hello,
A suggestion using spacer notes in the second voice.
Best,
David
\version "2.18.0"
<<
\new Staff {
<<
\new Voice = "first"
\relative c' {
\voiceOne
c1
c'1
c,1
}
\new Voice = "second"
\relative c' {
\voice
7;4
}
\new Lyrics \lyricsto "first" {
One One One
}
\new Lyrics \lyricsto "second" {
Two
}
>>
(Slightly modified example from
http://lilypond.org/doc/v2.18/Documentation/notation/multiple-voices )
On 17 March 2014 09:20, David Stephen Grant wrote:
&
Daniel,
Look at
http://www.lilypond.org/doc/v2.18/Documentation/notation/chord-mode#extended
-and-altered-chords
What you want would be
\chordmode { e4: 5 3- 8 }
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.
Hello,
The first page of a collection of piano pieces has only the header (title,
subtitle ) on the first page. It is placed lower on the page with:
\paper { top-margin = 3\in }.
How do I return the top margin to the default size for the second and
subsequent pages (that contain the musi
...@sympatico.ca]
Sent: Thursday, March 20, 2014 3:18 PM
To: Mark Stephen Mrotek
Cc: Lilypond-User Mailing List
Subject: Re: changing top margin
Hi Mark,
> The first page of a collection of piano pieces has only the header (title,
subtitle ) on the first page. It is placed lower on the page with:
>
Kieren,
Thank you for the example, and the time and effort taken to produce it.
I shall study it tomorrow to learn the command structure.
Mark
-Original Message-
From: Kieren MacMillan [mailto:kieren_macmil...@sympatico.ca]
Sent: Thursday, March 20, 2014 4:48 PM
To: Mark Stephen Mrotek
to address all situations.
In my limited work with Lilypond (less than two years and maybe 20 scores),
any "incompleteness" of Lilypond has been handily dealt with after
requesting help from the user's group.
Mark Stephen Mrotek
From: lilypond-user-bounces+carsonmark=ca.rr..
Regards, Rale
>>
>>
> -- Diese Nachricht wurde mit *K-@
> Mail*<https://play.google.com/store/apps/details?id=com.onegravity.k10.pro2>gesendet.
>
> ___
> lilypond-user mailing list
> lilypond-user@gnu.org
&
Ming,
Does this do what you want?
\version "2.19.3"
\language "english"
{
c'1
< d' f'~ >1
( < df' f' >1 )
< c' f'>1
}
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
MING TSANG
Sent: Mon
Branko,
I have looked at your picture and read your message several times. I am not
sure what you want.
Do you want a repeat to start within the second ending? Or to start after the
second ending?
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bo
: Branko [mailto:brankom...@gmail.com]
Sent: Wednesday, April 02, 2014 5:21 PM
To: Mark Stephen Mrotek
Cc: lilypond
Subject: Re: 2. volta - repetition problem
Hi Mark, please see updated screenshot on http://postimg.org/image/eoc74bqkx/
I hope it's clear now what I want.. thanks!
On 3
Hello,
In a piano staff the pedal commands are within "\new Dynamics { . }."
I want the pedal notated with brackets, \set Staff.pedalSustainStyle =
#'bracket.
This command has been put in various places within the \score { . }, and,
obviously, not the correct one!
Where should it be placed?
Pierre,
Not one, but two solutions! Thank you.
Mark
From: Pierre Perol-Schneider [mailto:pierre.schneider.pa...@gmail.com]
Sent: Thursday, April 03, 2014 1:24 AM
To: Mark Stephen Mrotek
Cc: lilypond-user
Subject: Re: location of command
2014-04-03 4:37 GMT+02:00 Mark Stephen
Gould recommends a cross together with a tempo marking "senza misura". Kurt
Stone however recommends a zero.
Best, David
On 17 Apr 2014 11:28, "James Harkins" wrote:
> I'm writing a piece that will have a few cadenzas. In the cadenza
> pseudo-bars, I want to print some kind of glyph where the tim
Hello list,
Please see code snippet: In the second system the slur seems to be pushing
the tuplet bracket down, causing it to collide with the wedge. I'm looking
for a way to nudge the articulation slightly to the left, but can't work
out how to do this. Help or other suggestions much appreciated!
Hello list,
I'm sure I have read somewhere that it is possible to compile only the last
n bars of a Lilypond file, but I cannot seem to find it anywhere! Or is
this a feature of some front-end? Any tips or pointers to the relevant
documentation are much appreciated.
Best, David
Hello,
Is there a way of controlling the amount of extra horizontal space created
by a cue clef? I have attached an PNG - I would prefer less empty space
before the cue clef on the top line, as this also causes the breathe marks
on the bottom lines to hover weirdly in the middle of the bar.
Thanks!
Javier,
Would you consider < ais! b >?
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Javier Ruiz-Alma
Sent: Wednesday, June 11, 2014 7:36 PM
To: 'LilyPond User Group'
Subject: Typesetting chord
Javier,
Which piece by Chopin is it and what measure?
Mark
From: Javier Ruiz-Alma [mailto:jav...@ruiz-alma.com]
Sent: Wednesday, June 11, 2014 8:43 PM
To: 'Mark Stephen Mrotek'; 'LilyPond User Group'
Subject: RE: Typesetting chord
I dare not question Chopin.
Javier:
In both measures the Paderewski Edition (The Fryderyk Chopin Institute) has
two note heads on top of the "Y" construct.
Mark
From: Javier Ruiz-Alma [mailto:jav...@ruiz-alma.com]
Sent: Wednesday, June 11, 2014 9:26 PM
To: Mark Stephen Mrotek; 'LilyPond User Gro
Hans,
(1+sqrt 5)/2 = 1.618... is the golden ratio, phi.
http://en.wikipedia.org/wiki/Golden_ratio
Do you know of other instances of this ratio in music?
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@
Hans,
Thank you for your detailed and informative response. I shall take time to
study it and the references that you provide.
Mark
-Original Message-
From: Hans Aberg [mailto:haber...@telia.com]
Sent: Thursday, June 12, 2014 2:20 PM
To: Mark Stephen Mrotek
Cc: Malte Meyn; lilypond
Hello,
I'm having some trouble with TrillSpanners not lining up correctly. The
manuals seem to indicate that two successive TrillSpanners should be able
to line up vertically without any explicit \stopTrillSpan, but in the
following example the second trill is printed higher than the first, as if
a
Thanks Pierre, that works perfectly!
Best,
David
On 17 June 2014 13:56, Pierre Perol-Schneider <
pierre.schneider.pa...@gmail.com> wrote:
> Hi David,
>
> 2014-06-17 13:01 GMT+02:00 David Stephen Grant :
>
>
>> in the following example the second trill is printed high
Hello list,
In the following example the tuplet bracket follows the notes nicely, but
the first rest forces it way out of position. I would like to be able to
adjust the Y position of the right side to flatten the bracket, but can't
work out how to override the defaults.
Thanks!
David
\version "2.
Thank you Abraham, this is just what I need.
Best, David
On 23 June 2014 21:07, tisimst wrote:
> David,
>
> You can manually place the left and right ends of the bracket like this
> (and
> adjusting to taste):
>
> \version "2.19.8"
> {
> \clef "bass"
> <<
> {
> 4
> }
> \\
Sir or Madam,
This e-mail arrived in my in box this morning. It appears that the list has
been compromised.
Mark Stephen Mrotek
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
janov
Javier,
You are welcome!
Mark
From: Javier Ruiz-Alma [mailto:jav...@ruiz-alma.com]
Sent: Tuesday, July 08, 2014 9:17 PM
To: Mark Stephen Mrotek; 'LilyPond User Group'
Subject: Re: Beam subdivided at non-periodic intervals
I'm surprised that it does. Thanks for comi
Javier,
I am not sure it is the most elegant solution, yet it appears to work.
The command "\set stemLeftBeamCount" is at
http://lilypond.org/doc/v2.18/Documentation/notation/beams#manual-beams
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces
Javier,
Certainly more elegant and efficient than mine. Thank you for the instructions.
Mark
From: Javier Ruiz-Alma [mailto:jav...@ruiz-alma.com]
Sent: Tuesday, July 08, 2014 11:11 PM
To: Mark Stephen Mrotek; 'LilyPond User Group'
Subject: Re: Beam subdivided at non-periodic
Alberto:
My understanding of how the \voice commence of the { \\ } construct
influences the position of notes comes from
http://lilypond.org/doc/v2.16/Documentation/notation/multiple-voices.
Some of the examples show notes in "middle" voices automatically "shifted."
Perhaps these would answer som
Hans,
When I move the "\grace {g16 fs}" to before "\tuplet 3/2" the beaming is
correct.
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Hans Aberg
Sent: Wednesday, July 23, 2014 3:3
Hello,
Using the documentation
http://lilypond.org/doc/v2.18/Documentation/notation/piano
I have "attached" the sustain commands to the "left" staff.
When the lower voice moves to the "right" staff the sustain markings change
style and location.
What must be done?
Thank you for your
:38 PM
To: Mark Stephen Mrotek
Cc: lilypond-user@gnu.org
Subject: Re: piano pedal
"Mark Stephen Mrotek" writes:
> Hello,
>
>
>
> Using the documentation
>
> http://lilypond.org/doc/v2.18/Documentation/notation/piano
>
> I have "attached" the sus
Abraham,
Thanks, I shall look more closely.
Mark
From: Abraham Lee [mailto:tisimst.lilyp...@gmail.com]
Sent: Tuesday, August 05, 2014 6:47 AM
To: Mark Stephen Mrotek
Cc: David Kastrup; lilypond-user@gnu.org
Subject: RE: piano pedal
On Tue, Aug 5, 2014 at 7:36 AM, Mark Stephen
on.
Mark
-Original Message-
From: David Kastrup [mailto:d...@gnu.org]
Sent: Tuesday, August 05, 2014 7:05 AM
To: Mark Stephen Mrotek
Cc: lilypond-user@gnu.org
Subject: Re: piano pedal
"Mark Stephen Mrotek" writes:
> David,
>
> Thank you for your reply and the comma
Hwaen Ch'ugi,
Does the attached do what you want?
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Hwaen Ch'uqi
Sent: Friday, September 05, 2014 11:38 AM
To: Simon Albrecht
Cc: lilypo
Hello,
The first eight measures ("eight.ly") have the correct space between staves.
When I add the ninth measure in the treble ("nine.ly") the space increases.
What needs to be corrected?
Thank you for your kind attention.
Mark
\version "2.18.0"
\header {
title = "Sonata 479"
Simon,
Regarding the hyphenation of sanctus, the difference is between the spoken
word and the sung word.
If spoken the hyphenation would be sanc-tus, since that is how it is
pronounced.
Only vowel sounds can be sustained by the voice. This negates the
possibility of singing sanc-tus. The only pro
Hello,
The attached file, overlap.pdf, shows the first 13 measures of a piano
score. The staves overlap.
By experimentation, if the first two measure are eliminated the overlap does
not occur, NoOverLap.pdf.
Since the snippets would not met the requirement for being "small," they
were not
-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Nick Payne
Sent: Monday, September 08, 2014 9:07 PM
To: lilypond-user@gnu.org
Subject: Re: overlapping staves
On 09/09/14 12:11, Mark Stephen Mrotek wrote:
Hello,
The attached file, overlap.pdf, shows the first 13 measures of a piano
Pierre,
Perfect! Thank you!
Mark
From: Pierre Perol-Schneider [mailto:pierre.schneider.pa...@gmail.com]
Sent: Tuesday, September 09, 2014 7:35 AM
To: Mark Stephen Mrotek
Cc: Nick Payne; lilypond-user
Subject: Re: overlapping staves
Hi Mark,
2014-09-09 9:10 GMT+02:00 Mark
Neil,
Does the attached work?
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of Neil
Thornock
Sent: Friday, September 12, 2014 7:36 AM
To: Phil Holmes
Cc: Lilypond users
Subject: Re: multimeasuerrest
Joey,
“Tying notes across voices” located at
http://www.lilypond.org/doc/v2.18/Documentation/learning/other-uses-for-tweaks
would be a good place to start.
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Beh
Stefan,
>From your snippet I assume you want a cautionary accidental on the fifth
>quaver in the upper voice. In an “unfold” all of the notes are the same.
>Therefore just one of them (other than the first) cannot have an accidental.
>See if the attached accomplishes what you want.
Mark
Ming,
In m66, and m67 you have an unassigned number, i.e. a 4.
Your time signature is ¾, yet there are 4 beats written in the first measure
of the upper voice of the screen shot.
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=
Hello,
In the attached file, Stem Up Lower.ly, the stems are correctly aligned.
When the pitches are raised an octave (where they should be), Stem Up
Upper.ly, the stems conflict.
What must I do to get the upper version have the same stem alignment as the
lower?
Thank you for your kind
se?
Mark
From: Pierre Perol-Schneider [mailto:pierre.schneider.pa...@gmail.com]
Sent: Saturday, September 27, 2014 12:15 AM
To: Mark Stephen Mrotek
Cc: lilypond-user
Subject: Re: stem comflict
Hi Mark,
2014-09-26 22:40 GMT+02:00 Mark Stephen Mrotek :
What must I do to get the upper
Trevor,
Thank you for the information. Knowing my coding was correct is a happy thing.
Pierre’s suggestion worked perfectly.
Mark
From: Trevor Daniels [mailto:t.dani...@treda.co.uk]
Sent: Saturday, September 27, 2014 3:40 PM
To: Mark Stephen Mrotek; 'Pierre Perol-Schneide
Jay,
Maybe this works,
\version "2.18.2"
\new Voice
\relative c' {c^\markup {\left-align "Left-Align"}
d e f g a b c}
}
\new Voice
\relative c' {c^\markup {\right-align "Right-Align"}
d e f g a b c}
}
\paper {indent = 0\cm}
\layout {}
Mark
Ming,
Upper voice, measure three, at the beginning, add "\acciaccatura s8."
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
MING TSANG
Sent: Thursday, October 02, 2014 5:50 AM
To: lilypond-user@gnu.or
Hello,
Where is the manual for the previous stable version (2.16?) located?
Thank you.
Mark
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Thank you, Simon.
Mark
From: Simon Albrecht [mailto:simon.albre...@mail.de]
Sent: Monday, October 06, 2014 12:21 PM
To: Mark Stephen Mrotek; lilypond-user@gnu.org
Subject: Re: previous version manual
Am 06.10.2014 um 21:14 schrieb Mark Stephen Mrotek:
Hello,
Where is the manual
Frederick,
Does this work?
\version "2.18.0"
\new Staff = "treble" \with { \consists "Span_arpeggio_engraver" }
<< \relative c'' { \set Staff.connectArpeggios = ##t \key a\major
<< { \voiceOne e2 \arpeggio a, } \\
{ \voiceThree e4 \arpeggio e e fis8 g } \\
{ \voiceTwo cis,1
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