hort shrift from the experts for
various unintended infaractions of list etiquette.
I must not reply to a list message and always cut and past into a new message
for lilypond-user@gnu.org.
I have written this out one hundred times but thought best not to copy it to
the list.....:)
s do not contain a single source including a
precise definition of all the markup options - similar to
a c++ manual say.
References are spread over a number of manuals, searches usually result in
either a huge number of hits or none either way it is
difficult to resolve problems.
It is not mean
On Thu, 6 Sep 2012 03:36:40 -0700 Graham Percival wrote
Notation A.10 is intended to give such a source of definitions.
>
>- Graham
>
Ah I had downloaded all twelve of the pdf manuals which I routinely search via
the Adnaced Search option to find inspiration and or
confusion.
Notation A.10 is i
>As others have said, it is definitely in the notation PDF.
>
>As an alternative to searching (which always used to be my first
>port-of-call) may I suggest you explore using the index
>instead or as well.
>You may find that quicker and more accurate.
>
>If you have specific proposals for improv
>From: Phil Holmes [mailto:m...@philholmes.net]
>Sent: Friday, September 07, 2012 10:44 AM
>> I seem to have touched a nerve somewhere.
>
>Not at all. I'm simply offering alternative ways to look for what you're
>trying to do. If you are >trying to do anything
more complex than very simple
>-Original Message-
>From: Davide Liessi [mailto:dal...@gmail.com]
>Sent: Friday, September 07, 2012 11:44 AM
>To: Peter Gentry
>Cc: lilypond-user@gnu.org
>Subject: Re: RE:Markup query
>
>Hi Peter.
>
>2012/9/7 Peter Gentry :
>>>> As a small exa
>Message: 3
>Date: Fri, 07 Sep 2012 11:53:30 +0200
>From: David Kastrup
>To: lilypond-user@gnu.org
>Subject: Re: Markup query
>Message-ID: <87sjau17mt@fencepost.gnu.org>
>Content-Type: text/plain
>
>"Peter Gentry" writes:
>> Another puzzl
signature centered?
\version "2.15.41"
\new TabStaff {
\tabFullNotation
R1
}
--
Peter Crighton | Musician & Music Engraver based in Mainz/Wiesbaden, Germany
http://www.petercrighton.de
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ment.png
Other users web site urls in list messages work all the lists.gnu.org links fail
regards
Peter Gentry
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_
From: Peter Gentry [mailto:peter.gen...@sunscales.co.uk]
Sent: Saturday, September 08, 2012 11:20 AM
To: 'Tim Reeves'
Subject: RE: Failing UTRLs in user digest messages
Tim
Yep I loved XP Pro but Vista came with the machine and pennies count.
To be honest I don&#
Thank you, that’s great!
It’s wonderful that LilyPond is so good already, but keeps getting
even better constantly. Every time I run into a problem it is already
going to be fixed in one of the next versions, I like that!
--
Peter Crighton | Musician & Music Engraver based in Mainz/Wiesb
programs absolute is the way to go - why is relative
favoured so much? Imagine reading a printed score if it used relative notation
(if that were possible).
regards
Peter Gentry
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>
>Well, I don't think the rest of us are abnormal. A few
>minutes practice for most normal people is all it takes ;)
>
>Trevor
Ah but you are dealing with a brain that always gets the fence/fence post count
wrong. It does not come easily even after repeated
training - so maybe I'm the one
Hi list,
Is it possible to force an extra bar line in the form
\bar ":"
when inserted into a multi-stave score to only apply to one staff
instead of the default where the dots are added to all staves?
Many thanks,
Peter
--
//=====
-> Peter O&#x
Thanks a lot. I have a related question which was raised by one of your
suggestions but I've put it in a new message.
Regards,
Peter
On 09/17/2012 01:16 AM, Thomas Morley wrote:
2012/9/16 Peter O'Doherty :
Hi list,
Is it possible to force an extra bar line in the form
\bar
Hi list,
Can someone please help me with this piece of code? I'm trying to create
measures with polymeters but the line breaking isn't working, and
generally the result is a complete mess. The full code is in the attachment.
Many thanks,
Peter
--
//====
I'm sure this has been answered many times before - I have searched the manuals
but no luck.
{ g'''4 \p ( \< e'''4 \! \> d'''4 \!) }
How can I position the p dynamic and the following hairpin nicely.
I have attached a graph
Thanks for both solutions
\once \override DynamicText #'X-offset = #-2.7
g'''4 \p ( \< e'''4 \! \> d'''4 \!)
Gives the result I was striving for.
regards
Peter Gentry
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s that it is not always intuitive - that is why learning it is so difficult
for new comers.
regards
Peter Gentry
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his when a default
articulation is implied?
Would it be prudent for a blundering old fogie to always supply an articulation
even though it may be implied?
regards
Peter Gentry
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David,
Thanks. Hardly worth the effort! I think I'll just try to ignore my allergy to
leading zeroes in dates. Or not do any engraving 1-9 of the month.
I'm no LISP expert, apart from knowing that it stands for Lots of Irritating
Surplus Parentheses.
Best regards,
Peter
ma
ypond template? I can't find any reference to such a thing
in the documentation, apart from an informal use of the word to refer to a
snippet which sets up a stave system. As opposed to a (e.g. MS word) template
file which contains layout and preference features.
Best regards,
Peter
ma
David,
Thanks. I sort of thought so, but being a newbie to Lilypond & Frescobaldi I
might have missed something.
Is there any way in Frescobaldi of changing the default header? The
documentation's a bit sparse.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.
the “-7” being visible beneath the TabStaff, but not beneath
the Staff. Any ideas?
Also, I noticed that “\override Staff.TextScript #'stencil = ##f” would
hide the markup both in Staff and TabStaff, whereas I expected it to still
be visible in the TabStaff. Why is that? Is there a way to hide a mar
2013/6/25 Thomas Morley
> 2013/6/24 Peter Crighton :
> [...]
> > Is there a way to hide a markup in the
> > Staff only, but show it in the TabStaff?
>
> Hi Peter,
>
> use \tag
>
> Not sure if it's really what you want, though your example could l
k. Like this, but in
reverse: http://youtu.be/ROVm0NQrS0o
“w/bar” is the common notation for the use of the whammy, but in tab
notation some kind of indication for the interval is needed, thus the -5.
--
Peter Crighton | Musician & Music Engraver based in Mainz, Germany
http://www.petercrighton
ing something to save himself 5 minutes.
Regards,
Peter
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Hi list,
I know this has been asked before but I still haven't managed to find a
suitable solution.
How to end a measure with a grace note (group), without causing this
error: "programming error: bounds of this piece aren't breakable."?
That's exactly what I was looking for.
Thanks a lot!
On 07/10/2013 05:02 PM, Eluze wrote:
Am 10.07.2013 16:07, schrieb Peter O'Doherty:
Hi list,
I know this has been asked before but I still haven't managed to find
a suitable solution.
How to end a measure with a gr
Hi list,
Where should the line
#(set-accidental-style 'dodecaphonic)
be added in a multi-part score to get it to apply to all parts?
Adding it to the \Score block doesn't seem to work.
Many thanks,
Peter
--
//=====
-> Peter O'Doherty
-> http://
f I move the "\tempo" above the "\new Staff" or outside the "<<" I get a new
staff with n o lines, and still no tempo indication.
How do I do it, please? I can't see it in the snippets.
Regards,
Peter Toye
mailto:lilyp...@ptoye.com
www.ptoye.com
Thomas,
Thanks. Works a treat.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Tuesday, August 13, 2013, 4:47:42 PM, you wrote:
> 2013/8/13 Peter Toye :
>> I want to put a tempo marking (e,g, Allegro) into a song above both the
>> piano par
forum would be the best place to seek help. I can't believe they
are less helpful than the Windows community.
regards
Peter Gentry
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ed as duples and the lower
as triple."
regards
Peter Gentry
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Great! Thanks a lot!
Peter
On 08/30/2013 10:21 PM, Robin Bannister wrote:
Peter Bjuhr" wrote:
My starting point was that this could be achieved by using some kind
of alternative arpeggio, but so far this has not been a successful
approach.
Here is a rough sketch of such an app
Thanks!
Perhaps it's interesting to note that this (to put the arrows above the
stave) is actually what is recommended by Gould in the book for multiple
strummed chords in succession.
But in my case I'm doing single strums.
Peter
There's a flamenco snippet in the LSR which d
a tie, mostly because
it uncommon to slur notes of the same pitch. But I don't think it is
preferred practise to use it this way. The double dot could be used, but
in contemporary notation I think a tie is preferred.
Peter Bjuhr
\version "2.16.2"
\relative c'' {
\voi
Hi Janek,
I think it would be interesting to know more about of your changes to
the Feta font. Your example looks very nice, and the font can be a
little heavy I think.
Best
Peter Bjuhr
On 09/02/2013 03:59 PM, Janek Warchoł wrote:
Hi,
2013/9/2 Urs Liska :
Hi,
I'm compiling a sele
On 09/03/2013 05:36 PM, Janek Warchoł wrote:
2013/9/3 Peter Bjuhr :
Thanks, exciting!
I haven't, but maybe now is a good time to set this up!
Definitely :)
What operating system are you using? I can give you some help if you'd like.
That would be nice, thanks. I'm using U
tyles", or
I'm misunderstanding this!?
Best
Peter
On 09/03/2013 03:54 PM, Janek Warchoł wrote:
Hi,
2013/9/3 Peter Bjuhr :
Hi Janek,
I think it would be interesting to know more about of your changes to the
Feta font. Your example looks very nice, and the font can be a little heavy
ounds great! I have set up GitHub so I guess I have git
installed. Or do you need something different for this?
Regarding the command-line I can't say I'm an advanced user. But I do
use it (mostly for musicxml2ly).
Best
Peter
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eness! Everything went well, I have
"successfully built lilypond" according to the output!
Thanks a lot for the help. It was a lot easier I think!
Best
Peter
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modified font...
Best
Peter
On 09/03/2013 09:44 PM, Peter Bjuhr wrote:
On 09/03/2013 06:36 PM, Janek Warchoł wrote:
ok. Let's see if the scripts i wrote are as awesome as i think :)
Please run the attached script. After it finishes, run
~/path-you-specify-in-previous-script/janek-sc
On 09/04/2013 04:32 PM, Janek Warchoł wrote:
BTW, i've just made some small improvements to the build script, so
you can go to the janek-scripts/ directory and do a 'git pull' to get
them.
Done, thanks!
Best
Peter
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is time. Is that the problem?
Best
Peter
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feta modification branch is there but not the experimentals above.
Did I look in the wrong place for these?
Do I use some of your scripts to merge the branches?
I'm sorry to ask, I'm not so experienced with git yet...
Best
Peter
___
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#x27;t do pull, sorry.
I did it now and run build-lily.sh again. But this time I got an error:
make: *** [all] Error 2
real0m30.033s
user1m30.064s
sys 0m3.596s
Make failed.
Exiting.
Best
Peter
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lilypond-us
On 09/04/2013 06:24 PM, Janek Warchoł wrote:
I see. Quite strange, this commit builds fine on my machine. Please
try building from scratch (use my script with -s option), and let me
know if it fails again.
Now the build was successful! Thanks again!
Peter
89faaa4e31
Thanks, it looks interesting!
Best
Peter
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89faaa4e31
Is this what I need to do next to get the remote branches?
http://lilypond.org/doc/v2.17/Documentation/contributor/working-with-remote-branches
Best
Peter
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Ok! I'll try out IRC!
Peter
On 09/04/2013 09:02 PM, Janek Warchoł wrote:
2013/9/4 Peter Bjuhr :
If everything is set I'll do a test!
Attached is an image creating with old version 2.16. This is of course
regular feta font.
And an image created with the new version (2.17). This
>
>Hi Peter,
>
>> How does one create a hairpin that crosses the barline but
>ends at the first note in the bar?
>
>http://lsr.dsi.unimi.it/LSR/Item?id=595
>
>Hope this helps!
>Kieren.=
Just the ticket thanks.
I had searched the hairpin interface but didn
B) this hairpin extends too far
g4-. r4
}
Thanks for any advice
Peter Gentry
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>
>Hi Peter,
>
>> How does one create a hairpin that crosses the barline but
>ends at the first note in the bar?
>
>http://lsr.dsi.unimi.it/LSR/Item?id=595
>
>Hope this helps!
>Kieren.=
Just the ticket thanks.
I had searched the hairpin interface but didn
I know there is already bug report for this:
https://code.google.com/p/lilypond/issues/detail?id=2942
But I’d like to know if there is some kind of workaround that I’m missing.
Any ideas?
--
Peter Crighton | Musician & Music Engraver based in Mainz/Wiesbaden, Germany
http://www.petercrighto
I use 2.17.24, haven’t got to the update yet – but that would be fantastic
if it was fixed in the new version! I’ll try it out, but probably only
tomorrow.
--
Peter Crighton | Musician & Music Engraver based in Mainz, Germany
http://www.petercrighton.de
2013/9/5 Eluze
> Peter Crighto
le voice instead of
voice 3. And that do seem appropriate for the passage.
Best
Peter
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I revise my answer from yesterday:
On 09/05/2013 11:48 PM, Peter Bjuhr wrote:
2, the e,2 in the second voice is hidden by the d8 in the third voice
isn't that a bug ?
(I think you mean the e8 in the third voice.) I don't think it is a
bug, but it's contradictory to the t
to the
experts. But this and your previous question hints at you wanting to use
some kind of part combining!?
How do I make the \fermataMarkup merge ?
For the fermata you could perhaps find a solution here:
http://lsr.dsi.unimi.it/LSR/Item?id=372
Best
Peter
__
l don't think it is a bug. If you use /oneVoice in this way
you have accept some additional fixing, which is also documented below.
Best
Peter
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.16.2"
\relative c'' {
\clef "treble"
\time 3/4
r2 e4\pp-\tweak #'minimum-length #8.0 \< ~
e2\> e4-\tweak #'minimum-length #6.0 \< ~
e2\> e4\! | % this hairpin is too long
d2.
}
thanks
Peter Gentry
___
xe or possibly just use the blank dynamics staff to input hairpins
in Lilypond.
It's a bit messy however you do it.
>-Original Message-
>From: Kieren MacMillan [mailto:kieren_macmil...@sympatico.ca]
>Sent: Friday, September 06, 2013 2:18 PM
>To: Peter Gentry
>Cc: lilyp
nimi.it/LSR/Item?id=372
Thanks, that worked.
Great, thanks!
Best
Peter
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o that of a
crotchet. The Midi engine would creat a bar with an extra crotchet of silence?
The second solution overcomes this and is much less complicated than a full
staff of dymanics even if it is a bit cumbersome.
Thanks again your suggestions were very clear and succinct unlike my ramb
the reason is probably the same as Gould's rationale, which I
suggested in a previous mail - it will obscure the part writing. But
obviously the result you are after can be achieved in same way. I will
look into it further in a moment...
Best
Peter
_
On 09/06/2013 06:24 PM, Peter Bjuhr wrote:
But obviously the result you are after can be achieved in same way. I
will look into it further in a moment...
Maybe this is in the right direction...
\version "2.17.10"
lcl = { \revert MultiMeasureRest #'staff-position }
ma = \rel
ly. Perhaps you could
upload the files somewhere else and post the links instead?
Best
Peter
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h a
length of 1/4 each in a 4/4 measure):
\layout {
\context {
\Score
\overrideTimeSignatureSettings
4/4
1/4
#'(1 1 1 1)
#'()
}
}
--
Peter Crighton | Musician & Music Engraver based in Mainz, Germany
http://www.petercrighton.de
Am 08.09.2013
slash that affects the performance, I think it is
that the slashed grace notes should be even faster than without the
slash.) But maybe you have another view on this? That said, I agree that
the practise to use the slash is far too common to be ignored.
Best
Peter
/detail?id=1333
The beaming I couldn't find anything about, so it's maybe (not yet)
considered an issue. If there are no objections from the list you could
perhaps add it as a request!?
Best
Peter
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a look here:
http://hindson.com.au/info/free/free-fonts-available-for-download/
(I'm not sure though that the conductor signs are included...)
Best
Peter
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m/fis
}
}
\context Staff {
\clef "treble_8"
< fis b d' fis'>1 ^\markup
\fret-diagram #"c:5-1-2;6-x;5-x;4-4;3-4;2-3;1-2;"
}
>>
Best
Peter
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includes.
Today all parts are affected (which was the intention).
I don't understand the program code to be able to judge if this is a buglet or
whether it is an artefact of my use of Frescobaldi.
Either way the horizontal spacing function is much appreciated. Thanks
but no meand of replying to the list. I must be missing something!
regards
Peter Gentry
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d into the
development version. Any feedback is welcome!
Best
Peter
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yQt4, popplerqt4 and pypm (from pygame) when used on MS
Windows.
To use the script you need cx_Freeze and Inno Setup.
http://cx-freeze.sourceforge.net/
http://www.jrsoftware.org/isinfo.php
http://www.python.org/download/
Best
Peter
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Hello Gilberto,
No problem, I understand completely. I would also hesitate to go through
that process. It's easier on Ubuntu.
I just wanted to mention it because it was you and this thread who gave
me the idea to add this quick insert.
Best
Peter
On 09/26/2013 05:37 PM, Gil
ivalent of
\drums { sn8 sn8 ~ sn8 sn8 }
%using variables?
% This does work!
A = \drummode { sn8 sn8 ~ }
\score {
\new DrumStaff
{ \A \A }
}
%end with a tie
{ b'4 a' g' b' ~ }
Best
Peter
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lilypond-user
raver.cc and
ly/engraver-init.ly) and rebuilt. But the new autobeaming doesn't
appear. Can you see some obvious reason why not?
Best
Peter
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he
introduced to me some weeks ago). But I'm working on it (with support on
gitHub).
Best
Peter
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rsion installed, and I run the 2.17 development
versions from respective out/bin/lilypond.
Best
Peter
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On 09/28/2013 08:49 AM, Urs Liska wrote:
\version "2.17.26"
% How could I write the equivalent of
\drums { sn8 sn8 ~ sn8 sn8 }
%using variables?
% This does work!
A = \drummode { sn8 sn8 ~ }
\score {
\new DrumStaff
{ \A \A }
}
%end with a tie
{ b'4 a' g' b'
ll be happy to take
part!
Best
Peter
\version "2.17.28"
% test of new grace auto-beamer
% simple #OK
{ \grace { c'8 d' } e'4
\grace c'8 e'}
% acciaccatura #OK
{ \acciaccatura { c'8 d' } e'4 }
% appoggiatura #OK
{ \appoggiatura { c'8 d&
f the ties can be connected they are, otherwise only a
warning is issued. But is there a more preferred way of doing it?
\version "2.17.28"
A = \relative c'' { a4 b d c ~ }
B = \relative c'' { c aes des g }
C = \relative c'' {cis e, gis a ~ }
\score
notation/modifying-single-staves#ossia-staves
Best
Peter
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Still a newbie here, I'm afraid. I'm trying to add a temporary extra voice to
what is normally two-part polyphony using the << \\ >> notation. And it gives
an error:
D:/Peter/Music/Lilypond/Purcell/VoiceBug.ly:26:7: warning: adding note head to
incompatible stem (type = 1
Thanks David. Hadn't realised that.
I've used \new Voice and it's fine.
Peter
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| % 65
\acciaccatura { es,8 } e'4\fermata\f es4\fermata\p f8 [ es8 ] | % 66
}
}
\midi {}
}
regards
Peter Gentry
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>> The problem vanishes if the \tempo specification changed to 179 or
>> slower.
>
>When I use LilyPond on the input you posted, the .midi file looks fine.
>
>LilyPond uses 384 ticks per crotchet and sets the tick rate
>based on the tempo. At 180 beats per minute, that would be a
>70-kHz tick r
Have a look at the Notation Reference:
http://lilypond.org/doc/v2.16/Documentation/notation/common-notation-for-fretted-strings.html#custom-tablatures
The tuning for a five-string bass is called #bass-five-string-tuning.
--
Peter Crighton | Musician & Music Engraver based in Mainz, Germany
Thanks Michael - I should investigate the blog more.
Regards,
Peter
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ing of the bar but in the
right position vertically. How can I position the rest in the correct place on
the staff?
Regards,
Peter
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Phil,
Thanks. Works fine.
Best regards,
Peter
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-
Sunday, October 13, 2013, 5:49:48 PM, you wrote:
The best way (IMHO) is to use \oneVoice before the rest, then put the voice
back (e.g. with \voiceOne) afterwards. Alternatively
Windows Vista and IE9 Nothing happens when I try to download something that
comes from s3.amazonaws.com whatever that is. The
browser freezes.
This GIT stuff seems completely baffling and unhelpful why is it used? I love
Frecobaldi but not the download options.
>Date: Wed, 16 Oct 2013
Windows Vista and IE9 Nothing happens when I try to download something that
comes from s3.amazonaws.com whatever that is. The
browser freezes.
This GIT stuff seems completely baffling and unhelpful why is it used? I love
Frecobaldi but not the download options.
Sorry about last post I
Using Google Chrome the download works. I dilike Google and all its works but
needs must...
regards
Peter Gentry
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I have resoved this issue. The problem was in the Advanced Internet Options. I
had checked "do not save encrypted pages to disc" -
clear this and all is well. Does this leave one a bit more open to malicious
software though?
regards
Pe
up
Peter Gentry
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From: David Kastrup
To: lilypond-user@gnu.org
Subject: Re: Frescobaldi 2.0.11
Message-ID: <87iowvzx02@fencepost.gnu.org>
Content-Type: text/plain
"Peter Gentry" writes:
> David David
>
> How was that bad mouthing you? Certainly not the intention.
>>> I d
I want to indicate a hemiola - the best method seems to be horizontal brackets
indicating each double-length beat.
I can't find anything in the documentation or snippets telling how to do it.
What am I missing please?
Regards,
Peter
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