Re: music function with access to context properties like currentBarNumber?

Am 16.07.2015 um 09:05 schrieb Jan-Peter Voigt: The problem is, that one has to unfold the music expression during iteration, so he may need to build a parallel music iterator, that creates the needed grobs. That sounds misleading. I don’t understand this completely (never heard of music iter

Re: music function with access to context properties like currentBarNumber?

Thank you for this hint. This doesn’t work with arbitrary bar numbers (‘oboe enters at bar 33’) but with tags at special places (‘oboe enters at second theme’). But that’s perfect for my use case. (I only asked for bar numbers because I thought that this would be easier to implement.) Am 18.07

Re: music function with access to context properties like currentBarNumber?

Thank you for this explanation. I’ll use Mark’s solution for now but when I have some spare time I’ll come back to this and learn more about music iterators and the compilation process. Am 18.07.2015 um 13:09 schrieb David Kastrup: Malte Meyn writes: Am 16.07.2015 um 09:05 schrieb Jan

Re: Repeated Spiral Line

I don’t have a very clear idea but I know that the music font “Bravura” has these and similar symbols. So you might consider using this font or perhaps its LilyPond adaptation “Profondo”. Links to Bravura/SMuFL: http://www.smufl.org/fonts/ (the font) http://www.smufl.org/files/smufl-1.18.pdf (s

Re: Attachment size

The GIMP can export to jpg and png; in the export window you can change the compression level or quality – higher compression means lower quality but also smaller files. How much the file size changes and which image format is better (in quality, file size, …) depends on the image content. Am

Re: Key Signature only on first staff

You have to insert the \omit commands not in the first bar but later. The following code hopefully does what you want. Explanation: I used a spacer rest (s1) in global. Because this would move not only the \omits but also the beginning of the melody, I moved the \global from the beginning of th

Re: lilypond-user Digest, Vol 152, Issue 74

;s Topics: 1. Re:CueVoice related display problem (Menu Jacques) 2. Re:Problem with merging notes and accidental placement in two voices (Simon Albrecht) 3. Re:Attachment size (Malte Meyn) 4. Re:Key Signature only on first staff (Brother Gabriel-Marie) 5. Re:Key Signature o

Re: sharping naturals

If you don’t want to write things like \relative { \key b \major b cis dis e fis gis ais b } you could enter it in another key and use the transpose function: \transpose c' b \relative { \key c \major c' d e f g a b c } \transpose bes b \relative { \key bes \major bes c d es f g a bes } Accide

Re: sharping naturals

Am 23.07.2015 um 19:15 schrieb Christopher R. Maden: They will look different, but will be the same notes. The music describes itself; the key signature affects presentation.[*] That’s true and I think that this is one of LilyPonds strengths as it allows to be very flexible with transposing,

Re: header below the score

Am 23.07.2015 um 22:51 schrieb Brother Gabriel-Marie: How can I display a "header" below the score? I want some text to tell the reader to repeat the chorus after each verse. You don’t need any special header fields for this, just a \markup. \header { title = "my song" } \score { [here come

Re: sharping naturals

Am 24.07.2015 um 10:12 schrieb Peter Bjuhr: I think you misunderstood Malte's (not completely properly worded) question. He didn't use 'lead' in the sense of leading note. What he meant is: "If a key signature of b major (five sharps) is given and in a notation system typing 'g' would be interp

Re: sharping naturals

Am 24.07.2015 um 09:47 schrieb Robert Schmaus: So, here's how you get rid of your accitentals: Just pray them away. You might possibly be right in general but there’s no need to be so rude! It might be that you don’t understand religion but be tolerant and don’t offend anyone.

Re: sharping naturals

Am 25.07.2015 um 01:32 schrieb Kieren MacMillan: > I’m no Scheme expert, of course… but it seems there should be a relatively > easy way to code a music function which says “take all pitches [entered as > ’naturals’] and add any accidentals which exist in the corresponding key > signature entr

Font search path (Linux)

Hi list, I would like to have the fonts from fonts.openlilylib.org in a directory that is not overridden when installing a new version of LilyPond but found by the program. Is this possible and if yes, where would that be? I use the installation scripts from the LilyPond website for Linux 64 bit

Re: Merge_rests_engraver bug with whole measure rest?

Am 10.12.19 um 10:57 schrieb Thomas Morley: Am Di., 10. Dez. 2019 um 10:42 Uhr schrieb Jens Gyldenkærne Jensen : The example from the manual regarding merging of rests (http://lilypond.org/doc/v2.19/Documentation/notation/multiple-voices#merging-rests) show a strange difference between who

Re: A suggestion - add rf to built-in dynamics

Am 21.12.19 um 13:42 schrieb Peter Toye: May I suggest adding 'rf' to the built-in dynamics? Beethoven and Brahms used it quite a lot, even if it is synonymous with 'rfz' (pedants might disagree). As did some other, lesser, composers (one of whose music I am currently engraving). A far as

Re: Separating note names into pitch and accidentals

Am 22.12.19 um 10:51 schrieb Hans Åberg: To simplify the writing of note input names, they might be separated into separate parts for pitch and accidentals (or intervals). Testing this, I made C++ code where one first reads the longest pitch name available in a table, and then proceeds for

Re: A suggestion - add rf to built-in dynamics

Am 22.12.19 um 13:23 schrieb Peter Toye: I agree about \sp and \spp - what on earth are they meant to mean - a sudden quiet note in the middle of louder ones? Not a common musical gesture. Maybe they mean “subito piano” and “subito pianissimo”? Then they would not be for only a single not l

Re: Output file extension

Am 23.12.19 um 03:31 schrieb Paolo Prete: is it possible, in some way (without an external script) to override the extension for the output file? I need that output.svg is renamed as output.html Yes, that’s possible. The extension .svg as well as .preview.svg, .cropped.svg and -[number].s

Re: Output file extension

Am 23.12.19 um 10:19 schrieb Malte Meyn: might have something to do with Scheme modules The reason for this guess: I copied and changed the definition for output-preview-framework and it didn’t work as expected. So I looked where this function is called and found the file lily/paper

Re: Frescobaldi Quick key for Lily button

Am 29.12.19 um 16:44 schrieb Freeman Gilmore: In Frescobaldi is there a quick key that can be used in place of the Lily button? Yes, it’s Ctrl+M.    And one that will also clear the Music View or better one that would do both?    The problem is that the old view may not be updated when you

Re: positioning a natural

Am 03.01.20 um 06:55 schrieb Mark Stephen Mrotek: Hello All, In the following the natural should be associated with the a4. Any suggestions/corrections welcome. How about this? \version "2.19.83" \relative c'' { << { ais8 ([b]) } \\ { \once \override NoteColumn.forc

Re: align aftergraces

Am 04.01.20 um 17:38 schrieb Mark Stephen Mrotek: Hello all, In the following, the two aftergraces do not align. The 15/16 in \afterGrace 15/16 … is not a duration but a fraction of the duration of the following note. In the upper staff you have a half note, in the lower staff a quarter n

Re: named strings in TABs

Am 05.01.20 um 10:55 schrieb bb: I named the strings in my TABs successfully as long as I use natural note names. If I use flats and sharps I get an error. How do I gat flats and sharps? How did you input the sharps? #, ♯, or \sharp? The character # is special in LilyPond, you’d have to enc

Re: Custom MMR Range engraver problem under 2.19.83

Am 06.01.20 um 00:02 schrieb Craig Dabelstein: Hi all, I've been using the custom mmr-range-engraver (from this thread: https://lists.gnu.org/archive/html/lilypond-user/2016-02/msg00505.html). It was working perfectly under 2.19.82 but won't work under 2.19.83. No error messages at all. Ju

Re: hide Stuff

Am 13.01.20 um 16:02 schrieb bb: I need the Stuff only for midi output and want to hide it from the pdf. Is it possible? regards Yes, you can use several \score blocks or the \tag command.

Re: hide Stuff

Please keep all conversation on the list. Am 14.01.20 um 11:36 schrieb bb: Thanks for reply. Works only partially. 1st there stays a Staff artefact This is because you tagged only the music inside the staff, not the staff itself. 2nd ther is no midi sound for the hidden notes I need the

Re: Double Parenthesis

Am 09.02.20 um 15:02 schrieb Freeman Gilmore: This is taken from the "Scheme Book". Question why double parenthesis for let ((rand (random 100))) ? A let expression can have several definitions, f. e. (let ( (rand (random 100)) (notrand (* 6 7)) ) […] )

Re: version 2.18.2 - incorrect bar numbers with full measure rests

Am 18.03.20 um 17:44 schrieb Eby Mani: With 4/2 time, Bar numbers are incorrectly printed when using full measure rests. Even printing bar numbers for each measure is numbered incorrectly(attached sample). \context {\Score \override BarNumber.break-visibility = #all-visible } Is there a wa

Re: raise markup

Am 22.03.20 um 09:06 schrieb bobr...@centrum.is: I've created a markup, simplified to 'X' in my example, and I would like to move it up partway into the staff. I can move it down with a negative number but it won't move higher than '0' in \translate. There must be a way to do this. Yes,

Re: Strange gap-behaviour with whole-note tremolo Beams

Am 27.03.20 um 12:23 schrieb Thomas Morley: I have no clue why this happens and where those added values came from. Any insights? Wild guess, to be tested: ll. 558 ff. of beam.cc.

Re: strange time changes - req help

Am 28.03.20 um 15:30 schrieb Aaron Hill: Would something like this work? \version "2.20.0" {   \time 4/4   \partial 8*7 | b'2 4. \bar "||" You don’t need this \partial 8*7. In fact it’s better to omit it for correct autobeaming and bar checks. (Your code gives a bar check warning.

Re: acciaccatura issue

Am 19.10.18 um 03:24 schrieb Jay Hamilton: I don't understand why the acciaccatura note is before the time signature in the third measure of this example That’s issue 34: https://sourceforge.net/p/testlilyissues/issues/34 Please explain or let me know where to find a solution. Please

Re: \RemoveEmptyStaves not removing first line

Am 29.10.18 um 05:52 schrieb Lukas-Fabian Moser: I am currently engraving a song for soprano and piano which begins with 15 measures of piano solo. I would like the soprano's staff not to show since it is not playing. \RemoveEmptyStaves does not seem to hide the first line of the piece.

Re: version 2.18 is too old...

Am 29.10.18 um 17:05 schrieb Mike Dean: 1. Yes, it did […] On Mon, Oct 29, 2018 at 12:01 PM Sam Bivens > wrote: Hi Mike, Does your version statement in the file youre compiling say 2.18.2? Sam Then you probably included a file which contains a

Re: chord duration

Am 31.10.18 um 09:00 schrieb Gianmaria Lari: The following code... \version "2.19.82" \new ChordNames \chordmode { c8~c2 } displays C C. How can I make it display a single C chord that last 8~2? There are several possibilities: %%% \version "2.19.82" \new

Bug? \clef makes Staff disappear

Hi list, I’m not sure whether the following comes from my missing knowledge or a bug. In the code below, adding the clef makes the Staff disappear. Why? % \version "2.19.82" << \chords { c } \relative { \clef bass c' } >> %

Re: Bug? \clef makes Staff disappear

Am 12.11.18 um 18:51 schrieb Michael Hendry: On 12 Nov 2018, at 17:30, Malte Meyn wrote: % \version "2.19.82" << \chords { c } \relative { \clef bass c' } % It works correctly for me, but I’m using Li

Re: Bug? \clef makes Staff disappear

Am 12.11.18 um 19:00 schrieb Torsten Hämmerle: Hi Malte, You'll have to introduce a \new Staff. Otherwise, the \relative clause (pun, pun…) will just be parallel music in ChordNames mode and in ChordNames, there are no clefs. Thanks to both of you, David and Torsten, for the explanations. I

Re: Comparison of Musescore, Sibelius and Dorico -- would like to add Lilypond

Am 26.11.18 um 23:36 schrieb Abraham Lee: Ok, everyone. I have finally gotten around to adding data about LilyPond. I felt pretty confident in the Notation and Engraving tabs, pretty solid marks there, but more uncertain about the Playback tab entries. I'm honestly not sure what they should b

Re: Possible bug with tempo mark spacing

Am 28.12.18 um 04:54 schrieb Saul Tobin: When using a context like MarkLine for tempo marks, if the staff immediately below the MarkLine is hidden but contains rhythmic activity, and if BOTH Y-offset and extra-spacing-width are overridden for MetronomeMark, the first rhythmic column will st

Re: How to auto print empty measures?

Am 28.12.18 um 21:22 schrieb Philip Bergwerf: When working with Lilypond I want Lilypond to print the empty measures from every instrument, like how Denemo is doing by default. For example: instr. 1 has 10 measures of music. I want lilypond to print the empty measures of all staffs in the proje

Re: Whole measure rest in 9/4 time

Am 30.12.18 um 10:21 schrieb Andrew Bernard: Hi David, What does usable-duration-logs mean? The NR internals section says: usable-duration-logs (list): '(-3 -2 -1 0) List of duration-logs that can be used in typesetting the grob. This says which rests can be used for a whole measure (depend

Re: The composition process doesn't get disrupted using Lily Pond?

Hi Yakir, Am 30.12.18 um 18:28 schrieb Yakir Arbib: Can anyone here who is a composer and uses LilyPond to compose give me some little insight about the process? I’m not a professional composer but I use LilyPond to do my composing homework for university ;) I mean if you are composing for

Re: Flat flared hairpins

Am 31.12.18 um 06:00 schrieb Andrew Bernard: I need some special flat, flared ended hairpins to indicate pulsing in a string quartet I am setting for a friend. So far, I managed to adapt a textspanner to do the job. It's fiddly but OK. However, because I use a custom graphic path markup for t

Re: Flat flared hairpins

Am 31.12.18 um 09:03 schrieb Andrew Bernard: Hi Malte, This is good. And thank you. But I need control over the flares over a line break. I really don't know what to do. I suppose this has to be coded in Scheme. I know Scheme well, but I don't understand this level of seemingly undocumente

Re: Flat flared hairpins

Am 31.12.18 um 09:58 schrieb Andrew Bernard: Why do you have to use cadr and not cdr on the ly:grob-set-property line? Isn't the broken part the second item in a list of two items? How to understand this? In Scheme, a list is a pair, containing the head/car (first element of the list) and

Re: note collision when in a chord there is a second above or below an unison

Am 06.01.19 um 16:08 schrieb Davide Bonetti: Hello everyone! Is there a way to avoid the note collision that appears in this example? \score {   1 } Short answer: yes. Long answer: You can do almost anything in LilyPond. In your case you could try changing the output (f. e. extra-offset

Re: note collision when in a chord there is a second above or below an unison

Hi Davide, please tell us what output you expected. Am 06.01.19 um 18:41 schrieb Malte Meyn: Long answer: You can do almost anything in LilyPond. In your case you could try changing the output (f. e. extra-offset) or the inpult (f. e. use multiple voices). But you have to know what the output

Re: Merge_rests_Engraver and dotted rests

Am 09.01.19 um 13:39 schrieb Michael Gerdau: Hi list, when merging dotted rests the Merge_rests_Engraver does keep 2 dots. Is this intentional (and why?) or a bug? It’s a bug. According to https://sourceforge.net/p/testlilyissues/issues/5179/ the second dot should be killed. But that’s

Re: Problem with german umlauts and with mapping text to notes

Am 13.01.19 um 13:42 schrieb Klaus Ethgen: - First there is the German umlauts. As you can see in the example, it is correct encoded in UTF-8 but the umlauts are encoded as "??". I did already try to use no bomb or even in latin1 encoding. But nothing helped. Cannot reproduce. Which

Re: select a note in a chord

Am 14.01.19 um 09:54 schrieb Davide Bonetti: Hello everyone. I'm looking for a function to select a note in a chord. This can be useful for automatic inversions, or to change the voicing (like the drop 2 in a four note chord). Hi Davide, what exactly are you looking for? A music function t

Re: Rakefile

Am 14.01.19 um 11:33 schrieb Craig Dabelstein: Hi lilyponders, Does anyone use a Rakefile for automating their lilypond engraving and would be willing to share an example file that I could follow? Hi Craig, I don’t know anything about Ruby and Rakefiles but I’ve used Makefiles some times.

Re: Increasing space between staves - how to?

Am 15.01.19 um 11:46 schrieb po_...@yahoo.fr: Hi, I have written a score with 4 staves (please see below) and I want to increase the space between the 3rd and the 4th stave, and *only* between the 3rd and the 4th stave. How could I do that ? Thanks. Hi, please always give a minimal *wo

Re: Watch indicator

Am 23.01.19 um 19:30 schrieb Trevor: Hi list Some time ago someone on the list posted some postscript (I think) which drew a pair of spectacles as an indication to a choir to watch the conductor. I've tried to find it again, but can't. Does anyone have a pointer to it? Trevor It’s a bui

Re: Request for contribution: font demonstration examples

Am 31.01.19 um 09:47 schrieb Urs Liska: * Classical "score" (e.g. an initial system of a Haydn symphony) Some measures of the 1st movement of Dvořák’s 9th symphony (copied from http://hz.imslp.info/files/imglnks/usimg/5/51/IMSLP54080-PMLP08710-Dvorak_op.095_Sinfonie_Nr.9_1.Adagio_Allegro_m

Re: Request for contribution: font demonstration examples

Am 31.01.19 um 11:42 schrieb Urs Liska: Hi Malte, thank you, that looks like a good example. I will have to see if I can reasonably manage the indent in the infrastructure (because by default some instrument names are cut off). And (maybe trickier) I will have to find a way to use \partco

Re: "Mensurstriche" (barlines between systems) and Repeat signs.

Am 01.02.19 um 11:37 schrieb Bernhard Kleine: I have the following and cannot find a way to have the repeat/volta signs displayed: I wonder why I haven’t had this idea several years ago but how about this?: \version "2.19.82" \defineBarLine "m" #'("" "" "|") \layout { \context { \Sco

Re: "Mensurstriche" (barlines between systems) and Repeat signs.

Am 01.02.19 um 14:19 schrieb Lukas-Fabian Moser: On my system, this does (in 2.18.82 as well as current master), this does "the right thing", but only because of The “right thing” only by accident: \defineBarLine "m" #'("||" "||" "||") has the same effect (single Mensurstriche between

Re: "Mensurstriche" (barlines between systems) and Repeat signs.

Am 01.02.19 um 16:53 schrieb Aaron Hill: "" is already a valid bar line that has an empty glyph, so just extend that one: \version "2.19.82" \defineBarLine "-span" #'("|" "|" "|") \layout { \context { \Score defaultBarType = "-span" } } \new StaffGroup << \new Staff \repeat unfold 12 b'

Re: "Mensurstriche" (barlines between systems) and Repeat signs.

Am 01.02.19 um 18:42 schrieb Aaron Hill: On 2019-02-01 9:04 am, Malte Meyn wrote: Am 01.02.19 um 16:53 schrieb Aaron Hill: "" is already a valid bar line that has an empty glyph, so just extend that one: \version "2.19.82" \defineBarLine "-span" #&#x

Re: Horizontal shifting of chords

Am 04.02.19 um 08:59 schrieb Robert Blackstone: Hi All, I have been transcribing a  piano piece in \time 4/2, that ends with a chord \breve. The penultimate bar ends with the same chord half note. What LilyPond does here I find rather ugly : both chords need more space, and I would like to

systems-per-page and ragged-last-bottom

Hi list, IMHO systems-per-page should be ignored on the last page if (and only if) ragged-last-bottom is set to ##t. I think that systems-per-page is used for even spacing and ragged-last-bottom = ##t shows that the user wants an exception to such an even spacing on the last page. Any other

Re: Short Fermata - Whole Measure Rest

Am 27.02.19 um 03:29 schrieb nagymusic: Is it possible to attach a short fermata to a whole measure rest, similar when using fermatas with regular rests: R1 \shortfermata? I know that \fermataMarkup works well with a regular fermata. Thank you! \fermataMarkup produces a MultiMeasureTextEvent

Re: Multiple measures rests question

Am 27.02.19 um 10:07 schrieb Jacques Menu: Hello, Compressing multiple measure rests can be handled with: \set Score.skipBars = ##t and: \compressFullBarRests as shown below by snippets taken from the LPNR. When and where should these be used? From property-init.ly: compres

Re: printKeyCancellation not working as expected

Am 27.02.19 um 16:13 schrieb SK: Hello, I would like to be able to change key signatures without ANY hints for educational purposes. For this I use Staff.printKeyCancellation set to false, together with the visibility options for key signatures. It works fine for most keys, but when changi

Re: Short Fermata - Whole Measure Rest

Am 27.02.19 um 09:23 schrieb Malte Meyn: Maybe one should add \shortfermataMarkup, \longfermataMarkup and \verylongfermataMarkup to LilyPond … This is issue 5486 now: https://sourceforge.net/p/testlilyissues/issues/5486 ___ lilypond-user mailing

Re: Question about eval-string

Am 02.03.19 um 13:06 schrieb Paolo Cantamessa: %this doesn't work <<   $(map eval-string '("voiceA" "voiceB")) >> The map returns a list which means that the 'elements of the SequentialMusic (produced by << >>) is a list of lists instead of a list. Try the following and have a look at t

Re: Question about eval-string

Am 02.03.19 um 13:34 schrieb Aaron Hill:   $@(map eval-string '("voiceA" "voiceB")) That should work too, I think. Wow, that’s cool! I think I have seen $@ in the past but I didn’t know what it does ;) That should be enclosed in << >> though for Paolo’s use case: << $@(map e

Re: \RemoveEmptyStaves

Am 04.03.19 um 03:17 schrieb Richard Gress: Hi all, Why is \RemoveEmptyStaves not working the way I’m using it? The output still shows blank staves in a ten-page document. Uncommenting the global command doesn’t work, either. PianoStaff contains the Keep_alive_together_engraver. This mean

Re: Force tablature position

Am 27.03.19 um 16:55 schrieb Anthony Rushforth: Hello, I would like to force a finger position in a tablature for a particular note in a chord, but the "\set TabStaff.minimumFret = #3 " seems to apply to the whole chord. In this example I would like the b to be in string 3 (g), 4th positi

Re: lilypond 2.21

Am 30.03.19 um 08:17 schrieb Gianmaria Lari: Are there any istructions available to try to compile lilypond 2.21 on windows? Thanks, g. Hi Gianmaria, if I’m not mistaken there is currently no way to compile on Windows itself. Instead, Windows executables are cross-compiled on Linux. AFAIK

Re: SMuFL Bravura

Am 01.04.19 um 08:59 schrieb Johan Vromans: On Mon, 1 Apr 2019 11:37:42 +1100, Andrew Bernard wrote: Now to learn Metafont then. Shouldn't be too hard - As a retired TeXnician I have deep respect for TeX and MetaFont. Nevertheless I think the right way now is to go for widely accepted stan

Re: SMuFL Bravura

Am 01.04.19 um 12:01 schrieb Johan Vromans: On Mon, 1 Apr 2019 09:17:26 +0200, Malte Meyn wrote: SMuFL integration and using Metafont for glyph creation don’t contradict, do they? They do, in so far that with limited resources you cannot do both. [sending on-list, sorry Johan for the

Re: SMuFL Bravura

Am 01.04.19 um 21:12 schrieb Urs Liska: I fully agree with all of that, but I think what Johan wanted to say is that we should *first* work towards DMuFL compliance before spending manpower on Emmentaler extensions. Which I think is true and not. If there is someone willing to spend efforts

Re: SMuFL Bravura

Am 02.04.19 um 09:34 schrieb Urs Liska: But that probably should wait until the release of 2.20.0 and 2.21.0, shouldn’t it? I don't think so. Of course such a fundamental change doesn't belong in 2.20, but adding stuff to the development branch doesn't seem problematic to me. If it should t

Re: partCombine and direction of stems

Am 04.04.19 um 10:23 schrieb Gianmaria Lari: I don't understand how lilypond manages the stem direction in the following code. Why the difference in the two scores? \partCombine is for combining a first and a second (or upper and lower) part in a score, like flute 1 & flute 2 or soprano & al

Re: rest + fermata

Am 14.04.19 um 13:38 schrieb Martin Tarenskeen: Hi, This is strange: %%% start of tiny example \version "2.19.83" {   r1\fermata   R1\fermata } %%% end of tiny example r1\fermata works fine, R1\fermata doesn't. No fermata sign is printed. Is this a bug? That’s the third time in a few w

Re: scheme-question about accumulating lists of lists

Am 19.04.19 um 16:35 schrieb Thomas Morley: I could do (cons '(a b c) (list (car (list-pair)) (cdr (list-pair and to get the last list: (last ...) Looksy clumsy, though. Any better method? I’m not sure what you want to do here. But maybe it would be easier to convert the pair of lists t

Re: Key Signature consisting of 7 naturals?

Am 22.04.19 um 18:44 schrieb Stefano Troncaro: I looked in the documentation and it states how to create synthetic key signatures, but it doesn't seem to tell how to make the naturals explicit. It can be done the same way as with sharps and flats: \version "2.21.0" { \set Staff.keyAlter

Re: Key Signature consisting of 7 naturals?

Am 22.04.19 um 19:06 schrieb Malte Meyn: {   \set Staff.keyAlterations =   #`((3 . ,NATURAL) (0 . ,NATURAL) (4 . ,NATURAL) (1 . ,NATURAL) (5 . ,NATURAL) (2 . ,NATURAL) (6 . ,NATURAL))   c' } That’s in the order they would appear after cancell

Re: Tools for harmonic analysis (Riemann style)

Hi Urs, Lukas, and everybody, Am 26.04.19 um 14:45 schrieb Lukas-Fabian Moser: And @Malte, am I wrong if I remember that I saw some work on functional analysis symbols done by you? that’s true. For my thesis I needed such symbols for use both in LaTeX and LilyPond. I had made a LilyPond solut

Re: \transposedQuoteDuring

Am 01.05.19 um 15:53 schrieb Pierre-Luc Gauthier: Hi there, Is there a way to transpose a quotation, say, an octave higher ? I used the following code some years ago. IIRC you can call \color-music-if-point-and-click f. e. in a \layout { \context { \Voice … } } block to get grey quotes.

Re: move rehearsal marks

Am 05.05.19 um 07:48 schrieb Gianmaria Lari: How I can move a bit on the left the rehearsal mark "A" to make it taking less vertical space? I’d use X-offset: \override Score.RehearsalMark.X-offset = 1 ___ lilypond-user mailing list lilypond-user@g

Re: how to restore the override to it default.

Am 07.05.19 um 21:30 schrieb MING TSANG: Lilyponders, The override take effect for bar 2 to bar 4. I try to use \remove , but not working. The correct command is \revert: \revert NoteHead.style or \revert Stem.transparent ___ lilypond-user ma

Re: Vertical spacing of numeric time signature

Am 09.05.19 um 16:53 schrieb msk...@ansuz.sooke.bc.ca: Is there any simple way to modify the vertical spacing between numerator and denominator in a numeric time signature? Not really simple. But it can be done by redefining the stencil: \version "2.21.0" #(define (fraction-with-gap gap)

Re: How to write notes for drums?

Am 12.05.19 um 07:53 schrieb Данил Костенков: Hello everybody! I want to write notes for drums. But I don’t know how it do. Give me some advices and instructions about this. Thank you in advance. Hi Danil, have a look at the “Percussion” section of the Notation Reference: http://lilypond.o

Re: The "let vibrate" tie

Am 14.05.19 um 01:57 schrieb Vicente Sanches: Hi everyone, How can I input that l.v. ("let vibrate") tie used generally with timpani and mallets such as vibraphone em marimba? Hi Vicente, try \laissezVibrer. See also http://lilypond.org/doc/v2.19/Documentation/notation/writing-rhythms#in

Re: Barcheck with full measure rests

Am 21.05.19 um 12:51 schrieb Michael Gerdau: the following MWE triggers a barcheck failure. Is that intended or a bug? And if it is intended I'd like to understand the rationale. % \version "2.21.0" { R1*3/4 s4 | } % Hi Michael, that’s intended: R is used for full/mu

Re: Barcheck with full measure rests

Am 21.05.19 um 13:08 schrieb J Martin Rushton: The notation reference for 2.18.2 doesn't seem to mention using fractions with multi-measure rests. Using just {R1*3/4} generates programming errors and no rest is output. The fraction is not the problem: { \time 3/4 R1*3/4 } This works becaus

Re: Part name going off screen

Am 07.06.19 um 05:36 schrieb branden marbaugh: So I am using Frescobaldi and used the setup wizard for a 4-voice project. The first line of the 4 voices is good but in the 2nd line, the instrument name goes off screen. Hi Branden, you have to set short-indent (default 0) in a layout or pape

Re: Aesthetics question -- how would you typeset this?

Am 03.07.19 um 05:54 schrieb Evan Driscoll: I've got a couple measures that I'm struggling to even figure out what I want the result from Lilypond to be. I've pasted the snippet below. As picky connoisseurs of good notation, I'm wondering what other people would do or like to see. :-) I'm lea

Re: Aesthetics question -- how would you typeset this?

Am 03.07.19 um 06:36 schrieb Evan Driscoll: It's for cello, and just the part, no score. Is that playable? I sadly haven’t touched my cello for a few months now and it’s 350 km away so I can’t try but I think I couldn’t play that passage despite having long fingers … It's a transcription

Re: More font ligatures

Am 06.07.19 um 03:38 schrieb Vaughan McAlley: Elam Rotam, of Early Music Sources fame, has created a font that recreates 16th century typesetting. It could be useful for doing quick, good looking incipits: https://www.earlymusicsources.com/more/font-serenissima https://youtu.be/HH1oUc4E1CA

Re: Metronome marks above piano staff of vocal score?

Am 09.07.19 um 18:52 schrieb Steven Smith: Is there a a way to have the metronome mark created by "\tempo 4=80" appear next to the piano staff as well as above the top staff of a SATB/Piano score? My research indicates that this placement is fairly common in choral pieces. Also, some submissi

vertical position of OttavaBracket

Hi list, I’m currently working on a patch that would make the default ottavation texts/markups (currently "8va"/"15ma" and "8vb"/"15mb") changeable by the user without having to \set Staff.ottavation after each \ottava, see the following code and attached picture: %%%

Re: tabstaff minimumfret behaving badly

Am 14.07.19 um 12:42 schrieb Immanuel Litzroth: Am I doing something wrong? Is there a way to fix this? minimum-fret allows open strings because you don’t need the left hand for them. You can disallow that behaviour: \set TabStaff.restrainOpenStrings = ##t

Re: vertical position of OttavaBracket

Am 14.07.19 um 13:15 schrieb Andrew Bernard: Provide the mechanism, sure, but don't prescribe a single appearance. I don't even think there is a default that would suit everybody, that's the point. Of course I wouldn’t change LilyPond’s default. The markups I showed would be only an example

Re: vertical position of OttavaBracket

Am 14.07.19 um 16:21 schrieb Robin Bannister: Malte Meyn wrote: How can this made be top- or bottom-aligned (or aligned depending according to the 'direction property)? Inside a #(define-markup-command (command-name layout props arg1 arg2 …) you can collect 'direction as follow

Re: vertical position of OttavaBracket

Am 15.07.19 um 08:12 schrieb Robin Bannister: It is normal 'automagic' for    \box { "X" "Y" "Z"} to be mapped into    { \box "X" \box "Y" \box "Z" } giving you 3 boxes in a markup list to which \concat can be applied. Seems like that magic happens only for LilyPond syntax markups. The ma

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