Hmmm,
http://ivo.bouwmans.name/
works so maybe there is a missing file?
I don't know if there is any place else the OSX 10.5 binary is held
(although seems I cannot hit http://download.linuxaudio.org/ either).
James
Huub van Niekerk wrote:
> I don't mind using a devel version
Ah. I see the problem. That's a link that's really no longer needed.
it's a carry-over from the days when lilypond didn't work on 10.5.
That should probably be removed and the normal PPC/Intel links will
work just fine.
So, James, (I love meeting people who sha
(lilypad I
think it is called) is perfect for me. It works straight out of the
'tin' and I can cmd-s cmd-r and up pops the PDF.
As I said, the 2.13 documentation has very easy to follow screenshots
for Mac (and windows) users that hopefully will help.
James
James Bailey wrote:
Ah.
}
gives us the same problem as in the first example. I have a project that I
did in
2.13.8 that gives the correct results with the last example. Is this a bug?
Is there
a work-around for 2.13.13?
Thanks,
James Worlton
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On Wed, Feb 24, 2010 at 3:23 PM, Neil Puttock wrote:
> On 24 February 2010 21:14, James Worlton wrote:
> > Is this a bug?
> > Is there a work-around for 2.13.13?
>
> A recent fix for another markup command has revealed an existing bug
> with centred columns; try
On 27.02.2010, at 12:19, Gerard McConnell wrote:
2. When is LilyPond 2.14 likely to be released?
I can't say when it is going to be released, but I know when it
isn't. ^.^ If you go to http://code.google.com/p/lilypond/issues/list?
can=2&q=&colspec=ID+Type+Status+Priority+Stars+Owner
+S
I can add the bug to the tracker, but can you make a short snippet
(http://lilypond.org/doc/v2.13/Documentation/web/tiny-examples#Tiny-
examples) that demonstrates the problem. and then a sentence or two
that explains what the behavior should be. Then I'll know what to
add, 'cause I don't ev
ff = "down" {
\key g \major
\clef bass
}
>>
}
>>
On 27.02.2010, at 22:21, James Bailey wrote:
I can add the bug to the tracker, but can you make a short snippet
(http://lilypond.org/doc/v2.13/Documentation/web/tiny-examples#Tiny-
exam
The only problem I have with this is that I don't think that manual
staff changes are supposed to work with autochange. I could force
things to work, but the known issues and warnings says that if you
want high quality output, staff switches should be specified
manually. And yeah, I realize
If I remember correctly, GUI apps don't by default load your $PATH,
there's a trick somewhere to get them to do it, I just don't remember
where or how. But that may be what you need.
On 28.02.2010, at 06:46, Tim McNamara wrote:
I've had lilypond-mode working in Emacs for a year now, using
On 28.02.2010, at 10:56, Xavier Scheuer wrote:
2010/2/28 James Bailey :
The only problem I have with this is that I don't think that manual
staff changes are supposed to work with autochange.
…
So, according to the doc, it should be possible to mix automatic and
manual staff change
On 28.02.2010, at 10:56, Xavier Scheuer wrote:
2010/2/28 James Bailey :
The only problem I have with this is that I don't think that manual
staff changes are supposed to work with autochange.
…
So, according to the doc, it should be possible to mix automatic and
manual staff change
See the thread here. http://lists.gnu.org/archive/html/lilypond-user/
2009-02/msg00877.html
On 28.02.2010, at 22:46, Alberto Simões wrote:
Hello
I have a music where in some places the voice splits, like:
<< { g2 ~ g8 } \\ { s8 e8[ dis d] cis } >>
I was trying to make lyrics align with
00289.html
On 28.02.2010, at 22:58, Alberto Simões wrote:
/me blushes.
Thank you!
On 28/02/2010 21:59, James Bailey wrote:
See the thread
here. http://lists.gnu.org/archive/html/lilypond-user/2009-02/
msg00877.html
On 28.02.2010, at 22:46, Alberto Simões wrote:
Hello
I have a music whe
On 01.03.2010, at 06:03, George_ wrote:
I disagree. Once again citing my hypothetical 500-bar fugue, it seems
incomprehensible to me that there should not be a compromise
between the
autochange function and manual staff changes. It just blows my mind
that
something so feature-rich as Lilypon
On 01.03.2010, at 12:11, Graham Percival wrote:
On Sun, Feb 28, 201Thanks for the offer, but isn't this exactly the
second example from
the bottom in LM 3.2.3 Voices and vocals ?
Yes and no. Yes, the judas maccabeus example does exactly what's
discussed here, single-staff polyphony with l
On 01.03.2010, at 14:28, Graham Percival wrote:
On Mon, Mar 01, 2010 at 01:03:02PM +0100, James Bailey wrote:
On 01.03.2010, at 12:11, Graham Percival wrote:
On Sun, Feb 28, 201Thanks for the offer, but isn't this exactly the
second example from
the bottom in LM 3.2.3 Voices and v
On 01.03.2010, at 14:28, Graham Percival wrote:
On Mon, Mar 01, 2010 at 01:03:02PM +0100, James Bailey wrote:
On 01.03.2010, at 12:11, Graham Percival wrote:
On Sun, Feb 28, 201Thanks for the offer, but isn't this exactly the
second example from
the bottom in LM 3.2.3 Voices and v
oh, and stop lilyponding, and rest and get better.
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Which lists would these be?
James
Matthias Kilian wrote:
On Sun, Feb 28, 2010 at 08:33:22AM -0600, M.E. wrote:
Some news I thought to share here. The Werner Icking Music Archive
has closed its doors (for good?).
<http://icking-music-archive.org/index.php>
Too much traffic.
If I remember correctly, frescobaldi doesn't run on osx. although
most of KDE4 has been ported, there are some packages that
frescobaldi needs that just don't exist for it.
On 02.03.2010, at 08:55, Mika Kuuskankare wrote:
Hi,
Is anybody using Frescobaldi on OS X by any chance?
-Mika
Dr.
\score { \new Staff { \transpose c' c { \guitarMusic} } \midi {} }
should do the trick.
On 02.03.2010, at 12:28, David Kastrup wrote:
Martin Tarenskeen writes:
I'm sure my question is answered somewhere in the docs, but I can't
find it:
I have a guitar score and the MIDI output should sound
/lilypond/Displaying-pitches#Instrument-
transpositions
Then, there's no need for a separate \score block for the MIDI output.
/Mats
James Bailey wrote:
\score { \new Staff { \transpose c' c { \guitarMusic} } \midi {} }
should do the trick.
On 02.03.2010, at 12:28, David Kas
I know that doing \new Score is generally not recommended, but in the
process of helping someone I came across a couple of questions, and
the only solution I could find required me to do \new Score. First,
the goal here is have a score with four separate staves, but an
ambitus that encompas
or
> headers?
>
> -- Brett
>
>
I am very interested in this question as well, and haven't seen a solution
posted
yet (or in any of the documentation/snippets). So I am shamelessly
reactivating
the thread.
James Worlton
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Thank you. I had been trying that without success using \layout
{ \Score { \consists Ambitus_engraver } } and couldn't figure out
where the problem was.
On 03.03.2010, at 15:16, Mats Bengtsson wrote:
James Bailey wrote:
I know that doing \new Score is generally not recommended, b
On 03.03.2010, at 20:20, Valentin Villenave wrote:
On Wed, Mar 3, 2010 at 3:04 PM, Werner LEMBERG wrote:
I would highly welcome if you could document this file extensively so
that non-Schemers have a minimal chance to follow. Even the most
trivial steps (I mean the steps which you consider t
On Wed, Mar 3, 2010 at 2:39 PM, Nick Payne wrote:
> On 04/03/10 05:33, James Worlton wrote:
>
>
> On Sat, Feb 20, 2010 at 12:11 AM, Brett McCoy wrote:
>
>> I am using oddHeaderMarkup and evenHeaderMarkup to put running headers
>> (title, composer) on each page of a sco
Sorry for the noise, but there was a typo in my code example below. Fixed
now for
whoever may find this helpful.
James
On Wed, Mar 3, 2010 at 3:05 PM, James Worlton wrote:
> On Wed, Mar 3, 2010 at 2:39 PM, Nick Payne wrote:
>
>> On 04/03/10 05:33, James Worlton wrote:
>>
&g
Just use ^ or _
e4^0 or f_1 for example.
You can explicitly set it then.
Thats what I do for my Trumpet Music.
James
-Original Message-
From: lilypond-user-bounces+james.lowe=datacore@gnu.org on behalf of Hajo
Dezelski
Sent: Sat 06/03/2010 19:50
To: lilypond
Subject: Fingering
As I understand it, these kinds of things only work with extra-offset.
On 07.03.2010, at 22:41, Jay Hamilton wrote:
version 2.12.2
Subject: text in staff
I want to place test inside the staff lines
from the manual it looks like I should use some form of
\once \override TextScript #'script-prio
On 11.03.2010, at 18:34, Phil Holmes wrote:
There is what looks like a problem in how LilyPond calculates line
breaks when there is some text to display. The example I've
attached shows markup but I know it also applies to Tempo
indications. Is this a known bug (I have searched and can't
l/lilypond-user/2009-11/msg00619.html
), but it doesn't seem to have made it there.
I'll make a patch.
James
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Patch made and submitted to Graham.
(fingers crossed).
;)
James
-Original Message-
From: lilypond-user-bounces+james.lowe=datacore@gnu.org on behalf of James
Lowe
Sent: Mon 15/03/2010 21:44
To: Nick Payne
Cc: lilypond-user@gnu.org
Subject: Re: REHEARSAL MARK BUG?
Hello,
On 15
On 16.03.2010, at 05:16, Kees van den Doel wrote:
running latex...Dissecting...lilypond-book.py: error file not
found: screech-boink.ly
I can't find anything in the docs, but haven't read them cover to
cover. (My miktex is fine.)
If you read the last line of the input text that you're u
On 16.03.2010, at 13:59, Giovanni Roversi wrote:
Hi, I'm transcribing the whole "Supper's Ready" suite by Genesis,
and I
have to write down the organ solo. If you don't know, the band
plays in
9/8, subdivided in 4+3+2 (if you have a better subdivision, tell me!),
and the organ plays various
-Original Message-
From: lilypond-user-bounces+james.lowe=datacore@gnu.org on behalf of
James Lowe
Sent: Mon 15/03/2010 21:44
To: Nick Payne
Cc: lilypond-user@gnu.org
Subject: Re: REHEARSAL MARK BUG?
Hello,
On 15 Mar 2010, at 19:35, Nick Payne wrote:
> On 16/03/10 05:39, M
As far as I know, nothing has happened. If you like, you can
subscribe to the issue on the tracker and be notified when something
happens with it.:
http://code.google.com/p/lilypond/issues/detail?id=678
On 17.03.2010, at 20:51, fiëé visuëlle wrote:
Ahoi,
I still gratefully use Thomas Morgan
but you can get version 1.5.16 from Tucows (who own the linuxaudio.org
domain)
http://www.tucows.com/preview/142199?q=LilyPond
;)
James
Francisco Vila wrote:
2010/3/18 胡海鹏 - Hu Haipeng :
Hello,
I find Lilypond 2.13.16 is available, but I can't download it. The
linuxaudio.o
See the Documentation.
http://lilypond.org/doc/v2.12/Documentation/user/lilypond-big-page#Accidentals
James
Bertalan Fodor (LilyPondTool) wrote:
How can I accomplish this?
Cheers,
Johann
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On 26.03.2010, at 07:16, Michael Dykes wrote:
Hullo. I am using lilypond for the first time, & am finding it to
be a delight. I have successfully set a few of the Resurrectional
Apolytikia (or Troparia) in Tones 1-4 using a variety of Russian-
based chants in 2 voices. Now, I am working on
On 26.03.2010, at 07:16, Michael Dykes wrote:
Hullo. I am using lilypond for the first time, & am finding it to
be a delight. I have successfully set a few of the Resurrectional
Apolytikia (or Troparia) in Tones 1-4 using a variety of Russian-
based chants in 2 voices. Now, I am working on
7;ve put a hy -- phen in the lyrics
- it chooses whether to use one or not based on the spacing of the
music. To me, that's a bonus, but it may not be the style he is
looking for?
BTW - just one s in resurrection
--
Phil Holmes
- Original Message - From: "James Baile
Sure, the \layout block is currently: \layout {}. Change this to
\layout { ragged-last=##f}. It will make the last system fill the
entire line, and the hyphens will show.
On 26.03.2010, at 22:28, Michael Dykes wrote:
So, James say that again, please. I mean, what commands do I use &
w
Why does the dot move in this example?
\new Staff <<
{
\voiceOne
\once \override NoteColumn #'force-hshift = #3
a8 g a2.
}
\new Voice {
\voiceTwo
a2. a4
}
>>
Curiously, it doesn't move in this example:
\new Staff <<
{
\voiceTwo
\once \overr
In polyphonic music, how would one go about explicitly setting the
height of a full measure rest?
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http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Writing-rests#Writing-rests
you can set a 'note name' to a rest to position it vertically on the
stave.
James
On 28 Mar 2010, at 16:20, James Bailey wrote:
In polyphonic music, how would one go about explicitly setting th
Maybe I'm not seeing it. Can you explain it to me? I understand how
to set the vertical position of a rest, and I understand how to
create a full measure rest. But I don't see how to do both at the
same time. a4\REST doesn't work.
On 28.03.2010, at 18:14, James Lo
PDF and the original source.
I hope this is useful.
James
Rodolfo Zitellini wrote:
Hi Mike,
LilyPond's native facilities for setting pure text are very crude. I
think that you will need to use LaTeX, or some similar system based on
TeX, to get good layout of your text. I have used
and always ask for proofs to sign off before
you start printing. ;)
James
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I don't know if this helps you now, but here are two possible ways of
getting this to look a bit better:
\version "2.12.2"
music = {
\new Staff <<
\new Voice \relative f' {
\clef "treble_8"
\time 3/4
\voiceOne
\tag #'below {r4} \tag #'inline {a4\rest} e2
r4 g2-4
}
\new Voi
It may not help much, but I've just compiled the file with 2.13.17
and had no collisions to speak of. For printing header information on
every page, see section 3 of the notation reference. I even think
that odd/even page header may work in the development version,
although I'm not sure.
On 04.04.2010, at 08:48, Tom Cloyd wrote:
\override VerticalAxisGroup #'next-staff-spacing = #'((padding . 10))
If you're using 2.13, VerticalAxisGroup isn't used anymore.
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Werner,
Additions to the documentation have been checked in today.
Thanks as always for the suggestions
James
On 20 Mar 2010, at 21:49, Werner wrote:
I got problems with \partial after \cadenzaOff, which is ignored for
three of
four voices.
In the DOC i found:
The \partial command is
As far as I know, you have to do it in markup.
On 10.04.2010, at 02:06, Bernardo Barros wrote:
Hi,
Is there a way to notate woodwind fingerings? Let's say to notate a
flute fingering above a note?
Thanks
Bernard
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lil
Hello,
http://lilypond.org/doc/v2.12/Documentation/user/lilypond-big-page#Tremolo-repeats
(scroll down slightly to the examples listed).
James
Michael S. Morales wrote:
Hello,
I've been having a hard time finding how to produce the note (in the
link below). I have not been able to fi
two repeat marks and the next example
is does work
{
\key c \major
\bar "|:" a b c d \bar ":|:"
\key d \major
a b c d \bar ":|"
}
and as far as I can tell is perfectly acceptable (if not preferable?).
James
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\override Staff.NoteHead #'style = #'altdefault
c\breve | b\breve
Jerome Wolbert wrote:
I've found the code to create a note like
|o|
namely: a\breve*1/2
I'm wondering if there is a notehead like
||o||
(or if not: how would I go about learning to create such)?
Thank you!
---
Is this is the doc? I took a quick scan (NR 3.1.2 and 3.1.3) and this
sounds like it should go in here somewhere.
I don't pretend to know about header blocks but if you think this would
be good to add I can do that, if you point me where you think it should go.
Francisco Vila wrote:
2010/4/1
So, I've been thinking about this, would the easiest way to create a
metronome mark that's barline aligned that plays back in midi be to:
• left-align the rehearsal mark with \override Score.RehearsalMark
#'self-alignment-X = #-1
• create a manual metronome mark using the \mark \markup {}
• h
On 22.04.2010, at 23:04, Gerard McConnell wrote:
- Original Message - From: "Kieren MacMillan"
To: "Gerard McConnell"
Cc:
Sent: Thursday, April 22, 2010 12:16 PM
Subject: Re: text formatting inside \addlyrics
Hi Gerard,
How do I italicize a section of text inside \addlyrics?
Christ van Willegen wrote:
On Fri, Apr 23, 2010 at 11:24 AM, craigbakalian
wrote:
There was an announcement about the stability of 2.14 and for all of us
to download it and use it, yet where is it to download?
That was an april fools joke...
Original Message
Subject: Maj
On 25.04.2010, at 01:46, Tim Rowe wrote:
On 25 April 2010 00:30, Jonathan Kulp wrote:
On Sat, Apr 24, 2010 at 6:22 PM, Tim Rowe wrote:
I'm sure I used to be able to do this, but now I can't. I must be
getting forgetful!
How do I get Lilypond to show chord names instead of jazz symbols
(I
Aside from the various pre-defined chord displays, no.
On 25.04.2010, at 16:48, Gerry Prosser wrote:
Is there a similar 'easy' solution for 'dim' and 'aug' ?
I don't (want to) understand guitar chords - I play the clarinet !
(I have tried \set dimSymbol and \set augSymbol but nothing changed)
Perhaps the bracketed arpeggio?
On 28.04.2010, at 22:57, bipll wrote:
Hi, list. I'm stuck with a symbol. On a piano staff there's a
symbol, looking
like square semibracket, suggesting that the note on a hand's staff
should
be played with another hand, actually (don't know how it is called
On 04.05.2010, at 17:46, Patrick Karl wrote:
Can anyone explain why the 2nd d-sharp is not notated in the music
in the following snippet:
\version "2.12.2"
\relative g'' {
\partial 4 r4
r2. dis4
e2.
\repeat volta 2 {
\partial 4 c8 dis
"
\set Score.repeatCommands = #'((volta #f))
c'4 c8 c c4 c8 c
}
with the extra termination before the start of the new bracket I get
exactly the same output and warning.
Thank you for your time.
James
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, lower voice d4; both at the third count of
the measure.
How can I get an arpeggio between those notes? The line ‘\set
Staff.connectArpeggios = ##t’ seems to have no effect.
http://lsr.dsi.unimi.it/LSR/Search?q=arpeggio
do any of these help?
James
Phil,
Phil Holmes wrote:
James,
I'm by no means an expert on LilyPond or music, but can offer the following
observations:
You can get rid of the error message by ending the first volta with a
finish
marking. If you replace your second \set Score command with:
\set Score.repeatCom
g f
\set Score.repeatCommands = #'((volta "1."))
e4 e' e r
\set Score.repeatCommands = #'((volta #f) (volta "Fine."))
e,4 e e r
\set Score.repeatCommands = #'((volta #f))
\bar "|."
c'4 c8 c c4
Kieren,
Kieren MacMillan wrote:
Hi James,
\relative c' {
\time 4/4
d'4. c8 b a g f
\set Score.repeatCommands = #'((volta "1."))
e4 e' e r
\set Score.repeatCommands = #'((volta #f) (volta "Fine."))
e,4 e e r
\set Score.repeatCommands = #'
he "one" part and
\voiceTwo to the "two" part. Also, at the end of "A", "two" goes to
the bottom staff, consequently, it would need \voiceOne when it is on
the bottom staff, "three" would need \voiceTwo and "one" would need
\oneVoice.
hop
On 17.05.2010, at 19:06, Phil Holmes wrote:
I've been setting some music where one verse ends with some music
and lyrics, and the others don't. All 4 verses use underscore
extenders to provide a line to the end of the sounding note. This
works fine on the first verse, since there are lyr
his change was checked-in, is there still
something for me to do here?
James
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On 21.05.2010, at 09:37, moritz wrote:
Hi, i tried to download the newest version of lilypond where it
says 0S X 4 and
newer, but it didn't work. I have a macbook pro, bought in February
(os x 6).
Although it says the download was successful, when i follow the
steps and open
the mentioned
Sorry I have 2.13.14
James
-Original Message-
From: lilypond-user-bounces+james.lowe=datacore@gnu.org on behalf of James
Lowe
Sent: Sun 23/05/2010 11:58
To: Phil Holmes; LilyPond User Group
Subject: RE: Bug report - stem lengths
If it helps anyone, I have reproduced the '
I have downloaded 2.13.21 for OS X 10.5.8 and it no longer crashes.
I get the correct output (attached)
James
-Original Message-
From: lilypond-user-bounces+james.lowe=datacore@gnu.org on behalf of -Eluze
Sent: Sun 23/05/2010 12:13
To: lilypond-user@gnu.org
Subject: Re: Bug report
Hello
David Bobroff wrote:
This is in the docs. Check section "1.2.4 Beams" and go to "Manual
beams" to find some really big hints.
http://lilypond.org/doc/v2.13/Documentation/notation-big-page#Manual-beams
James
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On 27.05.2010, at 17:06, northofscotland wrote:
I am typesetting a mediaeval trouvere song and want to add a drone
to the
midi but hide the somewhat redundant music in the printout. Is
there a
simple way to do this, please?
--
View this message in context: http://old.nabble.com/Hide-staf
s all the same.
Cm7 = \markup { \null \raise #0.5 {\sans \small \general-align #X #CENTER Cm7 }
}
Then I simply add '\Cm7' thus:
{ c4^\Cm7 }
The other variables \null \raise #0.5 and \general-align #X #CENTER are what I
find works for me in my compositions, so these might
On 30.05.2010, at 22:55, Jay Hamilton wrote:
Hello all what am I doing wrong here?
The 'ossia is below the staff and I would expect it to be above,
Thanks Jay
\version "2.12.2"
\header {
title = "different 3/4s"
composer = "Jay Hamilton"
copyright = \markup { \tiny \override #'(baseline-skip .
On 30.05.2010, at 22:55, Jay Hamilton wrote:
Hello all what am I doing wrong here?
The 'ossia is below the staff and I would expect it to be above,
Thanks Jay
\version "2.12.2"
\header {
title = "different 3/4s"
composer = "Jay Hamilton"
copyright = \markup { \tiny \override #'(baseline-skip .
\new Staff = "firstStaff" \new Voice = "firstVoice" { a4 g a g }
\new Staff = "secondStaff" \with { alignAboveContext =
"firstVoice" } \new Voice = "secondVoice" { f4 g f g }
\new Lyrics = "firstLyrics" \with { alignAboveContext =
Try updating/changing your virus scanner.
See http://lists.gnu.org/archive/cgi-bin/namazu.cgi?
query=trojan&submit=Search%21&idxname=lilypond-
user&max=20&result=short&sort=date%3Alate
or https://www.google.com/search?q=trojan+in+lilypond
+installer&btnG=Search&hl=en&sa=2
On 01.06.2010, at 1
x27;d be out of a job.
James
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David Kastrup wrote:
James Lowe writes:
David Santamauro wrote:
On Jun 3, 2010, at 5:38, Jan Nieuwenhuizen wrote:
Op donderdag 03-06-2010 om 11:02 uur [tijdzone +0200], schreef Martin
Tarenskeen:
Why is life so complicated ...
Would life be fun if everything always worked?
No, but
On 03.06.2010, at 13:17, Richard Lockwood wrote:
Hello Support,
Downloaded Mac version lilypond-2.12.3-1.darwin-ppc.tar.bz2 (I have
a G5 10.4.11
PPC). Unzipped file, dragged app. into apps. folder and installed
an alias in
the dock. Ran the app. as per instructions: saved the file,
comp
http://lilypond.org/doc/v2.12/Documentation/user/lilypond-learning-big-page#Version-number
-Original Message-
From: lilypond-user-bounces+james.lowe=datacore@gnu.org on behalf of James
Bailey
Sent: Sat 05/06/2010 8:02
To: Richard Lockwood
Cc: lilypond-user Mailinglist
Subject: Re
is version will still apply to the version you have.
Regards
James
-Original Message-
From: lilypond-user-bounces+james.lowe=datacore@gnu.org on behalf of James
Lowe
Sent: Sat 05/06/2010 9:47
To: James Bailey; Richard Lockwood
Cc: lilypond-user Mailinglist
Subject: RE: Error Mess
I think this maybe what you are looking for
http://lilypond.org/doc/v2.13///Documentation/notation/line-breaking
The second example.
James
snozpacker wrote:
I am working on a Lilypond template to format jazz lead sheets so that they
resemble the formatting of the (hand written) lead sheets
On 10.06.2010, at 06:48, Helge Kruse wrote:
Hello,
I have a variation in a piece where most is placed in the bass hand
except the last measure. I tried to use the
\RemoveEmptyStaffContext. As documented this does not remove the
staff in the first line.
Unfortunately this one additional
I have some questions about generating "blank" pages.
Given an input file consisting of:
\paper { } \header {} \score { \markup \null }
The error log shows:
GNU LilyPond 2.13.23
Processing `test.ly'
Parsing...
test.ly:1:32: error: syntax error, unexpected \markup
\paper { } \header { } \score {
On 12.06.2010, at 16:08, Disc Magnet wrote:
On Sat, Jun 12, 2010 at 7:33 PM, D'Arcy J.M. Cain
wrote:
On Sat, 12 Jun 2010 18:55:01 +0530
Disc Magnet wrote:
In my Lilypond input file, I have a group of notes that are repeated
at many places in the music. Here is a hypothetical example.
c d e
On 14.06.2010, at 15:20, Hans Roels wrote:
I don't really know Lilypond well (I just had a quick look at the
documentation)
but I have some music notation problems and maybe somebody could
tell me if
Lilypond is the right tool to solve my problems.
1. Is it possible to create a score wit
On 15.06.2010, at 20:59, Peter Van Kranenburg wrote:
Hi all,
\skip and s consume score time, but both print some horizontal
space. How can I insert an invisible rest that does not take
horizontal space?
I searched the manuals and snippet repository, but no clue...
Thanks!
Peter van Kran
blems.
James
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On 17.06.2010, at 14:20, Dmytro O. Redchuk wrote:
Hi!
Please help --- "can't understand" (tm) "what's wrong" (tm) :-)
Looking at that snippet below i would say that too few notes have
natural sign
cancelling preceeding sharp (only one). I would expect other voices
have
cancellations too.
hello,
This 'known issue' has now been added to the documentation as a patch.
James
On 03/06/2010 20:50, Reinhold Kainhofer wrote:
On Thu, 3 Jun 2010, Bernardo Barros wrote:
Can I have two simultaneous text spanners with different reference
points at the same time?
Does two te
On 09.06.2010, at 15:11, Richard Sabey wrote:
Occasionally Lilypond decides to fit so many bars into a system
that notes are squeezed so tightly together that, in a beamed
group, a later note's downward stem can fall to the left of an
earlier note's upward stem. The noteheads are in the co
What do you think?
James
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