Re: Position of rests in cue notes

#UP or #DOWN, which places the small cue notes either above or below the rests. See http://lilypond.org/doc/v2.18/Documentation/notation/writing-parts#formatting-cue-notes If not, perhaps you could provide a minimal example? See http://www.lilypond.org/tiny-examples.html Thanks, Greg

Re: Forcing bar number display at will

erCheck #6 > \myDisplayBarNummber > > R1*9 | \barNumberCheck #15 > \myDisplayBarNummber > > R1*7 | \barNumberCheck #22 > \myDisplayBarNummber > > R1*5 | \barNumberCheck #27 \break > \myDisplayBarNummber > > R1*6 | \barNumberCheck #33 > } > >

Re: Forcing bar number display at will

On 26/12/2015 11:26, Menu Jacques wrote: > Hello Greg, > > Yes, exactly, thanks for the trick! > > JM > >> Le 26 déc. 2015 à 11:54, Greg a écrit : >> >> On 26/12/2015 09:40, Menu Jacques wrote: >>> Hello folks, >>> >>> I find it c

Re: using Lilypond

7;Typeset file'. You may need to close re-open the PDF file that LilyPond creates to see the changes you have made. As Anders has said, Frescobaldi is a very useful editor, with many more features than the basic LilyPond GUI. Hope that helps. Welcome to LilyPond! Greg. _

Re: using Lilypond

On 26/12/2015 13:44, judson collins wrote: > Hi Greg > Thanks > yes I realised I could edit the scale that was presented mulike editing > a web page. > So now I have done dozens of tests trying to figure what the codes are. > octaves, durations etc. > I will lok at frescobal

Re: cue note fontsize inherited by uncued notes?

asure rest is added before the cued full-measure >>> rest, the ouput looks correct. I think it's because appending an R1 to the start or adding '\new Voice' creates a Voice context, whereas a \cueDuring at the start creates a CueVoice context. It's not immediately obviou

Clarinet fingerings

but you'll also see that the clarinet fingerings are not showing up. E is doing something but its diagram is different for a reason I don't understand and none of the other fingerings are showing on the vanilla clarinet key diagrams? Can anyone pont to what's going on, please? M

Re: listesso tempo

l-align #Y #DOWN \note #"4" #1 } } \version "2.18" \relative c' { \time 4/4 | c4 c c c \tempo \crotchetequalscrotchet \time 3/4 | c c c \tempo \crotchetequalscrotchet \time 4/4 | c1 } Hope that helps, Greg. On Fri, Apr 22, 2016, at 07:13 AM, Helge wrote: &

Brass Band lyre music

Will it ever be possible to use fixed, partial-note-head note spacings for all note values in the layout? The old hand engraved march cards in our band library use extreemly small note spacing to get it to fit on a card a bit smaller than A5 landscape. I have had a fiddle with make-moment settin

Line breaking within ligature brackets

w line breaking during ligatures (or at least ligature brackets) as it is with horizontal (analysis) brackets? Many thanks, Greg. -- View this message in context: http://www.nabble.com/Line-breaking-within-ligature-brackets-tp15056519p15056519.html Sent from the Gnu - Lilypond - User mailing

Open brackets for colouration

lysis) brackets but can't seem to find a way to make it look quite right. Currently I'm having to use text markups containing the right-angle symbols above the notes but it's not ideal. Many thanks, Greg. -- View this message in context: http://www.nabble.com/Open-brac

Centering lyrics on notes with ties

Is is possible to center all lyric syllables, even those where the note has a tie attached? I tried using \override LyricText #'self-alignment-X = #0, but this property doesn't seem to affect notes with ties. Thanks, Greg. --- \version "2.10.10" melody = \relative c&#

Re: Centering lyrics on notes with ties

Many thanks! I have now upgraded. Greg. On 4 Apr 2008, at 19:41, Kieren MacMillan wrote: Hi Greg, Is is possible to center all lyric syllables, even those where the note has a tie attached? Serendipitously, I sponsored this precise feature last summer: \layout { \context { \Score

AccidentalSuggestions below HorizontalBrackets?

Is it possible to get AccidentalSuggestions to go below HorizontalBrackets by default where there is a collision? I've tried outside-staff-priority on the accidentals but there doesn't seem to be an outside-staff-priority property for horizontal brackets. I'm using version 2.11.43

Re: AccidentalSuggestions below HorizontalBrackets?

Brilliant, thanks. (I was sure I'd tried that but I guess not... it's working now anyway!). Thanks, Greg. Neil Puttock wrote: > > Hi Greg, > > On 05/04/2008, Greg Swinford <[EMAIL PROTECTED]> wrote: >> >> Is it possible to get AccidentalSuggesti

doesn't work?

I've attached a log file that sums up the problems I've been having. I'm new to lilypond but I like what I see, but it seems I've hit a snag. I'm sure I'm using all the right syntax: I copied this one from the website. I hope you guys can help me with this.  Or I could just give up and get Linux :

Re: doesn't work?

>< Whoops. I forgot the attachment.  Sorry.  Here it is... On Apr 4, 2005 3:33 PM, Mats Bengtsson <[EMAIL PROTECTED]> wrote:I guess you forgot the attachment (or maybe it was very large so it wasfiltered away from the email by the mailing list server).Please try again to send it to the mailing list

Lyrics on multiple staffs

I am a complete Newbie in the wonderful world of Lilypond. So far I can do everything I wish, except to put lyrics under the appropriate staff in a system of several staves for example a different set of lyrics for the soprano and the alto. TIA Greg Guest

Re: Lyrics on Multiple Staffs

Sorry for my question, I read some of the archive and found this question answered by Rune Zedeler so I'm fine now. Thanks ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user

building guile

g   I know this is not a lilypond question, but I'd very much appreciate anyone's help in this matter.   After building guile, I end up with a binary in /bin and a folder in /usr/share   TIA   Greg

French text

Hi Another question.   I found how to do French accents in the online docs, but have not found how to make a cedilla for c's.   Could you tell me.   TIA Greg

Thanks re Guile and French

mdk8.2 and trying th RPM. Thanks also to Laura Conrad, whose web page full of wonderful music me convinced me to try Lilypond. And I'm delighted with what Lilypond can do and how little time it takes to input music. Greg ___ Lilypond-user mail

LaTeX woes

Hi all, I loaded Mandrake 8.2 and Lilypond happily installed, and produced a .tex output, but LaTeX would not work with it and produced the following error msg: [greg@localhost greg]$ ly2dvi -P w.ly bash: ly2dvi: command not found [greg@localhost greg]$ ly2dvi -P w.ly Running LilyPond... GNU

parser problem

ake[1]: *** [out/parser.hh] Error 1 make[1]: Leaving directory `/root/lilypond-1.5.9/lily' make: *** [all] Error 2 [root@localhost lilypond-1.5.9]# I would appreciate anyone's help in getting past this. Thanks again in advance, and also for lilypo

INSTALL.txt

other directories. an RPM for Mandrake 8.2 IS available at: ftp://sunsite.uio.no/pub/unix/Linux/Mandrake/Mandrake-devel/cooker/cooker/Ma ndrake/RPMS2/lilypond-1.4.2-1mdk.i586.rpm Cheers Greg ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gn

parser problems gone

me: Why are you (and the GNU community) so imbued with the Confucian value of benevolence, that you not only make great software freely available to the world, but you also spend time helping complete newbies? Thanks again Greg ___ Lilypond-user

Embedding TeX/LaTeX in .ly files?

ext: I started using Lilypond this morning and have gone through the tutorial, part of the manual, and part of the "snippets" page. So it's quite possible that this is documented and I've just missed it. Thanks, Greg ___ lilypond-user

Complex Tuples

note 2. An eighth and 4 thirty-second notes 3. A sextuplet consisting of: 1. 1 eighth note 2. 4 sixteenth notes Thanks for your help! Greg

Cadenza in a Score

asure bars or numbers? Thanks! --greg

Re: Cadenza in a Score

commercial packages and I think my results are every bit as beautiful as theirs, if not more so (which may be, in part, of the effort I am putting into crafting the score). And the support on this list is far beyond anything I could have expected. Thanks to all for your hard work and dedication. --greg

Repeated Meaures

l. I can place dynamics or other notations as I please. Thanks for any tips or help you can provide. Again, I have a good workaround so please don't spend a lot of time on this unless you just really love the challenge. --greg

Re: Repeated Meaures

Wow! This works GREAT! Thank-you! --greg On Tue, Oct 26, 2021 at 3:35 PM Jean Abou Samra wrote: > Le 26/10/2021 à 21:47, Greg Lindstrom a écrit : > > This is not a high priority request. I'm just wondering if the > > following can be done. > > > > I'm

Vertical Fill

I'm using Lilypond 2.22.1 and would like to add a page break but when I use "\pageBreak" the score "stretches" to fill the page. Is there a command to fill the page so the next score starts at the top of the next page without stretching the previous page? Thanks! --greg

Help with Rhythm Notation

ration. Any help on this would be greatly appreciated. --greg

Controlling Slur Marks

ossia are below (see snippet). Is there a way to control where the slur marks appear, in the same spirit as stems up and down? Is it preferred to break the ossia out in its own staff:? Thanks! --greg [image: image.png] And the code to generate it <<{f16(e f g\!) a

Re: Controlling Slur Marks

most cases). Otherwise _( and ^( works > too. > > HTH > /Leo > > 30 aug. 2022 kl. 19:30 skrev Greg Lindstrom : > >  > I am finishing up engraving my first full score. It's a piece for brass > band where we could not find a score anywhere and the one we've orde

Score vs. Individual Parts

number of the piece in a smaller font than the first page? Perhaps all of this is in the manual which will be arriving in the next few days. But any help or direction would be greatly appreciated. Thanks for your help. I hope to start writing code snippets and answering questions as I gain more experience. ---greg

A Word of Thanks

etting into some of the development efforts. Best Regards, --greg

Score, DS and Coda Question

; this, is there a better (easier, "lilypond") way? Thanks! --greg

Re: Score, DS and Coda Question

gs in the documentation before asking. --greg On Fri, Sep 30, 2022 at 1:36 PM Hans Aikema wrote: > Greg, > > I think what you're looking for is present in the selected snippets > section of the documentation: > > > https://lilypond.org/doc/v2.22/Documentation/snipp

Placement of Coda

Hello All, I keep learning and my score is looking even better! With help from this list, I separated the Coda from the main body of the score and even figured out how to suppress a time signature which was appearing at the end of the "blank" line between the main part and coda. The even better pa

Repeated Music

have to do this: \time 4/4 c4 d e f | c4 d e f | c4 d e f | but this: \time 4/4 c4 d e f | | | I've looked through the docs and can't find it. I don't even know what to call it. Can anyone help me on this (or, perhaps, I'm just imagining I saw it)? Thanks, --greg

Alternate Measures

back to playing together again I'm currently using "ossia" notation, but it's cluttering the part up, though it's nice to see what others are doing. Is there anything I can do short of having 2 copies of the parts differing only by the few measures I've changed? Thanks Everyone! --greg

Re: Alternate Measures

o!! This is EXACTLY what I'm looking for and it works like a champ. I can now arrange custom parts for my section based on the technical ability of my players. Thanks. And THANKS to the developers for thinking of this and coding it up. --greg On Sat, Mar 18, 2023 at 3:38 PM wrote: > Hi

Fonts and Tempo

credit): [image: image.png] Thanks for any help you can provide. I have the Lilypond 2.12 Notation Reference so if you even point me to the section to reference I'll work it out. Kind Regards, --greg

Elongating Measures

putting in silent quarters thinking it might do the trick: df2\mf df\<| \time 3/2 df df(f)\!| \time 2/2 <<{f1}{s4\f\>s4 s4 s4}>>\breathe| f2\mf c| c ef\<| Is there a way I can specify the length of the measure or otherwise make it longer? Thanks, --greg

Re: Elongating Measures

eans things up a bit: \time 3/2 af bf(c)\!| \time 2/2 df1\f \lDcresc 7 \breathe| c2\mf af| Thanks for the help! --greg On Fri, Sep 6, 2024 at 7:55 PM Kieren MacMillan wrote: > Hi Greg, > > > I would like it to be longer so the decrescendo is a bit more prominent. > &g

Re: Elongating Measures

There are a couple typos in my last post. It should be minLen, of course. On Sat, Sep 7, 2024 at 10:12 AM Greg Lindstrom wrote: > Kieren (and friends) - > > Thank-you. This works great. And since I want to use it in a number of > locations I made a couple of functions: > >