About whole bar rest

I need a whole bar rest, centered in middle of the bar I must use \time 3/4 R2. but I prefer to lower the rest for this voice something like \time 3/4 d2.\rest but the rest isn't centered What can I do? Thanks Georges ___ lilypond-user mailing lis

Stems up and down

Problems with J.S.Bach and polyphony Have one voice, but played as 2 voices I need the stems up for the "upper voice" and down for the "lower voice", as in 2 voices but in one voice ;-) \time 3/4 cis16 a,16_"forte" a'16 a,16 gis'16 a,16 a'16 a,16 b'16 a,16 gis'16 a,16   %63 Something like:

Re: Stems up and down

Graham Percival a écrit : > > On 11-Jul-05, at 4:34 AM, Georges Roux wrote: > >> << { \stemUp ... } // { \stemDown ... } >> I try this but, it s not >> correct because there is only one voice. >> >> How to do it? > > > Use \\

To many clashing note

der { title = "Clashing note" subtitle = "to many" composer = "Jean Sebastien Bach (1685-1750)" style = "Classical" copyright = "Public Domain" maintainer = "Georges Roux" lastupdated = "2005/07/10" filen

Help to unhidde the "a"

I do that but the a is hidden by beam upperVoice = \relative c' { << { \stemDown e16[ s gis s fis s gis s a s fis s ] } \\ { \stemUp s e16[ s e s e s e s e s e ] } >> } Is there a way to unhidde the a? Georges ___ l

Re: Help to unhidde the "a"

itten by beam" subtitle = "" composer = "Jean Sebastien Bach (1685-1750)" style = "Classical" copyright = "Public Domain" maintainer = "Georges Roux" lastupdated = "2005/07/18" filename = "overwrittenbybeam.ly&qu

Re: Help to unhidde the "a"

Mats Bengtsson a écrit : > > > Erik Sandberg wrote: > >... > >> << { \stemUp s e16[ s e s e s e s e s e ] } \\ { \stemDown e16[ s >> gis s fis s gis s a s fis s ] } >> > > > You remove the \stemUp and \stemDown here, since they are provided > automatically by the \\ construct. > >/Mats If I

Re: Help to unhidde the "a"

Mats Bengtsson a écrit : > > > Erik Sandberg wrote: > >... > >> << { \stemUp s e16[ s e s e s e s e s e ] } \\ { \stemDown e16[ s >> gis s fis s gis s a s fis s ] } >> > > > You remove the \stemUp and \stemDown here, since they are provided > automatically by the \\ construct. > >/Mats I ca

Re: To many clashing note

Rob Vlasaty a écrit : >Georges, > >See if this is what you wanted. Mats Bengtsson wrote to me in another post: > > > >>>You may want to use \voiceOne instead of \stemUp and \voiceTwo instead >>>of \stemDown, to set the direction not only of stems but also of slurs, >>>ties, and some other thing

connecting arpeggio

t;" composer = "" style = "Classical" copyright = "" maintainer = "Georges Roux" lastupdated = "2005/07/10" filename = "Bellevedere.ly" in

Classical Guitar notations: Fret numbers

Hi, Have succefully compiled 2.5.21, I use Debian Sarge and 2.5.21 is better than 2.2.6 Is it possible to write guitar fret numbers with lilypond, haven't found something about fret numbers in the online doc. Something like "VIII--". I need it, to write and share classical sheets in t

Re: Doc help: guitar fret numbers

Graham Percival a écrit : > Any guitar players here? > > Could somebody supply me with a short example that demonstrates guitar > fret numbers, for inclusion in the manual? I could construct an example, > but I have no clue where you would use it, or what values would make > sense. > > Cheers, >

Partial measures

r { title = "Maria" subtitle = "(Gavotta)" composer = "Francisco Tarrega (1778-1839)" style = "Classical" copyright = "Public Domain" maintainer = "Georges Roux" lastupdated = "2005/May/2" filename = "maria

Re: Partial measures

Erik Sandberg write : >You can try adding "\grace s8" directly after any event that is incorrectly >placed after the grace note. > >(e.g., {\global \grace {s8} s1} iso \global) > > > Is that correct? global = { \clef "G_8" \time 2/4 \partial4 \grace s8 } upperVoice = \relati