Re: \repeat with upbeat (partial) and alternatives

Am 28.06.2008, 00:11 Uhr, schrieb Mats Bengtsson <[EMAIL PROTECTED]>: You may want to submit it to the LSR, though. I did so with two examples. but in the preview only one shows up. and when you click on the picture to see the code, the full code is there. on my PC (windows xp) this wo

Re: \repeat with upbeat (partial) and alternatives

2008/7/1, Neil Puttock <[EMAIL PROTECTED]>: > > I've approved the snippet using the first example > (http://lsr.dsi.unimi.it/LSR/Item?u=1&id=490). > > This works perfectly. Using http://lsr.dsi.unimi.it/ you can search - e.g. for *upbeat* or *repeat -* the snippet repository but you will not find

Re: LSR search is broken (was: \repeat with upbeat )

ng so big you can only navigate trough it with an up-to-date tool! Cheers Eluze Am 07.07.2008, 23:09 Uhr, schrieb Sebastiano Vigna <[EMAIL PROTECTED]>: On Jul 7, 2008, at 10:30 AM, Valentin Villenave wrote: Am 07.07.2008 um 00:44 schrieb Eluze Weehaeli: http://lsr.dsi.unimi.it/LSR/

Absolute vs. relative pitches

May I report a personal impression I had reading the "Learning Manual": In the chapeter "2.5.4 Absolute note names" people are scared off using absolute pitches. What for? The given example of Mozart can easily be written with few octave characters - 2 commas - in absolute mode: { \key a \m

Re: convert from absolute to relative

Am 22.08.2008, 16:46 Uhr, schrieb Steve Dunlop <[EMAIL PROTECTED]>: I shall eagerly await the development of a script that will work in the reverse direction. Using \displayLilyMusic should give you the wanted absolute transformation! (while writing this answer, I just saw Mats repsonse) I

Re: LSR status

Am 27.08.2008, 10:41 Uhr, schrieb Graham Percival <[EMAIL PROTECTED]>: I wouldn't say that it would be a disaster; I still don't think that it's been used enough to say that the loss would be *that* bad. How can U use it if it is not available 99% of the time...(at least the last 2 weeks)?

Re: LSR status

Am 27.08.2008, 11:02 Uhr, schrieb Graham Percival <[EMAIL PROTECTED]>: Am 27.08.2008, 10:41 Uhr, schrieb Graham Percival <[EMAIL PROTECTED]>: I wouldn't say that it would be a disaster; I still don't think that it's been used enough to say that the loss would be *that* bad. How can U use i

Re: Text spanners, dashes

for me it works (version 2.11.57, Windows XP SP3): \relative c'' { \override TextSpanner #'dash-fraction = #0.7 b 1 \startTextSpan c e, \stopTextSpan } \relative c'' { \override TextSpanner #'dash-fraction = #0.2 b 1 \startTextSpan c e, \stopTextSpan } in case your code defines another

arpeggio problems

hi when the notes of a chord are close problems with arpeggios arise - \arpeggioNormal - the zigzag line cannot be recognised as such - \arpeggioArrowUp - the arrow is below the chord, the zigzag line is missing - \arpeggioArrowUp - the arrow is below the chord, the zigzag line is missing - \arpeg

template.zip (lilypond-user@gnu.org)

I've shared an item with you: template.zip https://docs.google.com/open?id=0B8upKzFlsy7GSE90U1BEZ1dBWG8&invite=CO-SubYI It's not an attachment -- it's stored online at Google Docs. To open this document, just click the link above. ___ lilypond-user