I'm looking for a way to number short rhythms and melodies on
practice sheets for an ear training class I'm teaching. The example
below looks how I want it, but I am wondering if there is some way to
have the exercises numbered automatically.
\version "2.10.33"
#(set-default-paper-size "lette
Does anybody know where I can get Rosegarden on a live CD? I have
been unable to download the live cd version on Studio to Go (judging
from the website, I wonder if that's realy being worke on anymore))
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If I'm creating a sheet of short rhythms [ex below], do I meed to use
\RhythmicStaff for each rhythm, or can I do something globally?
\score {
\new RhythmicStaff {
\time 4/4
\set Staff.instrumentName = "1 "
b'2 b
r4 b r b
b r b r
b2 r4 b
\bar "|."
}
}
\score {
\new RhythmicStaff {
\time 4/4
\set
How can I get two line in a header? Like:
\header {
copyright = "First line \\ Second line"
}
Charles
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Borrowing from
http://lilypond.org/doc/v2.10/Documentation/user/lilypond/More-about-
stanzas#More-about-stanzas
Lilypond 2.10.33 doesn't accept this:
\header {
copyright = "\markup { \column{
\line{ Verse 2. }
\line{ All the children laughed and played }
\line{ To se
I need to have booth a fermata and a div. sign over a diad, how do I
get this?
2\fermata\markup { div. }
gives me an error message.
Charles
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On 22 Oct 2007 at 22:31, Ralph Little wrote:
>
>
> > How can I get two line in a header? Like:
> >
> > \header {
> >copyright = "First line \\ Second line"
> >}
This works. Thank you.
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On 22 Oct 2007 at 23:29, Alexander Kobel wrote:
> \header {
> copyright = \markup { \column{
> \line{ "Verse 2." }
> \line{ "All the children laughed and played" }
> \line{ "To see a lamb at school." }
> }
> }
> }
This works as well. Thank you.
--
ht
[I tried resarching this topic on the list archive but most related
topics are too extensive for me to sort out.]
In a choral piece, I have a part that tempoarily divides into (single-
line) polyphony. How do I handle lyrics at this point?
Charles
The format of the score is outlined below:
This example attached:
\version "2.10.33"
\header { }
}
global = {
\key a \minor
\time 4/4
}
sopranonotes = \relative c' { r1 r r r r }
sopranowords = \lyricmode { }
altonotes = \relative c' { r1 r r r r}
altowords = \lyricmode { }
tenornotes = \relative c' { \clef "G_8" r1 | r4 << { c
I'm copying a choral piece and am finding the spacing too tight, I
want to open it up and also have all hyphens in the lyrics print.
Can anyone help or direct me to the appropriate sections in docs?
I did find:
\override Lyrics.LyricSpace #'minimum-distance = #5.0
in
7.3.8 Spacing lyrics
but wa
I'm pretty sure that I read somewhere that you can include lily files
in other lily files. What I am hoping to do is divide a chorale
piece into four files one for each part, so that when I am working on
a part I can run that part only. I'm just trying to speed up the run
process.
Charles
Why does the octava line in this example get broken up?
\relative c' {
\clef treble
\time 2/2
<< { r2 b'4 b8 c ~ | c2 e4 e8 f | #(set-octavation 1) r4 g'2 c,4 ~
| c e2. | r4 a2 e4 ~ | e f2. | } \\ { e,,4 e8 f e2 | a4 a8 bes a2 |
a' a | a f | e g | a1 | } >>
<< { r4 g'2 c,4 ~ | c e2. | r
Well, I just ran this on another machine and it looks fine, so I'll
have to fool around on my end and see if I can't fix it.
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Actually the problem seems to be with the PDF viewer that comes with
the LilyPondTool plugin for JEdit (2.10.4, JEdit 4.3pre11, windows xp
sp2). The octava line displays differently than with acrobat or
gsview.
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A couple of questions about polyphony:
1. In this excerpt should I use "\new Voice" twice or can I just use
"\voiceTwo" the second time?
2. Could \voiceOne be assumed?
3. \upper and \lower as mentioned in 6.3.4 in the manual aren't
really commands are they.
Charles
\relative c {
\clef bass
On 12 Nov 2007 at 14:54, Mats Bengtsson wrote:
> I hope you have read the section called "Explicitly instantiating voices"
> carefully a number of times ;-).
Yes, and my head spun each time. Kidding. (Actually, as a note to
whomever does the documentation: though I understand it is to clearly
On 12 Nov 2007 at 16:41, Mats Bengtsson wrote:
> > So \upper could be a name of a voice that could have \voiceTwo
> > properties?
> >
> That wouldn't make sense, since \voiceTwo is equivalent to
> \stemDown \slurDown \tieDown \dynamicDown ...
> and you typically want everything to point upward
I have been having trouble moving a tempo mark that appears over a
rest. This is a choir and piano piece and I have been putting the
tempo indications in the soprano part. I want to play around with
the spacing (like in section 5.1 of the manual), but it doesn't seem
to do anything because the
I'm not sure if "dynamics context" is th right way of saying it, but
is there a way to have a special instrument (voice, whatever) where I
can put markup above the systems for mutli-instrument compositions?
Like:
{ s1*5 s1^\markup{ \bold Faster } }
Charles
--
http://www.campdeadly.com
htt
Hi,
I'm reading through chapter 11 and am a bit overwealmed by the wealth
of options. I'm wondering if someone can help me narrow things down
a bit. I want to have a score (choir + piano) that always created 2
systems per page, right now I'm often getting only one.
Charles
--
http://www.c
Hi,
I have a tex document that I created with version 2.7.40 (I think) and haven't
updated it in a while, but want to now, don't have that version installed,
installed the new version, and can't get it to ouptu successfully. I've
attached the windows output and the beginning of the doc.
Can some
Can someone help me with this:
Writing fonts to 1-test1.psfonts...Failed to extract CenturySchL-
Roma, Emmentale
r-20 from lily-1889349313.eps
I'm running under windows xp.
D:\Docs2\1\final>lilypond-book --psfonts --output=out 1-test1.lytex
lilypond-book.py (GNU LilyPond) 2.10.0
Reading 1-test1.l
Hi I'm trying out Lilyponmd using Cygwin under XP(sp2). Didn't
work:
-Charles Gran
===
GNU LilyPond 2.4.2
Processing `test.ly'
Parsing...
test.ly:4:15: error: unknown escaped string: `\notes':
\score { \notes
{ c4-( c4-) } }
test.ly:4:14: error: synt
I've been trying out Lilypond and and entering a song in F min. I have
a passage that includes a d#. Lily notates this with both a natural and
then a sharp. While I realize this is technically correct, what I
really want is just d#. How can I change this accidental, or the
behavior that con
I'm working on a lead sheet and am using the template from the manual
(section 3.2.4).
I'd like the tempo mark and some markup text to appear above the chord
symbols. Suggestions?
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I'd like to have a single pitch in a vocal line with a "x" notehead (for
a spoken word).
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Graham Percival wrote:
\override Notehead #'style = #'cross
I believe that's the right command; "cross" might be a different word,
though. If it doesn't work, try looking up note or notehead in the
program reference.
Couldn't get this to work. As you say, maybe "cross" isn't it. Does
anyone know
I am writing a song in lead-sheet format. I have an introduction that
is polyphonic (manual 2.16). The last measure of the introduction has a
pickup into the melody proper. I can't get a lyric on that pick-up.
In single-staff polyphony, how can you treat the top line as melody with
lyric and
In lyricmode \skip 1 goes the next note in a series of 8th notes? I
can't seem to get this number to represent anything.
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Casting Spells"
poet = "C J Ver Burg"
composer = "Charles Gran"
tagline = ""
}
melody = {
\set Staff.extraNatural = ##f
\clef treble
\key f \minor
\time 2/2
%\tempo 2=60
<< { 8-. -. < f' g' >4 8-. -. < f'
g' >4
Is there a way to alter the behavior of chord symbols as discussed on
the manual 5.14.1ff? I'd like to get C7(b5) rather than C7/b5 (the b's
being flats).
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Use a space for a "chord Field Separator" and give up the idea of
/bass notes. The alternative is to put the chords in as text, which
is what I have always done. With \sharp and \flat it's all text.
I'm only now getting to this. I can't find find reference to "chord
Field Separator" in the manu
I want to get a lyric under the two tied whole notes in the
final two measures of the attached song. Can anyone help me
on this? I know it is similar to the way the pickup works at
the end of the introduction, but am unsure of how to
accomplish this.
Charles
witches19.ly
Description: Binar
I want to get a lyric under the two tied whole notes in the
final two measures of the attached song. Can anyone help me
on this? I know it is similar to the way the pickup works at
the end of the introduction, but am unsure of how to
accomplish this.
witches19.ly
Description: Binary data
__
If I run this as a separate lily file the time signature is
removed. It is not removed when I embed this in a latex document
as shown.
(WindowsXP, 2.4.2) -Charles
\begin{lilypond}
\relative c' {
\clef percussion
\autoBeamOff
\cadenzaOn
c8. c16 c8 c c16 c c8
c16 c c4 c16 c c8 c
c16 c8. c8 c c c
When I run a version of the example found at
http://www.lilypond.org/doc/v2.4/Documentation/user/out-www/lilypond/An-example-of-a-musicological-document.html#An-example-of-a-musicological-document
I get a squezzed example for the first staff of music.
I'm using cygwin under Windows XP (2.4.2) and
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