Sorry to ask this silly little question. I am writing out SATB harmonies
for a music exam
and Ive decided to colour the bass in blue, just to make it a little more
distinct.
Id like everything about the bass line/voice to be blue, to this end I use
\override NoteHead.color = #blue
\override Stem
our ability to stomach it.
> -- *Flannery O'Connor*
>
> On 27 Aug 2015, at 09:53, B~M wrote:
>
> Dear ALL, I have a long trill in a little viola piece by Milhaud which Ive
> attached.
> The trill continues over two full bars, 27 and 28.
> What I would like to do is add in
Dear All, here is perhaps a silly little question.
I am trying to get a slur from a crotchet "into" one of the voices in a
polyphonic voicing. In measure 1 the third blue note should have a
slur connecting it to the next blue note, which is in the polyphonic part.
I tried ( ) and \( \) with no succ
Dear ALL, at the risk of great embarrassment, I cannot seem to find what
must be a simple
command to set _\markup{} at a constant offset from the staff, rather than
following the music
up and down etc. I've attached my example which is a simple SATB harmony
showing only the Soprano and
Bass. The ch
thanks indeed Stephen, its a nice idea to lump the chord symbols into "one"
rather
than do a \markup to all notes. The Vb is just the first inversion of the
chord, the b is not
a flat symbol.
I guess one thing that puzzled me with the \override TextScript.padding is
why the outcome didn't just add
Pierre that is fantastic work. I tried a very crude routine to mark the -
sign on a finger number like -2 etc...
but nothing as slick as yours.
This is very useful annotation to denote a descending shift from
"somewhere" down to
a lower position with finger 2. In sight reading string music that mak
I am trying to typeset an orchestral part for a Viola section I play in.
What they want is bar numbers only at the start of each line.
I searched the repository and couldnt find anything, might this mean I
have to manually enter these bar numbers and if so, how is that possible ?
This didn't seem
Dear All, I have encountered an odd problem (I think) with midi
file generation. The attached file is just one bar of Viola music.
It generates a midi, but the actual viola playing is about 7 seconds, yet
the
midi continues for about 20 seconds ?
Have I missed a command in my *.ly file that termina
dear All, I have been trying to write clean code to
achieve manual beaming in 6/8 time, but my code seems (to me) to be a
grubby hack, there must be a cleaner way.
In one compounded beat of 6/8 time I have 4 semiquavers (or 16th notes)
then in the
remaining time value of 2 semiquavers, I have a tri
midi) but my conversion
software might be the problem as I ultimately want an mp3 file
Not entirely sure what has happened, my apologies.
Paul
On Tue, Jul 24, 2018 at 1:21 PM, David Wright
wrote:
> On Tue 24 Jul 2018 at 08:06:19 (+0930), B~M wrote:
> > Dear All, I have encounter
Thanks Pierre, indeed my code was grubby.
Regards Paul
On Tue, Jul 24, 2018 at 2:43 PM, Pierre Perol-Schneider <
pierre.schneider.pa...@gmail.com> wrote:
> Hi Paul,
>
> 2018-07-24 3:46 GMT+02:00 B~M :
>>
>> I used stemLeftBeamCcount and stemRightBeamcount to achi
I have what I think is an odd problem with accidentals.
The piece I am working on is a Viola etude in E minor.
In the original score the composer needs an E natural and this is achieved
by a concatenated combination of a natural sign and a flat sign.
The note in question is an F, which is sharp in
appeared in the "Fantasy Etudes for
Viola" written by
Lillian Fuchs who was a significant contributor to Viola in the USA.
Thanks for the help and suggestions.
Paul
On Fri, Jul 27, 2018 at 8:40 PM, Thomas Morley
wrote:
> 2018-07-27 12:49 GMT+02:00 B~M :
> > I have what I thin
String players sometimes have to put one finger over two strings, but sound
just one.
The finger also stopping an unplayed string is often played later, so this
action is one
of finger preparation. I show this in the attached snippet where I have
used a red note
head to denote the unplayed, but sto
I have a simple problem. In a Viola score I include some piano parts with a
cue voice and, to make it
very clear I colour the piano part in blue. in the cue voice I can change
the colour of "most components of the music"
but not a full bar rest ? For example I do there following in the cue voice
\
Dear All, I have a simple little problem.
I have two viola suites, each two pages long. I would like to print these
two pieces
double sided, but with an intentionally blank first page so there is only
one page turn
from the first to the second piece in the collection
I use (crudely)
\book
{
\boo
affect a blank page, I use
>
> \markup \null
>
> So your first bookpart would look like this:
>
> \bookpart {
>
> \markup \null
>
> \pageBreak
>
> \header{}
>
> { MUSIC }
>
> } %End first bookpart
>
> I hope this helps!
>
> Hwaen Ch'uqi
&g
Simon is there a similar command which fixes the padding for text spanners,
or does the command you posted do that anyway ?
Paul
On Sunday, September 11, 2016, Simon Albrecht
wrote:
> Hi Thiago,
>
>
> On 11.09.2016 00:30, Nao Nao wrote:
>
>> Hi,
>> I'm new to lilypond and I would like to know h
Thanks Simon.
On Sunday, September 11, 2016, Simon Albrecht
wrote:
> On 11.09.2016 02:19, B~M wrote:
>
>> Simon is there a similar command which fixes the padding for text
>> spanners, or does the command you posted do that anyway ?
>>
>
> Of course there is a
Dear All, I would like to add an up bow symbol to the
middle of a tie between two notes. The file seg.pdf is a snippet
of the problem. In the second tie I would like to place a V to denote
up bow. However, the up bow and down bow symbols are attached
to notes in the lilypond file.
Is there some way
> \pitchedTrill
> e'2.-2~^\DUB\startTrillSpan fis
> % measure 28
> e2.~^\UDB
> % measure 29
> e2.~\DB\stopTrillSpan
> % measure 30
> \pitchedTrill
> e2.~\DB\startTrillSpan f!
> % measure 31
> e2.\stopTrillSpan
> % measure 32
> \bar "||
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