I am trying to write notes to practice bow pressure on Violin. To practice,
we play the same note with different crescendo/decrescendo patterns.
What i am trying to do is in the image below called "hairpin"
http://www.nabble.com/file/p19847565/hairpin.png
In Lilypond, I did the following:
\ver
thanks, i learned a new trick with the make-moment.
Kieren MacMillan wrote:
>
> Hi Antheo,
>
>> Problems are that the first hairpins are too short
>> The 3rd and 4th are uneven and the tie between the first notes does
>> not work.
>> Any ideas how to accomp
Hi,
I am writing a score for violin with many commands that are repeated and
would like to know if it is possible to write a shortcut command.
The commands are:
- \downbow
- \upbow
- ^\markup { \small "III" }
- _\markup { \italic { rit. } }
~Marc
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Hi,
I looked into the documentation and into the LilyPond Snippet Repository but
could not find a way to reduce the space between notes.
Would you mind pointing me to the right direction in the doc and showing me
an example?
thanks.
-Marc
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That's exactly the effect that i am looking for. I tried several settings
for the make-moment function but still the notes are not spread the way i'd
like them to be.
Here is what i want:
http://old.nabble.com/file/p27662953/what%2Bi%2Bwant.png
and here is what I get :
http://old.nabble.com/f
by adding some breaks and overriding the SpacingSpanner i was able to fix
the begining but now i get a single half note taking a lot of space.
http://old.nabble.com/file/p27663115/CropperCapture%255B1%255D.png
another break instruction and it is getting better but that does not look
natural
ht
+Saens.ly
Kieren MacMillan wrote:
>
> Hi Antheo,
>
> You would likely get more (and better) help if you included a small
> example of the Lilypond code you're working with.
>
> Cheers,
> Kieren.
>
>
> ___
> l
Has anyone checked, or in/validated if the extra space given by the half-note
is a bug or not?
PS: I really wish that Lilypond was not that complex to improve or
customize.
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Sent
Hi,
I write some Violin pieces and would like to implement a function to typeset
a commonly used fingering with the shift indicator (simply a "-" before the
finger number).
Ideally I'd like to have the following syntax: {f \shift a-1} where the
\shift command would add a dash and offset the fing
Thanks for the suggestion Nick. But it is important that it does not look
like a glissando because a glissando is an audible transition between 2
notes while I am trying to indicate a silent shift.
Per the look also, a glissando looks like : "note1 - note2" and a shift
looks like "note1 -note2" wh
James Bailey-4 wrote:
>
> I realize it's not exactly what you want, but what about:
> \version "2.12.3"
> shiftTwo=\markup \finger "-2"
> { c''4-\shiftTwo }
>
Yep not exactly but could be a workaround. I'd like to replace the short "-"
by a middle one like with the character \char ##x2012. I t
you may have to use a monospace font.
http://kainhofer.com/~lilypond/ajax/user/lilypond/Fonts.html
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__
>
> \version "2.12.3"
>
> shiftTwo=\markup \finger "–2"
> shiftThree = \markup \concat {\char ##x2012 3}
>
> { a4-\shiftTwo g-\shiftThree}
>
>
>
> On Aug 3, 2010, at 3:58 PM, Antheo wrote:
>
>>
>>
>> James Bailey-4 wrote:
>&
Thanks Neil!
I used to code in Lisp but i could find by reading and googling in the doc
the functions you used.
Is there any way you could provide me with some links to the documentation
that would help me understand each function so that there are some chances i
could do it by myself next time?
Is there a way that the finger number and the dash could be positioned
either above (default) or below the staff?
n.puttock wrote:
>
> On 10 August 2010 01:40, Antheo wrote:
>
>> I used to code in Lisp but i could find by reading and googling in the
>> doc
>> th
d e f | g a b c |
% and so on...
}
I've seen Neil's music function to set the visibility of the bar number
every odd measure but don't think this can be reused to set the font size.
links to documentation i may have missed or scheme functions are welcome.
Antheo wrote:
>
>
>
The documentation here
http://lilypond.org/doc/v2.12/Documentation/user/lilypond-learning/Introduction-to-the-LilyPond-file-structure#Introduction-to-the-LilyPond-file-structure
says: "A \score block must always contain just one music expression, and
this must appear immediately after the \score
would somebody mind clarifying?
Antheo wrote:
>
>
> The documentation here
> http://lilypond.org/doc/v2.12/Documentation/user/lilypond-learning/Introduction-to-the-LilyPond-file-structure#Introduction-to-the-LilyPond-file-structure
>
> says: "A \score block must always
Is that something not possible?
Antheo wrote:
>
> I'd like to avoid to do:
>
> \score {
> % set the size of the first bar number larger
> \override Score.BarNumber #'font-size = #-2
> c d e f | % 1st measure
> % 5th other measures on the same staff
&g
so it seems that chords noted <> does not allow to set individual duration
but << >> allows it?
That seems the best solution. Is there a way to have this patch make it into
the next version?
David Kastrup wrote:
>
> David Kastrup writes:
>
>> "Marc Mouries" writes:
>>
>>> Tim Rowe wrote:
Anyone would have any idea how to accomplish this?
Antheo wrote:
>
> I'd like to have bar numbers printed on every bar with the first bar
> number of each line bigger.
> I'd like to find if there is any way to set different bar number format
> with a function ra
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