questions about chord ties to null and Ped. glyph

Two questions, I’m trying to write a chord with a tie to null space (see pic below). I tried 1 (<>) and only get one slur then I tried << {e1 (<>)} \\ {g! (<>)} \\ {b (<>)} \\ {e (<>)} >> and the notes are not vertically aligned suggestions? Second question: I’m trying to write a dynamic foll

Re: questions about chord ties to null and Ped. glyph

Thank you!!! -akj > On Sep 13, 2015, at 11:15 AM, David Kastrup wrote: > > \musicglyph #"pedal.Ped" ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

problem with accent placement

I’m using the Script.priority-order to place an accidental above a trill ornament, but when combining with a note accent it creates an ordering property as per the documentation example. However with the following snippet: \version "2.18.0" \relative c''' { a2-> \trill \once \override Script.

Re: problem with accent placement

This was successful, thank you! I did not try the more involved solution. -akj > On Dec 27, 2015, at 1:12 PM, Thomas Morley wrote: > > 2015-12-27 18:18 GMT+01:00 Alex Jones : >> I’m using the Script.priority-order to place an accidental above a trill >> ornament, but

question about bar lines

I am having a problem with bar lines, if I put the following around a staff break \bar "||" \break \bar "|:" I get the repeat sign on the start of the staff, but not the double bar on the end of the previous staff. I am using partial bars before and after the break, but through experimentat

Re: question about bar lines

Thanks a lot!!! -akj On Sep 19, 2010, at 10:11 AM, Alexander Kobel wrote: > On 2010-09-19 15:38, Alex Jones wrote: >> I am having a problem with bar lines, if I put the following around a staff >> break >> >> \bar "||" >> \break >> \bar &quo

nested crescendos?

I need to include nested crescendos and decrescendos within a document (e.g. an overarching crescendo with phrasing decrescendos). Is this possible? For example the idea would be something like the following: fis, \< \> (ees') \! f,! \> (d') \! \! Any suggestions? Thanks! -akj _

tuplet number

I am using the expression to not display the tuplet number \override TupletNumber #'stencil = ##f but at some point later in the score I want that number to be displayed again and when I use what I figured was the appropriate reactivation expression \override TupletNumber #'stencil = ##t it works

transposition question

I am using lilypond for a transposition solution. Unfortunately, when doing the transposition, the shift is to keys where it would make sense to write the notation in the enharmonic key. E.g. the new key is c-sharp major and it would be nicer to actually write it in d-flat major, is there a wa

help with pitchedtrill

Couple of questions: I'm trying to use pitchedTrill, but its creating a problem when I have a tie coming off the note: score.ly:125:88: warning: unterminated tie \pitchedTrill d4~ \startTrillSpan \! ees d16 \stopTrillSpan b (g ees \pitchedTrill d4~)

Re: help with pitchedtrill

Thanks very much, this worked well. Best, Alex On Jun 29, 2011, at 1:46 PM, Kieren MacMillan wrote: > Hi Alex (and Mike), > >>> What I really want is the trill with a flat sign, but I didn't figure that >>> one out. > > This is what I do: > > trillWithFlat = { > \once \override TrillSpanne

overlapping articulations with slurs

Apologies if others have solved this in the past, but I wasn’t able to find a solution on the list quickly. I’m trying to write both a stopped and accented note, that is slurred to an open note. I’m having trouble with the stopped and accented articulation occurring overtop of each other. Add

overlapping articulations with slurs

Apologies if others have solved this in the past, but I wasn’t able to find a solution on the list quickly. Has anyone seen something like the following: I’m trying to write both a stopped and accented note, that is slurred to an open note. I’m having trouble with the stopped and accented arti

Re: overlapping articulations with slurs

ous request. > > -- > Phil Holmes > > > - Original Message ----- From: "Alex Jones" > To: > Sent: Friday, January 09, 2015 7:06 PM > Subject: overlapping articulations with slurs > > > Apologies if others have solved this in the past, but I wasn

time signature magic

Does anyone have a suggestion for a good way to accomplish this in lilypond? time signature with a second time signature in parentheses? Thanks in advance! -akj ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinf

Re: time signature magic

-parentheses-_002d-method-3 -akj On May 23, 2015, at 6:09 PM, ole wrote: > maybe this helps? > > http://lsr.di.unimi.it/LSR/Item?id=782 > > ole > > > > Am 23.05.2015 um 23:44 schrieb Alex Jones : > >> Does anyone have a suggestion for a good way to acco

Re: time signature magic

This worked like a charm, thanks to everyone! -akj On May 23, 2015, at 7:05 PM, David Nalesnik wrote: > #(define ((time-parenthesized-time up down upp downp) grob) >(ly:stencil-combine-at-edge > (grob-interpret-markup grob > (markup #:override '(baseline-skip . 0) #:number #:colum

staff manipulation question

I’m working with a score that has multiple staves that appear and disappear at various points. I ran into a curious behavior: I have two staves fro a while, the second has two notes that complete mid-measure so I encoded like this: \score { \new StaffGroup \relative c' { \new Staff \key f \maj

cues overlapping compressed multi measure rest

I am trying to replicate an odd structure, which places cue notes over top of the conclusion of a compressed multi measure rest. Normally when I make cues I use the << {} \\ {} >> structure such that I might have code like the following, but it breaks up the multi measure rest, any suggestion