Hello,
I'm orchestrating the accomp. of a song by me in 2004. The horn 1-2 part
sometimes requires a2 note, thus a double stem note. I don't want to write <<
c4 \\ c >>, since there are dynamics spanner such as \<, and I don't want to
add an extra voice to increase the complexity. But could
> \oneVoice #})
>
>\relative c'{ c2 d \doublestem e f \doublestem { g a b c } }
>
>This function applies to the note (or music expression) following it, so
>in this example
>you get a double stem in the e and on the sequence g a b c.
>
>/Mats
>
>胡海鹏 Hu Haipeng w
Hello,
Still for my song. The full orchestral score has finished yesterday, but I
don't know how to override the font of Lyrics. It seems that LyricText can't
accept #'font-name, and though I used #"仿宋_GB2312" For the Chinese texts, Lily
still says the warning for not knowing how to embed t
Hello,
I'm very greatful now! Thank you for the very very great invention of
LilyPond! I attended a piano competition last evening, and gained the second
prize. There was a talent show, in which I sung a song I composed in 2004 as a
homework of song writing class. It had no accomp. at first, b
Hello:
I showed the full score of my song to my mother last evening, and she was
very happy. But she said that my implementation failed, because the hidden
notes and slurs also hide glissandi. In Chinese music, some notes will be sung
or played with an ascending or descending end, thus a "tail
Hello,
I'm suffering from my very large orchestra template. I think if all are good,
I can contribute it as one of the templates at the end of LM.
The current problem is, some composers said there are two equivalent thick
lines at the left, not one thick long and some thinner group lines and
Hello,
I'm one Lilypond year old today! The day before yesterday, I posted my
orchestral template, to see whether all are OK--I will contribute it to the LSR
or to become part of LM's template appendix. Also, I own have difficulty in
this, and hope you can solve the problem. My topic is "orche
Hello,
Could sanyone tell me how to add an accidental at the beginning of the trill
spanner? I'll write a c-des trill for violin I and II spanned for about 20
bars, being the dark and trembling background of the solo cello recitativo. I
have set the spanner to be breakable, and I also know I c
Thank you for your help. But how about this:
%{ \once %} \override TrillPitchHead #'stencil = ##f
I get this from IR :-)
Haipeng
在2008-12-30，"Simon Bailey" 写道：
>haipeng,
>
>On Dec 30, 2008, at 1:59 PM, 胡海鹏 Hu Haipeng wrote:
>> Could sanyone tell me h
Happy new year!
Very glad to get feedback on my orchestral template. I made some modification
to the defs, including defs of piano dynamics and chord marks using markup.
Here they are:
%% Layout to produce piano dy
Hello,
I'm about to download Frescobaldi, but I don't know whether Kde is for all
platforms or Linux only. I want to speed up my structure construction (to say,
a large orchestral score's stave structure--Orchestrallily has many
limitations), but LilyPondTool uses Java, which can't be accessed
Hello:
I found Mike Wiering's "nwc2ly" program on lily's faq page when in 2007. I
downloaded the demo of nwc 2.0" which fully functions with minor limitation. I
asked the nwc producer whether they'll implement musicxml export, because the
nwc scriptorium is the only electronic music repository
elping the developer to improve the
output.
Again, if someone can tell me the method to program the Nwc tool, I can try to
write it myself :-)
Haipeng
在2009-01-17，"Reinhold Kainhofer" 写道：
>-BEGIN PGP SIGNED MESSAGE-
>Hash: SHA1
>
>On Saturday 17 January 2009 08:28
Hello,
I'm working on my orchestration exercise, Beethoven sonata no.2 mov 2. The
professor wants me to add many dynamic signs which Beethoven didn't write.
After finishing the previous 32 bars, I find Lilypond only outputs Ps, even
though I set an option to delete ps file. When I check the sc
Hello,
Vallentin ever helped me to get a stemBoth function when I wrote the full
score of my song for attending the CCTV piano competition:
stemBoth = #(define-music-function (parser location m) (ly:music?)
#{ << \voiceOne $m \new Voice { \voiceTwo $m } >> \oneVoice #})
Now I'm orchestrating D
Hello,
I encounter a new problem with this function:
stemBoth = #(define-music-function (parser location m) (ly:music?)
#{ << \voiceOne $m \new Voice { \voiceTwo $m } >> \oneVoice #})
When I attach the slur, it is copied too. Now I want a function to write
things like this: the first half of t
Very good functions. But I want to write continuous double note tremolos. Is it
possible?
Haipeng
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Hello,
I found Lilypond 2.13 is on the download page, but the links contain no file
at all. Is 2.13 really out?
Haipeng
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Hello:
I'm about help both Freedots and the Japanese project BrailleMuse to
implement their musicxml to braille program (Valentin knows, one is an online
server under an unknown license :-), and the other a GUI under GNU, but too
young). My plan is, to write a score with many kind of notations
Have anyone figure out what are the difference of these ornaments I refferred
yesterday?
Another thing: c\turn only places turn above c, thus c\turn e must be played as
d16 c b c e4 . But I want to write a turn between c and e, thus played as c8
d32 c b c e4 . How to do that?
Haipeng
_
Thanks. I know the notation and meaning (I have Grove in both html and braille
(concise version in braille)), but it seems that Lilypond can't generate it.
I still can't figure out what's the difference between mordents and various
pralls :-)
Haipeng
在2009-03-31，"Simon Bailey" 写道：
>hi,
>
Hello Wei-Wei:
How are you?
It's exciting to find some Chinese people in this mailinglist!
For your question regarding the clef etc, don't remove these engravers, as
others said. I'm blind, so I don't know whether my way can remove the large
white border at the left side. Whatever, if I wer
Hello,
I'm encountering an "adding notehead to incompatible stem" error when writing
this oboes part. Why the "d d" one has no this problem but "e e" has?
\version "2.13.0"
moltocr = {
\set crescendoText = \markup { \italic "Molto cresc." }
\set crescendoSpanner = #'text
\override DynamicT
Thanks. Yeah, this is an orchestration exercise I'm doing. Unfortunately,
partcombine has many issues not fitting this, e.g. many a2's in a measure
instead of stemBoth.
Haipeng
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/
Hello,
I saw many people were discussing dodecaphonic accidentals. But why don't use
the function #(set-accidental-style 'dodecaphonic)? For me, I want to apply
modern to whole orchestral score (see the thread of "adding notehead to
incompatible stem"), but I don't know where to put #(set-acci
Graham,
> True, but this person specifically mentioned that he was a newbie.
Hmm, when I was a newbie at the end of 2007, I first downloaded 2.10.33, but
after few days, I discovered the version I downloaded was not the latest. So I
jumped to 2.11.34 immediately, regardingless whether it was st
Hello,
I'm writing a terribly quick dance for orchestra. All are going well, except
two text blocks, which I can't make sure whether it can be reduced to save
vertical space. The first is at the beginning contrabass part, where I don't
know whether there's still free space which I can make the
Hello,
I seldom deal with songs, and am hard to search the mailinglist (NR. leaves
this section empty!). So maybe this problem has been discussed before.
I'm writing a song with two verses most of the time. In the melody-only
version (I'll give it to my teacher), the melody is repeated with a
Thank you for your advice. I ever read this in NR, but wasn't sure whether it
works. Now again the example. I don't know whether the variables are correct,
but it really can't work! The error is unexpected \alternative, perhaps because
I assigned it to another voice. How to hack on it?
Regards
Thank you. Then, is this ok? It can compile, but I don't know 1) whether the
lyrics are correctly aligned; and 2) whether the second and third new voices
change stems to weird directions.
Regards
Haipeng
\version "2.13.3"
music = \relative c' {
\clef treble \time 4/4
\repeat volta 2
Thank you. Then, must I define another new voice in the second alternative? How
to simplify this?
Regards
Haipeng
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Thank you for your replies. Then, is this good? I still use voice association,
because I'll use ignoreMelismata in the second stanza in the actual song, and I
don't want to generate more weird things.
Regards
Haipeng
\version "2.13.3"
music = \relative c' {
\clef treble \time 4/4
Hello,
What's this score featuring? I'd like to know some about it. Could anyone
please give me a simple visual description?
Regards
Haipeng
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Hello,
I'm a Chinese musician, and I know how to produce smaller pdf files. I wrote
a song accompanied by orchestra last year. The full score has 13 pages, but the
size of the pdf is only 1.30M. If you're running Windows, please use your
system's built-in fonts (please use a tool to view the r
It's very strange that the mailing archive can't be opened. Maybe a server
error, or our local server blocks it?
So I can't find the sender's address. Just post here:
> Dear community,
> has someone of You the dolet-plugin for subelius?
> I maybee would like to buy it, but I'm not sure, if I shou
Hello,
I'm encounting the error of ending slurs in alternative. THe following
snippet describes it. In fact, in my orchestration exercise, all two endings
can't find either beginning and ending of the slurs. How to solve this?
Regards
Haipeng
\version "2.13.4"
\score {
\new Staff { \relati
Oh, sorry, I misunderstood my teacher's Sibelius file. The notation I thought
is extremely impossible. SOrry for the noise!
Regards
Haipeng
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Thank you, and I'm happy to take out these bars.
Haipeng
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Hello,
I just finished a song for an enterprise. But the problem is very strange
even after I learned the manual. The first 16 bars has 2 verses, then there are
two alternatives. At first, the words couldn't match the music, and now, after
removing \autoBeamOff, I can't find any words in the p
Hello,
With some adjustment, I can now make an a3 score and scale it to a4 when
printing to an image. But there's one problem, in bar 8 the sextuplet always
has no bracket. I put the required settings in the score file and removed the
\include line, but the proeblem is still here. Is anything
Hello
I recently asked a composer about noteheads. In Penderecki's scores, a normal
triangle with top upwards means as high as possible, and vice versa. But in LP,
I only find a single triangle notehead. Is it possible to invert it?
Regards
Haipeng
___
Hello,
This question is out of Lilypond, but since there're too many musicians, I'd
like to try.
Recently, I downloaded Webern's Passacaglia op.1 from IMSLP, and gave it to a
Spanish teacher to type into Finale so that I can translate it into braille.
But he stopped at p25, for p26 is anothe
Hello,
I don't know whether other threads referred to the same problem. The last
versions of docs (from 2.13.6 on) has most links broken on the main index. In
2.13.6, it has an "all" file containing correct link, but now, both the main
index.htm and the web.htm (including big page version) has
Dear Reinhold,
> Sorry, this is a bug that I introduced trying to fix unfinished ties in
> midi...
BAD! Please roll back to the original setting. Because:
1. There's already a \laissezVibrer, so it's no use to use a tie for such
notation.
2. This unterminated tie may sound odd, and will ther
Hello,
I'm about to add a tomtom part to my overture. It only needs 3 toms, so I
think only 3 lines are required. Then here's a visual problem:
When I set the line-count to 3, will the clef position 0 be the middle line?
If set line-count to 2, which is 0 and which is 2? Or will the other lin
Sorry, Since the bad frustrating Midi tie problem persists, I have to roll back
to 2.13.7, and wait for a version with fixed tie playback.
Haipeng
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Thanks.
Haipeng
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
I got two thoughts when I'm outside.
1. Why doesn't Lilypond give a warning when the staves run off the page? This
is very important for me, otherwise I must find a visual proofreader for every
piece.
2. How about switching back ragged-last-bottom to ##t and change
ragged-bottom to ##t too?
Hello,
I downloaded 2.13.11, but the error dialog for "whatever can't be 'read'"
appears when compiling. I recall 2.11.50 and 51 have this problem.
Haipeng
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/li
Done, but the error's still here.
Haipeng
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Hello,
Here're three problems:
1. The recent devel versions can't work properly. Under XP, if I press enter
on the file attaached (and all other files), both 2.13.11 and 12 gives out
abort message, saying whatever RAM can't be "read".
2. When running 2.13.12, the warning before its abort te
Hello,
I've looked into engraver-init.ly, and RemoveEmptyRhythmicStaffContext is
there. But when I include it with \RemoveEmptyStaffContext in my orchestral
score, LP complains about such line. Why?
Regards
Haipeng
___
lilypond-user mailing list
lil
Ha, thanks. But I'm not so stupid. Of course I have
\layout {
\context {
\RemoveEmptyStaffContext
\RemoveEmptyRhythmicStaffContext
}
}
And then the error:
xx\xx\xx.ly:nn:nn: error: syntax error, unexpected CONTEXT_DEF_IDENTIFIER
\RemoveEmptyRhythmicStaf
Hello,
Now I get the error of Devel version 2.13.13:
Lilypond-windows.exe
"0x007aa281" command uses "0x" ram, this ram cannot be "read".
What's wrong?
Haipeng
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailm
Then Here's the source file. Very simple piano score. Does it have errors
itself?
Haipeng
\version "2.13.7"
\header {
tagline = ##f
dedication = \markup { \bold "DEDICATED TO MY CLASSMATES IN THE COLLEGE FOR ADULTS" }
title = \markup { \fontsize #2 "Calling" }
composer = \markup { \
Thank you for your email. 2.12 and 2.13.7 can compile it without any problem. I
ever tried a very simple snippet such as:
\version "2.13.11" % the problem came since this version
\Score {
\new Staff { \clef treble \time 2.4 c,2 }
\layout {}
}
and the error still appeared.
Haipeng
___
Reboot system? I've never thought about it, but it may not be the key. Any
versions before 2.13.10 can run without problem. The same error occurred in the
versions (perhaps) 2.11.50-51. Perhaps further 2.14 can run without any problem?
If I still can't find the key, I have to either continue us
Thanks. I ever tried it in 2.13.10 by recalling an email from someone in the
early list, but it was of no use.
Haipeng
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
I now use the following command line setting to reject the "read" problem:
for %1 in (%windir%\system32\*.dll) do regsvr32.exe /s %1
But the ugly tie playback problem is still here, so I have to again roll back
to 2.13.7.
Haipeng
___
lilypond-user
Hello,
I have a problem with temporarily divisi desks (pult).
At the beginning of the music, the 1st violin is divided into bracketed two
parts to generate different harmonics. However, it becomes unis in the future,
so I must prepare a separate violin I part. If I need to show all instrument
Thank you very much. I ever thought about it, but all examples in NR I know are
using this override in layout block. So I didn't know whether it can be used as
this.
So I suggest it should be added in the documentation.
Regards
Haipeng
___
lilypond-u
Hello,
I find the problem concerning ties playback since 2.13.8. When I use
articulate script, the ties are broken in midi. Please try yourself to find
where the bug is.
Regards
Haipeng
___
lilypond-user mailing list
lilypond-user@gnu.org
http://
Yes, if not use articulate, the ties play correctly.
Haipeng
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Excellent! Thank you!
Haipeng
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Hello,
I find Lilypond 2.13.16 is available, but I can't download it. The
linuxaudio.org is unavailable. When I enter the address manually, google comes
up to try to search the address. I use the antiblockade software to skip the G
FW, but the result is the same. Is the site down?
Regards
Hai
Hello,
I'm learning counterpoint. The 3 part fugue below is on 2 staves. I used both
<< >> and new voice, but my teacher still said the result is not good. Why?
Regards
Haipeng
\version "2.13.21"
% automatically converted from 2.xml
str = \change Staff = rh
stl = \change Staff = lh
\header {
Hello,
I find I'm facing a problem I didn't pay attention to--making parts. I have
read the NR, and know how to add cues. But here's a problem: how can I use the
same source to extract every parts with different cues? Thus, if I add
\cueDuring to every part, the full score will also contain cu
Thanks.
> No, not if you use \killCues in your full score.
I know it, but the example puts it inside the music expression, so I guess it
can't be used as:
piccolo = \relative c,, { }
\new Staff = "piccolo" { \killCues \piccolo }
Am I wrong?
Regards
Haipeng
Hello,
Today I get a score from my composition teacher. The piece is for orchestra
with various instruments. In the perc part, he uses some stick signs such as
hard xylophone stick, soft timpani stick. I don't know how these sticks look
like, but hope Lilypond can do them. I don't know whether
Hello,
As a person reported earlier, 2.13.24 can't create pdf. My error is not the
same as his. The program aborts at the end, saying can't find
libgs.exe.so.8.70. It's strange that the file it's finding is not a standard
file, because there are many other things after the regular exe extensio
Hello,
Here's another serious problem (only with blind). Sighted people can check
whether the page turn is disturbing the flowing music and troubling the
players, but for me, I have to ask an assistant for help, since Lilypond can't
export Musicxml, or Musescore can't open Lilypond file. Furth
Hello,
I'm working on my overture. NR says by moving Staff_performer to Voice and
creating more than one voice in a staff, more than 16 kinds of instruments can
be used in midi output. But I failed, resulting many warnings saying there are
more than 16 tracks. One thing I can tell is, I still
Sorry, I misunderstood NR. But I still need more than 16 sounds. I don't know
the difference between channel and track. Finale and Sibelius can have more
than 32 instruments at once, so I don't know whether Lilypond can reach this
feature.
Regards
Haipeng
__
Hello Urs,
I'd like to tell you that I wanted Lilypond to export Musicxml to fit my
usage (as a blind), but no one is able to do this. This issue and related talks
is in the Google Code. By the way, Musescore has removed Lilypond import
already.
Regards
Haipeng
_
> In the MIDI version of your score, you can try to include several voices in
> the same Staff,...
Thanks, I know it. The issue came when I used instrument changes such as pizz
and mute, which create more sounds.
Brett pointed out in yesterday's email that Finale and Sibelius uses
different
> I did put in a bit of a suggestion to tackle precisely this challenge.
...
I think this feature needs someone to add many C++ codes in the source, but it
seems that most of the improvement were done out of (I mean "by not largely
modifying") the core (I guess).
Haipeng
_
Hello,
I downloaded 2.13.26 to compile my overture. The result is bad, because it
not only uses more pages, but also reported a (de)crescendo too small warning.
I reinstalled 2.13.24-2, then the warning disappeared, and the page amount is
back to normal. Are there any spacing changes in 26?
Re
Thanks, but I have used many new features only available in 2.13.
Regards
Haipeng
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Dear All,
After reading the messages about "going back in midi time", I realized that
the main problem of my overture's midi output is not totally because of
articulate. Here's the small intro containing just 8 bars, and the problem is
at bar 7. Please run it, and you'll see these warnings. I
Thanks Carl, I have solved the problem last night by adding midi tags to all
the problematic instruments (bassoons, trumpet I, cello and bass). I don't know
how Lilypond calculates music values, but I've never heard such issue in other
musical notation softwares.
Regards
Haipeng
_
Hello,
I know how to write special tempo indication like 4= ca120 in old versions of
lilypond. But since the new ones have included \tempo text + tempo function, I
don't know how to adjust it. Moreover, the indication is quite different from
the snippet. At the end of my overture, there are bo
Hello,
I encounter a strange problem on my harp part. THe message is:
programming error: no note heads for the line spanner on neighbor line?
Confused.
It is very strange because, although it seems to be the problem of the last
glissando, when I commented out all previous music, it has no probl
Thanks, but...
> commenting \showStaffSwitch in the staff harprh stops this warning/error -
> could this be a starting point to track the error?
I'm confused. Because all my code seems to be right, and if no
\showStaffSwitch, the change staff can't work. But please tell me whether the
pdf output
Hello,
I finally finish my concert overture, which has just 250 measures, 34 pages.
The compiling is a nightmare! When I used normal way, the computer turned into
a circumstance like it was about to crash. Then I used Process Tamer, a small
util program to reduce source wasting. At first, it's
Hello,
I encount a serious problem. My teacher found that my fermatas are only on
the silent parts. When I gave him the following snippet, the problem persisted.
Is it a bug? Must I use \fermata instead of ^\fermataMarkup?
Regards
Haipeng
\version "2.13.24"
\layout {
\context {
\StaffGrou
Then you should add this to the doc in case of confusion to other people.
Regards
Haipeng
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Carl,
Yes, I found these sections. The two have confused me for over two years.
Haipeng
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Hello,
Does anyone have experience with various soundfonts? I think Lilypond'smidi
is only suitable for GM soundfonts. I just purchased Orchestral Collection
Bundle from Digital SOund Factory, and found it is divided into separated
sections. Is anyone familiar with this kind of soundfonts?
Reg
Hello,
In NR, I discovered a problem concerning tagging. If I remove multiple tags,
it will wolk perfectly; however, the opposite way is not available (at the very
bottom of the tagging section). I'd like to make parts for my overture, which
already contains many midi tags. I want to nest tags
Hello,
When I extract the timpani part from my overture (I have not made cues), a
fatal problem comes--spacing issues. No matter what staff size I set, the
warning "couldn't fit music on page" always appears. How to sove it?
Regards
Haipeng
a simplified version (without rehearsal and top texts)
Thanks. But when I used 30, my full score was fattened from 34 pages to 38, and
there are many warnings saying (de)crescendo too small, in fact they are not
small; and a programming error in harp part in 2.13.24 increased to several:
"no note heads for the line spanner on neighbor line? Confused
I have figured out how to achieve, but... but you must do a complete different
score for midi. If the two sounds within a line uses different soundfont, you
must divide it into two lines. Also, please map the midi instrument to the
correct presets of your soundfont, thus, 001 is not always piano
Hello,
I reported this problem earlier, and stopped when my teacher said nothing was
wrong on the score. But with 2.13.30" the portion has more such reports. Here's
the music. When I comment out music before rehearsal 6 (sorry, mark line not
included, see the comment line), no problem is found
Dear Phil:
> I can confirm that compiling this music produces a number of errors...
> the score is too complex to have any chance of working out whether this is a
> bug or expected behaviour owing to errors in the music. I tried commenting
> out parts of the music but with no success.
Yeah, w
Xavier Scheuer wrote:
> I have sent 2 bugs reports to Joe and to bug-lilypond:
Thanks.
> Your programming error: no note heads for the line spanner on neighbor
> line seem related to \showStaffSwitch used simultaneously with
> \glissando ...
But I ever wrote many harp gliss with staff changes
Hello,
I'm a CHinese blind musician Hu Haipeng. I have been using Lilypond since
2008, and get many benefit from it. I also know Manuscript Writer, but since
it's dos based, I seldom put attention to it. Thank you for developing a tool
to convert MWR into Lilypond, but can I discuss something
Martin said:
> What do you mean with "not suitable" ?
> A Lilypond to MusicXML conversion tool probably will not solve the limited
> MIDI capacities of Lilypond.
No! If you have Sibelius and its own vst or Garritan personal Orchestra, you
can import Strauss's Pizzicato Polka and a piece containin
As I said, the midi is 1) not well balanced, and 2) too concret on notes, but
without required information for accurate dynamics and KS (keyswitch).
Therefore, Sibelius will treat all pizz as arco, all solo violin passages as
tutti, and all muted brass as open. Moreover, the machine-gun sounded
Hello,
I have two questions about title pages and prefaced pages. Perhaps they are
in the manuals, but I can't find them at this time.
1. Title pages: If I want to set page number to -1 to start the music at the
second piece of paper, how can I force the number 0 to hide at the back of
title
Hello,
I am editing the back of the title page, where are some notes to perc
players. In the following block, I used hspace, but a sighted person told me
that the 5 lines are not shifted right. I then used 6 spaces before every P,
but the problem persists. How can I do?
Regards
Haipeng
\mark
1 - 100 of 164 matches
Mail list logo
