Dear lilyponders,
I've donwloaded some older lilypond sources (version 2.18.2) from
cpdl.org and am trying to make them work with 2.25.18.
Most things are straight forward however there is some scheme code that
allows to switch between different clefs.
Could someone with better scheme fu th
Dear Michael,
When I change
#(define *clefs-option* (ly:get-option 'clefs))
to
#(define *clefs-option* 'gamba)
and
(#t (define *use-gamba-clefs* #t))
to
(#t (set! *use-gamba-clefs* #t)) ; note "set!"
lilypond 2.25.18 compiles the code without any errors. But I don't know
if this will ma
Hi,
The the following snippet
[image: image.png]
How can the last pitch A from both voices be merged? I understand that
durations of the two pitches are different, so the default pitch merging
does not happen. How can I achieve the desired duration of the pitch A in
the first voice? I want to achi
Hi,
May be something like:
<<
\new Voice = voiceOne \relative {
\voiceOne
\mergeDifferentlyDottedOn
b''8.*10/9 a16*2/3
}
\new Voice = voiceTwo \relative {
\voiceTwo
\tuplet 3/2 { b''16 fis d } \tuplet 3/2 { b d a' }
}
>>
Hope this helps,
Jean B.
Hi Jean,
It worked!
Thank you!
On Wed, Aug 21, 2024 at 6:59 PM Jean Brefort wrote:
> Hi,
>
> May be something like:
>
> <<
> \new Voice = voiceOne \relative {
> \voiceOne
> \mergeDifferentlyDottedOn
> b''8.*10/9 a16*2/3
> }
> \new Voice = voiceTwo \relative {
>
How can I format text in \auto-footnote?
For example:
\markup {Giovanni Pierluigi da Palestrina was an Italian composer of late
\auto-footnote "Renaissance" "Renaissance music is traditionally understood to
cover European music of the 15th and 16th centuries." music. }
I want "Renaissance musi
Hi,
I have a standard 32-bar song with the following structure:
Intro-AA-B-A-"Outro". Laid out like this -
Introduction volta 2 ||: 8 bars :||
Intro lyric 1
Intro lyric 2
Verse 1 & 2 volta 2 ||: 8 bars :||
Stanza 1 lyric
Stanza 2 lyric
Chorus/Bridge || 8 bars ||
Chorus lyric
Verse 1 reprise
Dear LilyPond Community,
I am currently working on a project where I need to incorporate musical
notation symbols directly into a LaTeX document. Specifically, I am looking
for a way to insert a tie or slur symbol (the curved line connecting two
notes) as an inline element within the text.
I unde
Dear Dimitri,
Actually, the \auto-footnote function operates a little weirdly (at
least it didn't seem intuitive to me). The `text` and `footnote` in
`\auto-footnote text footnote`
are just the contents of the markup, so you write what you would write
inside the brackets of \markup{}. Like b
> Actually, the \auto-footnote function operates a little weirdly (at
> least it didn't seem intuitive to me). The `text` and `footnote` in
>
> `\auto-footnote text footnote`
>
> are just the contents of the markup, so you write what you would
> write inside the brackets of \markup{}.
It's not we
Dear Werner,
Oh, because it's all in a `\markup` block...my bad. Probably because we
can do
% ---
\version "2.25.18"
\relative c' {
\footnote #'(1 . 1) \markup {hello} c4
\footnote #'(1 . 1) "hello" c4
%\footnote #'(1 . 1) {hello} c4 % error
%\footnote #'(1 . 1) \wordwrap {hell
> %\footnote #'(1 . 1) {hello} c4 % error
> %\footnote #'(1 . 1) \wordwrap {hello} c4 % error
Within a markup, `{ ... }` does *not* produce a markup argument!
Instead, it produces a *markup list*. `\markup` itself is special; it
accepts either a markup or a markup list as an argument. Howeve
On Wed 21 Aug 2024 at 19:12:04 (-0700), Peter X wrote:
> Additionally, if there is a specific glyph that represents a tie/slur
> symbol that can be used within LaTeX, I would be interested in learning
> about that as well.
https://www.cogsci.ed.ac.uk/~richard/utf-8.cgi?input=203f&mode=hex
htt
Dear William,
thanks a lot for your help. With your changes I got the scores to compile.
With the problem of getting the score compiled solved I investigated how
possibly those options could be set or used.
There is no documentation included as to how the option clefs is supposed to
work. Ther
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