Hello,
I have a situation where the main note is below the stave, and an
alternative note is provided, an octave higher, which is in the stave.
This alternative note has a small note head which is in (square) brackets,
and its stem is in the same direction (up) as the main note. The stem of
the a
On Sun, Aug 4, 2024 at 7:33 AM Alasdair McAndrew wrote:
> Hello,
>
> I have a situation where the main note is below the stave, and an
> alternative note is provided, an octave higher, which is in the stave.
> This alternative note has a small note head which is in (square) brackets,
> and its st
Hello,
Cross-staff stems do currently work by simply connecting to any stem that is on
the correct side and matches the positions. This often does not work out when
we have shifted note columns due to collision. In such cases we’d need to do
manual positioning. So I’ve written a small engraver
Am Sonntag, 21. Juli 2024, 08:12:07 MESZ schrieb Fennel:
> Valentino,
>
> Your function seems to not work for polyphonic passages as in the example
> below. Is there a fix for the function, would using \voiceOne and \voiceTwo
> explicitly for this polyphonic context make a difference?
>
Hello Fe
How about this:
\new Staff <<
{b,}
\new CueVoice {
\shiftOff\stemUp
\override Parentheses.font-size = #2
\override Parentheses.stencils =
#(lambda (grob)
(list (grob-interpret-markup grob (markup #:vcenter #:center-align
#:bold "["))
(grob-interpret-markup
Hi Valentin,
Many thanks indeed - that's a much more involved and complex solution than
I could ever have worked out for myself. It looks like the sort of thing
that would be best incorporated in a function, called something like, say
"bracketise", which can then be easily called in the score as
