Dear Lilypond users with an interest in organ music,
Lilypond's standard commands for organ pedal marks are: \lheel, \ltoe, \rheel,
\rtoe. However, there are several recognized ways of displaying pedal marks
visually. I struggled a little to get Lilypond's organ pedal marks into a style
that I
> On 8 Apr 2024, at 18:46, Simon Albrecht wrote:
>
> On 08.04.24 18:22, Paul Scott wrote:
>> Many years ago I could nest square brackets in Lilypond. How can I write
>> this now incorrect code:
>>
>> a16[[ 16 16] 16[ 16 16]] i.e. two groups of 3 beamed 16th notes joined by a
>> single beam.
Forgot to send to list.
Forwarded Message
Subject:Re: nested beaming
Date: Tue, 9 Apr 2024 09:26:22 -0700
From: Paul Scott
To: Carl Sorensen
On 4/8/24 3:59 PM, Carl Sorensen wrote:
On Mon, Apr 8, 2024 at 4:51 PM Carl Sorensen
wrote:
On Mon, Ap
It looks like I was wrong about \set subdivideBeams = ##f canceling \set
subdivideBeams = ##t . It was another part in a score where it wasn't
canceled affect the line I was working on.
Paul
On 4/9/24 9:28 AM, Paul Scott wrote:
Forgot to send to list.
Forwarded Message
S
This is extremely helpful, thank you so much!
El mar, 9 abr 2024 a las 6:40, Rudolf Cardinal ()
escribió:
> Dear Lilypond users with an interest in organ music,
>
> Lilypond's standard commands for organ pedal marks are: \lheel, \ltoe,
> \rheel, \rtoe. However, there are several recognized ways o
have been creating some lead sheets in
the style of the "Real Book", using
the \chords{} syntax. However,
I do not like the way the default
notates "major 7 chords", that is,
a major triad with a major seventh.
The default is to use a "triangle"
to notate such a chord (shown below
in my example"
On 2024-04-09 1:43 pm, Ivan Kuznetsov wrote:
have been creating some lead sheets in
the style of the "Real Book", using
the \chords{} syntax. However,
I do not like the way the default
notates "major 7 chords", that is,
a major triad with a major seventh.
The default is to use a "triangle"
to n
And that was it!
Thank you so much.
On Tue, Apr 9, 2024 at 3:50 PM Aaron Hill wrote:
>
> You need to adjust the majorSevenSymbol [1].
>
> [1]:
> https://lilypond.org/doc/v2.25/Documentation/notation/customizing-chord-names#chord-name-major7
>
Hey all,
I encountered a situation where the PianoPedalBracket setting to-barline
doesn't always do what you'd expect. Given the following code, the pedal
bracket is not extended to the end of the bar:
%%%
\version "2.24.0"
\score {
\new Staff {
\clef bass
\time 6/8
\relative c
On 2024-04-09 2:55 pm, Maurits Lamers via LilyPond user discussion
wrote:
Only when the \sustainOff is placed outside of the tremolo, the bracket
extends to the barline:
%%%
\version "2.24.0"
\score {
\new Staff {
\clef bass
\time 6/8
\relative c' {
c8 b a g e c |
\se
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