Good day to all of you.
I am working on a figured bass, and now it is needed to get an extended line
under two notes, not showing the number:
[Afbeelding met lijn, Lettertype, ontvangst, tekst Automatisch gegenereerde
beschrijving]
The line under the d and e have the meaning: Read as 5 and exte
Hi there,
On Thu, Jan 11, 2024 at 5:49 AM Eef Weenink wrote:
> \new FiguredBass \with { implicitBassFigures = #'(0) }
>
> %{if I set the implicitBass to 5, or other number, it works for the
> whole passage%}
>
> \figuremode {
>
> \set figuredBassAlterationDirection = #RIGHT
>
>
On Thu, 2024-01-11 at 10:43 +, Eef Weenink wrote:
> Good day to all of you.
>
> I am working on a figured bass, and now it is needed to get an
> extended line under two notes, not showing the number:
> Afbeelding met lijn, Lettertype, ontvangst, tekst
>
> Automatisch gegenereerde beschrijving
Dear all, happy new year!
Ich have a separate dyn line for the dynamics, but the lines there are
to thin. How to change it?
Bernhard
Perfect solution. I repeat it for future readers:
Context = \new FiguredBass
First time:
Set in context with:
\new FiguredBass \with { implicitBassFigures = #'(0) }
Or in score with:
\set FiguredBass.implicitBassFigures = #'(0)
Next time(s)
\set implicitBassFigures = #'(0)
Is enough,
An
> I found a weird behavior -- I don't know if it's worthy of an issue
> or not, but here it is:
>
> The tempo marking will not avoid a slur that goes from staff to
> staff. Here is a snippet that shows the problem, and I've attached
> an image of it: [...]
This issue belongs into the group of
On Thu, 11 Jan 2024 at 14:43, Bernhard Kleine
wrote:
>
> Dear all, happy new year!
>
> Ich have a separate dyn line for the dynamics, but the lines there are
> to thin. How to change it?
Hello,
\override Hairpin.thickness = #1.5
Adapt value according to your liking (default value is 1).
Actuall
On Thu, Jan 11, 2024 at 4:40 AM Werner LEMBERG wrote:
>
> > I found a weird behavior -- I don't know if it's worthy of an issue
> > or not, but here it is:
> >
> > The tempo marking will not avoid a slur that goes from staff to
> > staff. Here is a snippet that shows the problem, and I've attach
Do you have a minimum working example you can show us?
https://lilypond.org/tiny-examples.html
--
Knute Snortum
On Thu, Jan 11, 2024 at 5:43 AM Bernhard Kleine
wrote:
> Dear all, happy new year!
>
> Ich have a separate dyn line for the dynamics, but the lines there are
> to thin. How to chan
>> This issue belongs into the group of the many cross-staff problems.
>> AFAICS, we don't have this particular case covered, so please file
>> an issue in the LilyPond tracker.
>
> For reference, it's : https://gitlab.com/lilypond/lilypond/-/issues/6688
Thanks!
Werner
On 10/01/2024 21:26, Butter Cream wrote:
Hi, I have a piece of music written in the key of G major and I want the
pitches to transpose to e minor. How do I do this.
When I use the command \transpose g e it changes to E major (all g notes
are sharped)
You need to remember lilypond thinks in t
I’m setting various short organ pieces from an old Peters edition, mostly to
prevent my aging brain from forgetting…
One piece is in 8/4 time -the first measure has a whole note and 2 half notes.
However, the time signature as printed is the cut time symbol. How can I
reproduce this? I’m using
On Thu, 11 Jan 2024, Wol wrote:
> You need to remember lilypond thinks in terms of pitch, not note names. Unlike
> some (most?) other music software. So "\transpose g e" says "transpose EVERY
> note up A TONE".
I'm not sure it's quite right to say that Lilypond thinks in terms of
pitch, not note
Stanton,
I think the piece is in 4/2.
Do you want a numeric time signature?
The cut C is used for 2/2.
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
On Behalf Of Stanton
Sanderson
Sent: Thursday, January 11, 2024 3:15 PM
To: LilyPond Users
Cc: Stanton Sanderson
Subj
Mark,
Thank you for the suggestion, but as stated previously, I’m trying to reproduce
the original from the Peters edition. The problem, as you point out, is that
the cut C is used in the original. Whether 8/4 or 4/2 (and I agree that 4/2 is
the most reasonable time signature), I was looking f
Stanton,
As far as I know (I use Lilypond 2.22.2) cut C is not available for 4/2.
Mark
-Original Message-
From: Stanton Sanderson
Sent: Thursday, January 11, 2024 6:12 PM
To: Mark Stephen Mrotek
Cc: LilyPond Users
Subject: Re: Cut time/half-time/alle breve & 8/4 time
Mark,
Thank y
On Thu 11 Jan 2024 at 20:11:54 (-0600), Stanton Sanderson wrote:
>
> Thank you for the suggestion, but as stated previously, I’m trying to
> reproduce the original from the Peters edition. The problem, as you point
> out, is that the cut C is used in the original. Whether 8/4 or 4/2 (and I
> ag
David, Thank you. That is exactly what I was looking for. William, thank you
for the helpful explanation of the somewhat archaic use of the cut time sign.
And David, again thank you for your responses.
-Stan
> On Jan 11, 2024, at 9:20 PM, David Wright wrote:
>
> On Thu 11 Jan 2024 at 20:11:
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