Hi,
This question seems to have found an answer here:
https://music.stackexchange.com/questions/130684/lilypond-midi-volume-mix-between-chord-progression-and-melody
(On any forum, it's usually considered polite to link cross-posts so that people
can notice your question has already been answered
Hi,
There are three different ways to have some invisible pause:
1) `s`
2) `\once \hide Rest r`
3) `\once \omit Rest r`
None of these are equivalent. A hidden rest is basically just like a normal
rest, with all the typesetting done with this normal rest in mind, except that
the rest is ski
Hi Jean,
Yes this explains my confusion. I was assuming that all of these techniques
were equivalent. I will take the time to learn how the different approaches
alter the spacing and I will choose what I need.
To answer what I meant about bifurcating the bracket:
You are correct that understanding
I want the spacing of the text to be evenly spread out.
In the following example, the text in the first system is more spread out than
in the second and third and fourth.
Thanks.
Lydia Westerberg
\version "2.18.2"
\paper {
top-margin = 15
top-system-spacing #'basic-distance = #10
score-syst
Dear Lydia,
Sorry, I'm not sure what you want to do to change the spacing. If I add
"ragged-right = ##t" inside the \paper block, we can see that the first
system takes up much less horizontal space than the other systems when
you ignore the stretching out to fill the whole line. What were you
All,
What property is used to control the spacing between the second part of a
broken slur's left control point and the preceding key signature? I'd like
to increase this spacing a bit as the current collision is quite
bothersome. Here's what I mean:
[image: image.png]
Thanks,
Abraham
Le mercredi 05 juillet 2023 à 18:45 -0600, Abraham Lee a écrit :
> All,
>
> What property is used to control the spacing between the second part of a
> broken slur's left control point and the preceding key signature? I'd like to
> increase this spacing a bit as the current collision is quite both
