Hi,
The MWE …
%%
\version "2.22.2"
\include "english.ly"
vOne = \relative {
c''1\> c1\! c1 \bar "||"
c1 c1 c1
}
vTwo = \relative {
e'1\> R1\! R1
e1 R1 R1
}
\score {
<<
\new Staff \vOne
\new Staff \vTwo
\new Staff \partCombine #'(0 . 0) \vOne \vTwo
>>
\layout {
On 2022-03-23 1:52 am, David Santamauro wrote:
mm 1- 3 and 3-6 are note-identical. The only difference is the
decrescendo in m. 1, terminated in m. 2. I believe the terminating
decrescendo in vTwo/m. 2 causes the partCombine code to think there's
music in vTwo/m. 2 -- I could be wrong, but the re
From: Aaron Hill
On 2022-03-23 1:52 am, David Santamauro wrote:
> > mm 1- 3 and 3-6 are note-identical. The only difference is the
> > decrescendo in m. 1, terminated in m. 2. I believe the terminating
> > decrescendo in vTwo/m. 2 causes the partCombine code to think there's
> > music in vTwo/m.
I believe this is all related to the dynamics (more to the point, the
termination: \!. If we forget the misplacement of “Solo” for a moment and
observe the behavior of \partCombine with just the dynamics, it seems to have
real difficulties with dynamics termination.
\version "2.22.2"
\include
I have nothing against ghosts, just against this type of ghost.
This is the user mailing list. For requests like "please fix this" you might
also send this to the bug mailing list. If you need a quick fix: Adding an
empty grace column \grace{ s } before the first note will fix this, as will
put
On Wed, Mar 23, 2022 at 06:34:52AM -0400, David Santamauro wrote:
> I believe this is all related to the dynamics (more to the point, the
> termination: \!. If we forget the misplacement of “Solo” for a moment
> and observe the behavior of \partCombine with just the dynamics, it
> seems to have rea
On 3/23/2022 5:18 AM, Valentin Petzel wrote:
I have nothing against ghosts, just against this type of ghost.
This is the user mailing list. For requests like "please fix this" you might
also send this to the bug mailing list. If you need a quick fix: Adding an
empty grace column \grace{ s } befo
On Tue, Mar 22, 2022 at 11:57 PM Kenneth Wolcott
wrote:
> Thank you for your assistance, Leo.
>
> With your example I was able to remove the duplicate text in the text
> spanner, but I was not able to get the text spanner to continue beyond bar
> #38.
>
> So, I will spend more time studying what
Greetings,
The "Hiding Staves" section of the Lilypond manual describes how to write
two separate parts and have them show up as separate voices on a single
staff most of the time, but split into separate staves at other times.
However, I have been unable to figure out how to extend this to work f
Hi Steve,
In an include file, I have the following:
showMMRs = {
\set Staff.keepAliveInterfaces =
#'( rhythmic-grob-interface
multi-measure-rest-interface
lyric-interface
stanza-number-interface
percent-repeat-interface) }
letStaffVanish = \set Staff.keepAliv
I missed some pertinent code: bars 37-42; enclosed below.
%\break
% \tempo 2.=42
4(g' q | % m37
% \set Score.tempoHideNote = ##f
2.)\stopTextSpan| % m38
\tempo \markup { \bold \fontsize #3 "Moderato" } 2.=44
4(4. 8 | % m39
2.)| %
On Wed, 23 Mar 2022 at 20:39, Kenneth Wolcott
wrote:
>
> I missed some pertinent code: bars 37-42; enclosed below.
>
> (snip)
>
Hello,
You have \stopTextSpan in measure 38, so it ends in measure 38.
Furthermore you have Moderato in measure 39, do you really want the
TextSpanner to continue until
Hi Xavier;
Thank you.
Why is it so obvious when somebody points out what you do not see? :-(
\facepalm :-(
It seems (mostly) correct now.
How do you get the text spanner to display all the way to the end of the bar?
I'll look at the manual again to try to find out how I missed that
Hi there,
> I use \partCombine quite extensively, and have observed that it's very
> finicky when it comes to dynamics.
Agreed.
> This applies not only to dynamics per se, but also to any additional
> events in the two parts aside from notes
Yes.
> Because of these issues, I have resorted to t
Hi;
I see the following snippet that displays the hairpin at the end of
the bar instead of the beginning of the bar.
\relative c'' {
e4\< e2.
e1\!
\override Hairpin.to-barline = ##f
e4\< e2.
e1\!
}
Is there something similar to instruct Lilypond to extend the text
spanner to the en
Le 23/03/2022 à 23:36, Kenneth Wolcott a écrit :
Hi;
I see the following snippet that displays the hairpin at the end of
the bar instead of the beginning of the bar.
\relative c'' {
e4\< e2.
e1\!
\override Hairpin.to-barline = ##f
e4\< e2.
e1\!
}
Is there something simi
Thanks, Jean!
On Wed, Mar 23, 2022 at 3:39 PM Jean Abou Samra wrote:
>
>
>
> Le 23/03/2022 à 23:36, Kenneth Wolcott a écrit :
> > Hi;
> >
> >I see the following snippet that displays the hairpin at the end of
> > the bar instead of the beginning of the bar.
> >
> > \relative c'' {
> >e4\<
Is there any way of changing the angle of tremolo markings?
\version "2.22.1"
\repeat tremolo 16 { 32 e'' 32 }
I am wondering if there is a way to get the tremolo marking to be angled
instead of straight?
-Molly
On Thu, 24 Mar 2022 at 11:05, Molly Preston
wrote:
> Is there any way of changing the angle of tremolo markings?
>
> \version "2.22.1"
>
> \repeat tremolo 16 { 32 e'' 32 }
>
> I am wondering if there is a way to get the tremolo marking to be angled
> instead of straight?
>
> -Molly
>
It looks
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