Hi Ken,
sfz is sforzando, sometimes also fz (forzando) or sforzato or forzato or
whatever.
sf can be used as sforzando, but sometimes you find sf and sp also for subito
forte and subito piano.
Cheers,
Valentin
Am Donnerstag, 6. Jänner 2022, 04:19:58 CET schrieb Kenneth Wolcott:
> Hi;
>
> M
Hi all,
As composer, pianist, and conductor, I can offer that the consensus among most
of the musicians I know is that sfz is [in modern practice] considered
different from sf, especially with respect to the envelope of the note: in
"equation" terms, one might write sfz = sf + >. An analogous d
A quick workaround:
\version "2.23.5"
global = {
\time 6/8
\tempo "Allegro"
}
goUp = { \change Staff = "right"
\stemDown
}
goDown = { \change Staff = "left"
\stemUp
}
right = \relative c'' {
\global
\once\override Fingering.cross-staff = ##f
8-2-4 \goDown \goUp
Thank you for your elaboration on the dynamics; much appreciated.
On Thu, Jan 6, 2022 at 6:11 AM Kieren MacMillan
wrote:
>
> Hi all,
>
> As composer, pianist, and conductor, I can offer that the consensus among
> most of the musicians I know is that sfz is [in modern practice] considered
> diff
Hi everyone,
I'd like to copy the layout of a small tune book. New pieces don't always start
in a new line, it usually occurs that the next song starts somewhere in the
middle of the line. Titles are placed before each piece (not above the staff)
I found two helpful topics in the archive but co
Hi,
I have some music I want to transcribe that has 2 parts: A and B the
music goes:
part A
part B
part A with special ending
I could of course define variables like:
\partA =
\partAtransition =
\partAending =
\partB =
and then write the music as
\partA
\partAtransition
\partB
\partA
\partAendin
Am 06.01.2022 um 18:09 schrieb Kenneth Wolcott:
Thank you for your elaboration on the dynamics; much appreciated.
On Thu, Jan 6, 2022 at 6:11 AM Kieren MacMillan
wrote:
Hi all,
As composer, pianist, and conductor, I can offer that the consensus among most of the
musicians I know is that sfz
Paulo,
It seems like what you have is the right approach. How much simpler could it
be? AFAIK \alternative is only useful with \repeat volta. Of course, you'd
leave off the backslashes when defining the variables.
John
-Original Message-
From: lilypond-user
[mailto:lilypond-user-bounces+js
Le 06/01/2022 à 21:36, Paulo Matos a écrit :
Hi,
I have some music I want to transcribe that has 2 parts: A and B the
music goes:
part A
part B
part A with special ending
I could of course define variables like:
\partA =
\partAtransition =
\partAending =
\partB =
and then write the music as
\p
Hi Ruzsa,
Maybe this would be a slight improvement.
Cheers,
Valentin
Am Donnerstag, 6. Jänner 2022, 17:10:09 CET schrieb Ruzsa Krisztián:
> Hi everyone,
>
> I'd like to copy the layout of a small tune book. New pieces don't always
> start in a new line, it usually occurs that the next song start
Hi Paolo, Hi Jean,
\unfoldRepeats does do the trick, but it is rather hard to read structurally.
If I look at something like
{ \partA \transition \partB \partA \ending }
The structure is immediately clear. Instead if we have
\unfoldRepeats {
\repeat unfold 2 {
many lines of code
}
\alternativ
Le 05/01/2022 à 07:51, Calvin Ransom a écrit :
Hi everyone,
I want to avoid excessive ledger lines in my score and have LilyPond
change the clef automatically.
I am creating a computer generated piece with LilyPond that covers the
entire pitch gamut.
\autochange does not work for this applicati
Le 02/01/2022 à 17:06, Paul Scott a écrit :
Happy New Year, all.
I thought I've always been able to get overlapping cues to work.
I have looked at the changes for 2.23.5
Why are the stem directions not working in this example? This
sometimes leads to:
an = \fixed c' {
a8 8
Le 06/01/2022 à 02:10, Joel C. Salomon a écrit :
A nice thing I’ve discovered in reviving my old (2.18) project is that
articulate.ly now expands repeats without `\unfoldRepeats`. A
less-nice thing is that this behavior behaves oddly around
`\alternative`:
\version "2.23.5"
\includ
Hi Valentin,
Thank you for the answer. It's much better, now I can easily make a title that
has 3 rows or more.
So I'm sure I'll use this solution instead of my first try. Thank you again.
Best Regards,
Krisztián
-Original Message-
From: Valentin Petzel
Sent: Thursday, January 6, 202
Yesterday, I wrote:
\version "2.23.5"
\include "articulate.ly"
music = \relative c' {
c1
\repeat volta 2 {
e
\alternative {
{ g } { gis }
}
}
b
}
\score { \music }
\score { \unfoldRepeats \music }
Hi;
How to prevent a hairpin crescendo from terminating when a dynamic is specified?
A screenshot is attached of a crescendo that continues past a specified dynamic.
Lilypond terminates the crescendo when the dynamic is specified.
I need the crescendo to continue until the NEXT dynamic.
Thanks
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