On Wed, 29 Sept 2021 at 08:56, Evan Driscoll wrote:
>
> I am probably missing something fundamental in my LilyPond knowledge that
would help with the following question, but I'm not sure what it is, and
I'm having a lot more difficulty than normal figuring out what to look for
in the manual.
>
> A
Hello everybody,
I tried hard to change the title font but nothing happen.
Any suggestion?
\version "2.22.1"
Thanks.
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Hello Mahanidhi,
If you want to change the font for the title, use
title = \markup { \override #' (font-name . "your font”) Bla bla bla }
Or if you need this for a larger set of works, you may override
bookTitleMarkup or scoreTitleMarkup to fit your needs.
Cheers,
Valentin
signature.asc
Descr
In this case it’s not that complicated, and you can do it in simpler ways. The
thing is a StaffGroup must be created before (in musical notation time) any
staves it’s supposed to contain. Be careful about when you create staves and
when they’re created automatically for lack of a staff context f
I'm looking for a way of making a note of indetermined length that looks
like a breve note.
The note might be 50*4 on the first system, then the system
automatically breaks. The note then gets tied to the new system where
the note might be of 101*8 (or any other length). There would be no
visib
I'm looking for a way to create a note of indetermined length. It should
look like a Breve. But at one line it may be 50*4 long. Then the line
breaks and it might be 111*8 long (etc). But still looking the same. The
note needs in all other ways to behave like a normal note. A real life
example
Hi everyone,
I'm working on some hymns and noticed that I need to add square brackets
just above the treble clef to indicate the introductory part of the hymn
(usually performed by an organ or orchestra before the choir sings).
As an example, I can show a sheet of music from the hymnal of The Chu
Do you mean like:
\version "2.22.1"
<<\new Voice \with { \remove "Forbid_line_break_engraver"}
% just so this example doesn't run out of the edge of paper
{ \temporary \override Staff.BarLine.transparent = ##t
fis'\breve*50/8 % a quarter is 1/8 of a regular breve, so 50/8
> On 29 Sep 2021, at 21:28, Jefferson Felix wrote:
>
> Hi everyone,
>
> I'm working on some hymns and noticed that I need to add square brackets just
> above the treble clef to indicate the introductory part of the hymn (usually
> performed by an organ or orchestra before the choir sings).
>
Hello all!
I realize this is a pretty basic question... but what is the
difference between voiceOne and oneVoice? I am writing a multivoice
keyboard-style hymn (as opposed to SATB chorale style) and the directions
say to switch between oneVoice and voiceOne as needed for stem direction...
"(d) Add
Hi Kira,
Am 30.09.21 um 00:32 schrieb Kira Garvie:
I realize this is a pretty basic question... but what is the
difference between voiceOne and oneVoice? I am writing a multivoice
keyboard-style hymn (as opposed to SATB chorale style) and the
directions say to switch between oneVoice and voice
Lukas-Fabian Moser writes:
> Hi Kira,
>
> Am 30.09.21 um 00:32 schrieb Kira Garvie:
>> I realize this is a pretty basic question... but what is the
>> difference between voiceOne and oneVoice? I am writing a multivoice
>> keyboard-style hymn (as opposed to SATB chorale style) and the
>> direction
I think that made sense! I will try it out and let you know if it doesnt!
On Wed, Sep 29, 2021 at 6:50 PM David Kastrup wrote:
> Lukas-Fabian Moser writes:
>
> > Hi Kira,
> >
> > Am 30.09.21 um 00:32 schrieb Kira Garvie:
> >> I realize this is a pretty basic question... but what is the
> >> dif
Hi David,
I'd say singleVoice would even be clearer.
But I think maybe it would also be a good idea if we had a synax like \voice
number. Currently Lilypond only supports four voices, and any more requires
knowledge about the scheme interface, but \voice1 \voice2, ... could directly
support an
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