The files you mention do not seem to contain PDF documentation
but only different snippets...
But for such a huge documentation, maybe PDF is not the best choice.
Using HTML with all the internal links to pages and snippets is probably better.
It might be possible, if one likes to use documentati
Nick Payne use to create a PDF portfolio of all the documentation following
a release, e,g.
https://lists.gnu.org/archive/html/lilypond-user/2013-12/msg01302.html, but
hasn't done so for several years.
-Original Message-
From: lilypond-user On
Behalf Of Aaron Hill
Sent: 03 August 2021 02:
I've got a set of Rainbow Bells -
https://www.amazon.co.uk/Percussion-Workshop-CB8-Coloured-Combi/dp/B007902JRG/ref=sr_1_4?dchild=1&keywords=rainbow+bells+cb8&qid=1627984472&sr=8-4
I've modified the coloured-noteheads code to be an approximate match,
and I'm quite pleased with it, but does anybody
Am Mo., 2. Aug. 2021 um 18:33 Uhr schrieb Kees van den Doel :
>
>
> Sorry, keep forgetting to "reply-all"...
> -- Forwarded message -
> From: Kees van den Doel
> Date: Mon, Aug 2, 2021 at 9:24 AM
> Subject: Re: Persian music package
> To: Thomas Morley
>
>
> Too many things wrong
Looks good. For testing just compare output as gotten from my package with
old LP version. I haven't run all regression on the new persian.ly (that
works with current LP version) yet.
It's actually quite simple: everything is the same except for 2 new
accidentals Koron and Sori which affect pitch
Am Di., 3. Aug. 2021 um 17:03 Uhr schrieb Kees van den Doel :
>
> Looks good. For testing just compare output as gotten from my package with
> old LP version. I haven't run all regression on the new persian.ly (that
> works with current LP version) yet.
Ok, then you may be interested in the atta
Am Di., 3. Aug. 2021 um 18:18 Uhr schrieb Thomas Morley
:
>
> Am Di., 3. Aug. 2021 um 17:03 Uhr schrieb Kees van den Doel
> :
> >
> > Looks good. For testing just compare output as gotten from my package with
> > old LP version. I haven't run all regression on the new persian.ly (that
> > works
On Tue 03 Aug 2021 at 09:44:33 (+0200), Silvain Dupertuis wrote:
> The files you mention do not seem to contain PDF documentation
> but only different snippets...
It's unclear to me what you mean. I mentioned a website, and I see it
contains files such as:
[ ] lilypond-2.20.0-1.documentation.tar.
Thanks Jean. This is quite useful. Unfortunately I'm not quite sure how
to make it into the generalized solution I need. This works well if I
have a specific number of systems, and I know how many systems I will
need before turning on the grouping --- which causes problems if I don't
want to br
Hi Everyone,
I just had a chance to look at this thread today. Thomas I downloaded and
ran persian-smufl and it seems to work great.
Seems like the main thing holding up a persian.ly is the absence of two
glyphs. I'd be happy to help sponsor the creation of koron and sori
symbols...anyone else?
A
I've run into what I think is a bug (and I couldn't find it in gitlab
Issues). If an acciaccatura or appoggiatura is the first note in a
piece, a \slurUp is not honored (it stays a down slur). Subsequent
notes work fine. MWE:
%%%
\version "2.23.3"
\relative c' {
\acciaccatura { \slurUp d8 } c4
I have a score with different key signatures in the voices. The incipit
does not align properly as the flat takes space and shifts things.
See attached. I've simply added the incipits to each voice as in the
example in the docs.
I've tried adding key signature to top incipit voice and setting
\o
-- Forwarded message --
> From: "D. B. Miller"
> To: Jean Abou Samra , LilyPond User Group <
> lilypond-user@gnu.org>
> Cc:
> Bcc:
> Date: Tue, 3 Aug 2021 19:45:07 + (UTC)
> Subject: Re: How do I do a transition between a grouped and a non-grouped
> part (example attached)
> Th
Hi Elaine,
I already do this. But this is not sufficient for creating the effect
necessary (as seen in the original example images). Frenching is
perfectly sufficient so long as the staffs are never in the same system.
But it does not enable the transition between the two to be done within
a
Hmm, I'm still not sure I understand the difficulty.
If you have one system that starts out with a single voice, then mid-system
has two voices,
that just means that everything for that system would be in the 2-staff
staffgroup, but you'd have rests
in the staff that isn't active, for those measur
On Tue, Aug 3, 2021 at 8:09 PM Daniel Benjamin Miller
wrote:
> Please re-read the original message if you don't understand what I mean.
> I've attached an example again. Basically, this is something often found in
> old, manually-set vocal scores. There is a solo (or there are solos), and
> at so
Thanks, Elaine.
Jean pointed out how to print the brace in the middle of a system before
in his reply. My issue now is with how continuation will work. I know how
to do it, so long as I do not mind manually breaking to get to the next
system after the brace, but I would prefer to avoid this (i
17 matches
Mail list logo
