Are you trying to make lute tablature?
While Lilkpond can do various tab formats, with the old script examples
you are showing would you be better off with one of the many specialized
and excellent lute tablature programs? You have not given us much
information to go on regarding the context
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Hi Callum,
In the first place, I don’t understand how your numeric code could ever handle
accidentals correctly.
Looking into your PDF document, I can’t see any distinction between D# and Eb,
for instance.
And your table states: 9 “Minor sixth”. But how would you code an augmented
fifth
Hi Aaron,
Thanks for reminding me about the mailing list - my email client only put in
your email when I pressed reply - so I have to enter it manually (proton mail
web client).
> Since LilyPond already uses numbers for durations, you might consider
> writing numeric pitches in alphabetic form,
Hi Torsten,
You are correct, there is no distinction between these two notes, because in
terms of pitch they are the same. I realize that my approach to music is
non-standard, and when I made it I was not thinking about how that would play
into formatting documents with it. I follow the same id
Callum Cassidy-Nolan writes:
> Hi Aaron,
>
> Thanks for reminding me about the mailing list - my email client only
> put in your email when I pressed reply - so I have to enter it
> manually (proton mail web client).
I can find no public help pages, but judging from the screen shots, the
"Reply
Hi Callum,
The proper use of accidentals greatly enhances readability.
As in “your” numeric system, MIDI doesn’t care about accidentals, either, but
MIDI has been designed for producing sound, not sheet music.
As a simple example, just take two triads: B major and C diminished.
Triads ar
On 31/03/2021 20:20, Callum Cassidy-Nolan wrote:
You are correct, there is no distinction between these two notes,
because in terms of pitch they are the same.
Actually, they're not ...
If you're talking about "well-tempered" instruments - basically keyboard
- then IN PRACTICE they are the sa
antlists writes:
> On 31/03/2021 20:20, Callum Cassidy-Nolan wrote:
>> You are correct, there is no distinction between these two notes,
>> because in terms of pitch they are the same.
>
> Actually, they're not ...
>
> If you're talking about "well-tempered" instruments - basically
> keyboard - t
Hello,
I have been trying Lilypond for a week now. For practice, I am trying to
copy a few piano pieces I am familiar with. In one of them, Chopin´s
Prelude n.2, I have been struggling to produce the output below (last four
bars of the prelude).
I couldn't manage to tie the A across the bars, due
Gabriel,
Perhaps:
\version "2.22.0"
\relative c' {
<<{d4. \acciaccatura f8 e d4. a8_~ \stemDown |
a2}\\
{s1 \stemUp b4 b8. b16}>> s2 |
}
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Gabriel Borin
Sent: Wednesday, Mar
-- Forwarded message -
De: Gabriel Borin
Date: qua., 31 de mar. de 2021 às 23:15
Subject: Re: Slurs and multiple voice writing in piano music
To: Mark Stephen Mrotek
I guess I solved it!! Tks, Marc
The code became (for the excerpt)
\version "2.22.0"
<<{d4.\( \acciaccatura f
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