Am 13.03.21 um 02:16 schrieb Valentin Petzel:
As far as I know transpose should only really be used with absolute pitches,
as it would be quite impossible to do it otherwise. Think of it like this:
Say we are in relative mode and have c' f. Then f will be above c. If you then
do c' \transpose f a
I have nearly always used relative pitches.
I always use variables to build up the music in a logical way.
Transpose always worked right for me.
As for enharmonic transposition, it does work well
Here is an example :
m = \relative c' { \key des \major des4 es f as des2. r4}
\score {
{
I'm sorry, I worded that badly. I did not mean the note C#, but the scale or
harmonic concept of C# major, that is, C#, D#, E#, F#, G#, A#, B#. While C# can
be reached in C major, it usually belongs harmonically to A major or A dom
major, which is quite close to C major.
But Db major is quite co
I don't have the expertise of the rest of you, but the first thing I did
with Lilypond was give \relative the elbow. It just seemed like a
nightmare way to compose. Ditto duration persistence. All for the sake
of saving a few keystrokes?
Re: the manuals/guides where \relative is introduced as
Hi,
in the following snippet the whole measure rest in the upper voice
collides with the des in the lower voice an needs to be moved up:
8<---
\version "2.19"
<<
{ R1 }
\\
{ aes'2 bes'4 c''4 | %40
bes'4 des'4 ges'4 f'4 | %41
Hi,
the example in the previous mail was inconsistent with the mail text,
so here again:
In the following snippet the whole measure rest in the upper voice
collides with the des in the lower voice an needs to be moved up:
8<---
\version "2
Hi,
I found it, sorry for the noise!
8<---
\version "2.19"
<<
\override MultiMeasureRest.staff-position = #8
{ R1 } \\ { aes'2 des''4 c''4 }
>>
8<---
Using a note name with \rest w
See http://lilypond.org/doc/v2.23/Documentation/notation/writing-rests#full-measure-rests
- "Selected snippets".
On 13/03/2021 13:48, Orm Finnendahl wrote:
Hi,
in the following snippet the whole measure rest in the upper voice
collides with the des in the lower voice an needs to be moved up:
Hey all!
Just had a curious case concerning chord names. Typesetting a small jazz
piece and - as always - wanted to keep my file tidy, so I put the chords
for the solo-section in a variable as they are the same for every solo. But
somehow Lilypond seems to make a difference, if one inserts the res
Hi Elaine,
> That may be so, but you likely pay for it every day by typing out extra
> commas and apostrophes.
My music entry is done 99% by MIDI input, so I type almost no commas or
apostrophes.
;)
Cheers,
Kieren.
Kieren MacMillan, composer (he/him/his)
‣ web
On 2021-03-13 6:11 am, Christian Masser wrote:
[...]
mySoloChordsA = \chords {
c1 f g c
}
[...]
I think you want \chordmode, not \chords, when defining the variables.
\chords { ... } is shorthand for \new ChordNames \chordmode { ... } if I
recall.
-- Aaron Hill
Ah, that explains it. Thank you very much, Aaron!
Am Sa., 13. März 2021 um 16:02 Uhr schrieb Aaron Hill <
lilyp...@hillvisions.com>:
> On 2021-03-13 6:11 am, Christian Masser wrote:
> > [...]
> > mySoloChordsA = \chords {
> > c1 f g c
> > }
> > [...]
>
> I think you want \chordmode, not \chords
In case you missed it:
-- Forwarded message -
From: Shengyu Zhang
Date: Sat, Mar 13, 2021 at 10:31 AM
Subject: [sphinx-users] Another new extension for including Lilypond
To: sphinx-users
About ten years ago, Wei-Wei Guo wrote a lilypond extension[1], it is
useful
but a little
My experience is exactly the opposite. I use the computer keyboard for input,
and as most of the music is for piano, which spans several octaves outside the
staves, absolute entry is a serious PITA. For vocal music, there aren't usually
many wide skips, so again relative notation uses fewer keys
On 3/13/21, 7:21 AM, "lilypond-user on behalf of Kieren MacMillan"
wrote:
My music entry is done 99% by MIDI input, so I type almost no commas or
apostrophes.
;)
Can you tell me how you do your MIDI input? I'd like to do that, but I don't
have a good workflow for it.
Thanks,
Hi Carl!
>> My music entry is done 99% by MIDI input, so I type almost no commas or
>> apostrophes.
> Can you tell me how you do your MIDI input? I'd like to do that, but I don't
> have a good workflow for it.
1. I use Frescobaldi.
2. I’ve set keyboard shortcuts (F18 and F19) for starting and
On Sat 13 Mar 2021 at 11:18:52 (+0100), Lukas-Fabian Moser wrote:
> Am 13.03.21 um 02:16 schrieb Valentin Petzel:
> > As far as I know transpose should only really be used with absolute pitches,
> > as it would be quite impossible to do it otherwise. Think of it like this:
> > Say we are in relativ
On Sat 13 Mar 2021 at 09:21:07 (-0500), Kieren MacMillan wrote:
> Hi Elaine,
>
> > That may be so, but you likely pay for it every day by typing out extra
> > commas and apostrophes.
>
> My music entry is done 99% by MIDI input, so I type almost no commas or
> apostrophes.
> ;)
I'm happy to se
18 matches
Mail list logo
