There are some things in lilypond that I just think are not explained
anywhere. What is this springs-and-rods business? For Hairpins, I read
this?
minimum-length (dimension, in staff space):
2.0
Try to make a spanner at least this long, normally in the horizontal
direction. This requires an appro
Hi Andrew,
thanks for raising this question I have always been too afraid to ask
;-)
Urs
Am Donnerstag, den 23.07.2020, 19:15 +1000 schrieb Andrew Bernard:
> There are some things in lilypond that I just think are not explained
> anywhere. What is this springs-and-rods business? For Hairpins, I
- Original Message -
From: "Andrew Bernard"
To: "lilypond-user Mailinglist"
Sent: Thursday, July 23, 2020 10:15 AM
Subject: Springs and rods
There are some things in lilypond that I just think are not explained
anywhere. What is this springs-and-rods business? For Hairpins, I read
th
Hi List,
I also notice that the HTML interface for the Notation Reference (here:
http://lilypond.org/doc/v2.21/Documentation/notation/index.html) seems
almost completely broken. It's no longer split-column, and the layout is
extremely … text-y. Did something go wrong with the website?
Cheers,
A
Something went wrong with the build. It should be corrected fairly soon.
--
Phil Holmes
- Original Message -
From: N. Andrew Walsh
To: Urs Liska
Cc: lilypond-user
Sent: Thursday, July 23, 2020 11:14 AM
Subject: Re: 2.21.3 and Frescobaldi and documentation
Hi List,
While the second tenor part is singing a cadenza, the first tenor and the
baritone parts are holding a note as long as the cadenza. I now how to make
a rest a long as a cadenza -- #(mmrest-of-length MyCadenza) but I don't
know how to do this with a note. Is there a way?
thanks
John
Hi John,
Am 23.07.20 um 13:21 schrieb John Burt:
While the second tenor part is singing a cadenza, the first tenor and
the baritone parts are holding a note as long as the cadenza. I now
how to make a rest a long as a cadenza -- #(mmrest-of-length
MyCadenza) but I don't know how to do this wit
On Thu, Jul 23, 2020 at 6:21 AM John Burt wrote:
> While the second tenor part is singing a cadenza, the first tenor and the
> baritone parts are holding a note as long as the cadenza. I know how to make
> a rest as long as a cadenza -- #(mmrest-of-length MyCadenza) but I don't know
> how to do
Hello,
Recently, I've started learning Lilypond (I'm completely a newbie in this
field). I'm impressed by the excellent quality of the scores one can
produce via Lilypond. I was wondering whether it is possible to import
scores generated by Lilypond to professional softwares allowing to play
music
Lilypond generates a MIDI file of your score. You could import that MIDI
file in a DAW of your preference.
El El jue, 23 jul 2020 a las 14:28, Parviz Farnia <
mydiscussionfor...@gmail.com> escribió:
> Hello,
>
> Recently, I've started learning Lilypond (I'm completely a newbie in this
> field). I
Hello Parviz,
Well I would not expect Frescobaldi to be a serious tool for MIDI
work. Lilypond does a reasonable job of generating MIDI files. which
can then be used in your chosen DAW with VST instruments of your
choice. I get lilypond to compile MIDI for my piano scores, I import
the MIDI into F
On 23 Jul 2020 at 14:27, Parviz Farnia wrote:
>
> Hello,
>
> Recently, I've started learning Lilypond (I'm completely a newbie in this
> field). I'm impressed by the
> excellent quality of the scores one can produce via Lilypond. I was wondering
> whether it is
> possible to import scores ge
"Frescobaldi can export a MusicXML version of your score. Many music
programs can import
that format".
I had no idea this was possible!
El El jue, 23 jul 2020 a las 15:05, escribió:
> On 23 Jul 2020 at 14:27, Parviz Farnia wrote:
>
> >
> > Hello,
> >
> > Recently, I've started learning Lilypond
Am Donnerstag, den 23.07.2020, 15:33 +0200 schrieb Martín Rincón
Botero:
> "Frescobaldi can export a MusicXML version of your score. Many music
> programs can import
> that format".
>
>
> I had no idea this was possible!
This is considered experimental, and therefore you have to activate
"exper
On Thu 23 Jul 2020 at 19:15:25 (+1000), Andrew Bernard wrote:
> There are some things in lilypond that I just think are not explained
> anywhere. What is this springs-and-rods business? For Hairpins, I read
> this?
>
> minimum-length (dimension, in staff space):
> 2.0
>
> Try to make a spanner at
All the other features that join two or more notes start after the first
note, e.g. a slur is:
a( b)
and a beam is:
a[b]
But a ligature bracket is:
\[a b\]
I'm not saying this is wrong, and I'm certainly not saying it should be
changed. But it would help me remember when I have
Laura Conrad wrote:
I'm not saying this is wrong, and I'm certainly not saying it should be
changed. But it would help me remember when I haven't transcribed a
ligature for a few months if someone explained why it was done this
way.
It seems it's ok to think it's wrong and should be changed
> "Robin" == Robin Bannister writes:
Robin> Laura Conrad wrote:
>> I'm not saying this is wrong, and I'm certainly not saying it
>> should be changed. But it would help me remember when I haven't
>> transcribed a ligature for a few months if someone explained why
>> it w
Hi,
consider:
\version "2.21.0"
\relative {
g'1~ \break
g^"normal tie"
}
\relative {
ges'1~ \break
ges^"low tie"
}
\relative {
gis'1~ \break
gis^"low tie"
}
I understand why the tie at the beginning of the second system of each
example has to sit a little bit lower if there
On 2020-07-23 3:14 pm, Lukas-Fabian Moser wrote:
Hi,
consider:
\version "2.21.0"
\relative {
g'1~ \break
g^"normal tie"
}
\relative {
ges'1~ \break
ges^"low tie"
}
\relative {
gis'1~ \break
gis^"low tie"
}
I understand why the tie at the beginning of the second system of eac
On 2020-07-23 4:38 pm, Aaron Hill wrote:
On 2020-07-23 3:14 pm, Lukas-Fabian Moser wrote:
Hi,
consider:
\version "2.21.0"
\relative {
g'1~ \break
g^"normal tie"
}
\relative {
ges'1~ \break
ges^"low tie"
}
\relative {
gis'1~ \break
gis^"low tie"
}
I understand why the tie at
Hello,
I’m converting some Gregorian chant scores from GABC to Lilypond. I’m
looking for a way to put a bit of italicized text (e.g., “Ps.”) under a
barline, as is typical with some chant genres.
You can see an example here, on the 3rd line:
https://gregobase.selapa.net/chant_i
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