On 6/2/20, Robin Bannister wrote:
> Well, you could define your own markup command(s).
> Have a look at /scm/define-markup-commands.scm for examples,
> including \abs-fontsize.
Well, for once, there’s even some documentation about it!
http://lilypond.org/doc/v2.21/Documentation/extending/new-mark
On Wed, Jun 3, 2020 at 12:01 AM Aaron Hill wrote:
>
> As is tradition, I am almost certainly over-engineering here. However,
> would the following approach be of any use:
>
>
> \version "2.20.0"
>
> transformText =
> #(define-music-function
>(grob-path proc)
>((key-list? 'TextScript
Hello,
after using 2.19.84 for a while, it seems to me that it is quite faster
than the previous one (2.19.83).
1) Now I wonder if there are some later versions (or git snapshots) even
faster: do you have any feedback about this?
2) Also: is there a way to optimize (when compiling a snapshot) th
Am Mi., 3. Juni 2020 um 12:33 Uhr schrieb Paolo Prete :
>
> Hello,
>
> after using 2.19.84 for a while, it seems to me that it is quite faster than
> the previous one (2.19.83).
>
> 1) Now I wonder if there are some later versions (or git snapshots) even
> faster: do you have any feedback about t
Dear all,
I’m vainly struggling with a weird spacing problem that I’ve never seen before:
the dot belonging to, for instance, c’2. is widely separated from the note
itself. (See screenshot).
In this section the horizontal note spacing is also rather capricious. ( \time
3/4 for the entire piece
On 6/3/20, Robert Blackstone wrote:
> I’m vainly struggling with a weird spacing problem
Hi Robert,
Unless you post some code, it’s gonna be difficult to help you. You
should first double check your source files in case there’s some
\override affecting the DotColumn object somewhere?
Cheers,
--
>
>
> Hi Paolo,
>
> The suggestion to focus on guile-3 makes no sense at the moment,
> because it is not broadly in the distros, afaict.
>
>
>
Hello Harm,
what about this?
http://lilypond.1069038.n5.nabble.com/guile-3-0-and-LilyPond-here-input-regression-context-defaultchild-cycle-ly-fails-td227
On 6/3/20, Paolo Prete wrote:
> Did you succeed (or someone else) in compiling with guile-3, meanwhile ?
> If so, did you see some improvement in speed?
No, for now guile 2.0 has become nearly as reliable as 1.8 but there
remains a noticeable performance drop; building LilyPond with guile
2.2 is
\version "2.20.0"
#(define Z '())
j = #(define-void-function % Starting form here.
(x)
(string>?)
(set! Z x ))
\j "-3 A -6 1 -B"
#(define Y (string-split Z #\sp ))
#(display Y) #(newline)
% Gives me this: (-3 A -6 1 -B), string-split => list, I do want a list but
%
Hi all,
I need to add a metronome click sound to the MIDI generated with
lilypond, to allow people sync up a record-from-home session. A quick
web search didn't bring up anything that I could have used. Is there a
special midi instrument I could use for that?
Francesco
Freeman Gilmore writes:
> \version "2.20.0"
>
> #(define Z '())
>
> j = #(define-void-function % Starting form here.
> (x)
> (string>?)
> (set! Z x ))
>
> \j "-3 A -6 1 -B"
>
> #(define Y (string-split Z #\sp ))
> #(display Y) #(newline)
>
> % Gives me this: (-3 A -6 1 -
Francesco Petrogalli wrote:
I need to add a metronome click sound to the MIDI generated with
lilypond, to allow people sync up a record-from-home session.
Here is a clock ticking: {wbh4 trim4 wbl4 trim4}
Cheers,
Robin
On 6/3/20, Freeman Gilmore wrote:
> % Gives me this: (-3 A -6 1 -B),
Well, it _is_ a list of strings, as you can verify by adding:
#(display (map string? Y))
Or you can use
#(write Y)
instead of (display Y), which will print the double quotes.
> % I need: ("-3" "A" "-6" "1" "-B"), how do
I have never used 'showLastLength' or 'showFirstLength' until today.
I inserted a line such as
showLastLength = R1*5
exactly as shown in NR3.4.2, immediately before the first (and only)
\score { } section.
But every time I try to compile the file I get:
syntax error, unexpected S
On 6/3/20, Francesco Petrogalli wrote:
> Is there a special midi instrument I could use for that?
Not that I know.
BTW, here’s a quick-and-dirty way of adding a click track, in case you
might find it useful:
%%
addTicks =
#(define-music-function (m) (ly:music?)
#{ << $m
\new Dev
On 6/3/20, David Sumbler wrote:
> I have never used 'showLastLength' or 'showFirstLength' until today.
> I inserted a line such as
> showLastLength = R1*5
> exactly as shown in NR3.4.2, immediately before the first (and only)
> \score { } section.
Are you sure there isn’t an unclosed block
David Sumbler writes:
> I have never used 'showLastLength' or 'showFirstLength' until today.
>
> I inserted a line such as
> showLastLength = R1*5
> exactly as shown in NR3.4.2, immediately before the first (and only)
> \score { } section.
>
> But every time I try to compile the file I get:
On 6/3/20, David Kastrup wrote:
> Once you stop assuming that the manual writers are incompetent
> […] it should be obvious that
Hmm, since we’re on -user, let’s not antagonize people coming here
asking for advice, perhaps? :-)
https://en.wikipedia.org/wiki/Wikipedia:Assume_good_faith
The OP may
On Wed, 2020-06-03 at 18:19 +0200, David Kastrup wrote:
> David Sumbler writes:
>
> > I have never used 'showLastLength' or 'showFirstLength' until
> > today.
> >
> > I inserted a line such as
> > showLastLength = R1*5
> > exactly as shown in NR3.4.2, immediately before the first (and
> >
Hi Valentin, Thanks for your interest in my problemThe piece, as you can see in the screenshot, is a piano score with two voices in each staff and occasionally a third voice by << { } \\ { } >> or \partcombine.I triple-checked my source code, first by hiding successively each voice, and see what
Robert,
When I set piano four part I let Lilypond do all the work.
I have taken the liberty of recoding the section using four-part voicing.
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Robert Blackstone
Sent: Wednesday, June 3, 202
Am Mi., 3. Juni 2020 um 19:27 Uhr schrieb Robert Blackstone
:
>
> Hi Valentin,
>
> Thanks for your interest in my problem
>
> The piece, as you can see in the screenshot, is a piano score with two voices
> in each staff and occasionally a third voice by << { } \\ { } >> or
> \partcombine.
> I tri
On 6/3/20, Robert Blackstone wrote:
> Overall there are several instances where I needed "\once \override
> NoteColumn #'force-hshift = #x" , and a few "\once\override
> NoteColumn.X-offset = #x”.
Ouch. That’s pretty brutal. May I ask why you felt the need to use
all these? This alters drastic
On 6/3/20, Mark Stephen Mrotek wrote:
> When I set piano four part I let Lilypond do all the work.
Hear hear! (Even for more than four parts, btw.)
> I have taken the liberty of recoding the section using four-part voicing.
Yeah, so did I! That sure was tempting wasn’t it? :-)
Cheers,
-- V.
Robert,
For what it's worth, the following code runs without spacing issues on
2.18.2
Note that I commented out one of the overrides.
-Greg
%
\version "2.18.2"
PartPOneVoiceOne = {
\clef "treble"
\key c \major
\time 3/4
fis'8) c''8\rest \override NoteColumn #'force-hshift = #-2.5 fis'!2|
David and Valentin Thank you. I did not know about #(write ...).
I will switch to write from now on.
On Wed, Jun 3, 2020 at 11:41 AM Valentin Villenave
wrote:
>
> On 6/3/20, Freeman Gilmore wrote:
> > % Gives me this: (-3 A -6 1 -B),
>
> Well, it _is_ a list of strings, as you can veri
It seems that when a notehead is merged in two voices no matter what you do
you, lilypond only adds on lv tie. Is there a way to force 2 lv ties?
<<{ d,4\laissezVibrer ^ \markup{ 0.0 } } \new Voice { \voiceTwo
d,4\laissezVibrer }>>
Thanks in advance.
-Michael
Valentin Villenave writes:
> On 6/3/20, Freeman Gilmore wrote:
>> % Gives me this: (-3 A -6 1 -B),
>
> Well, it _is_ a list of strings, as you can verify by adding:
>
> #(display (map string? Y))
>
> Or you can use
> #(write Y)
> instead of (display Y), which will print the double quotes.
>
> Also it will not backslash-escape quote marks or newlines or, well,
> backslashes. If you want a rendition that can be read back by Scheme,
> «write» really is the saner option.
>
> --
> David KastrupThank you that is good to know. It is working fine for me
> now, thanks, ƒg
Hi Michael,
Looks like LilyPond prints both lv ties, but they end up at exactly the
same spot. The ^ and _ prefixes let you specify direction for most
anything, including \laissezVibrer, so you could do this to separate them:
\new Staff {
<<
{
d,4 ^\laissezVibrer ^\markup{ 0.0 }
}
Robin, Valentin,
thank you both for your help. I have created a solution based on your
examples. I hope you don't mind the copy and paste + tweak exercise,
as I am assuming that you are happy for me to give a CC BY SA 4.0
license to code that is based on the examples you have published in
the mail
On 6/4/20, Francesco Petrogalli wrote:
> thank you both for your help. I have created a solution based on your
> examples. I hope you don't mind the copy and paste + tweak exercise,
Hey, that’s what the list is for! Also, I’ve uploaded a copy of my
own function onto http://lsr.di.unimi.it/LSR/It
On 02/06/2020 11:30, Thomas Morley wrote:
Am Di., 2. Juni 2020 um 10:19 Uhr schrieb Valentin Villenave
:
On 5/30/20, Matt Wallis wrote:
But I'd still like to know how to find out when a page of a score begins
Well, there is something to be done with the 'page-number and
'rank-on-page properti
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