Hello Brent,
I you use the same names in numerous files, you can change them automatically
in all of them with a script of some sort to make them distinct, to avoid
cumbersome manual editing.
JM
> Le 4 mai 2020 à 06:39, Brent Annable a écrit :
>
> Hi Federico,
>
> Your strategy seems like g
Thank you for this, Valentin.
On 5/3/20 11:14 PM, Valentin Villenave wrote:
On 5/3/20, Paul Scott wrote:
Out of simple curiosity what is the purpose of the \compressMMRests { }
structure rather than the \set or \override action I would think of?
I'm guessing \compressMMRests does \set \unset o
Brent Annable writes:
> Hi Federico,
>
> Your strategy seems like good advice, and I've changed the files around so
> I can do it. But the master file is getting very long and complicated with
> all the \score blocks, so I have a question: can you put a \score block
> into a variable, to avoid al
Dear Helpers,
I wrote in the ly file
\chordmode
{ \germanChords a1 *a2:4* s2 s1 a1 s1 a fis:m e a fis:m gis cis cis:m
cis:m fis:m h cis:m
cis:m fis:m h cis:m
And in the note/score appeared
A4sus3
How can I manage simple A4?
Thank you!
Rita
Dear Helpers,
I would like to use fret-diagram just few time,
and I wish the chords above the tune.
How can I change...that the fret-diagram should be on the top?
Or It would be ok for me, if there is NO fret-diagram, the simple chords
would be on their normal place, not at so high.
[image: Scre
On 2020-05-04 08:14, Valentin Villenave wrote:
On 5/3/20, Paul Scott wrote:
Out of simple curiosity what is the purpose of the \compressMMRests { }
structure rather than the \set or \override action I would think of?
I'm guessing \compressMMRests does \set \unset or \override \revert pairs.
Am Mo., 4. Mai 2020 um 11:00 Uhr schrieb Rita Composer :
>
> Dear Helpers,
>
> I wrote in the ly file
>
> \chordmode
> { \germanChords a1 a2:4 s2 s1 a1 s1 a fis:m e a fis:m gis cis cis:m
> cis:m fis:m h cis:m
> cis:m fis:m h cis:m
>
> And in the note/score appeared
> A4sus3
>
> How can I
Hi Rita,
you can put the chord names below the fret-boards:
\version "2.20.0"
chrd = \chordmode { a1 c1 }
<<
\new FretBoards \chrd
\new ChordNames \chrd
\chrd
>>
By the way, in the second word of your lyrics, a space is missing and
you can see the double hyphen in the image. It should be
Il giorno lun 4 mag 2020 alle 14:39, Brent Annable
ha scritto:
Your strategy seems like good advice, and I've changed the files
around so I can do it. But the master file is getting very long and
complicated with all the \score blocks, so I have a question: can you
put a \score block into a va
Hi Mats
From: "Mats Bengtsson"
What was the rationale to recommend (and only mention) \compressMMRests instead
of \compressEmptyMeasures in
http://lilypond.org/doc/v2.21/Documentation/notation/writing-rests#full-measure-rests?
In my opinion, it's a bit more cumbersome to use the music funct
On 5/4/20, Mats Bengtsson wrote:
> What was the rationale to recommend (and only mention) \compressMMRests
> instead of \compressEmptyMeasures in
> http://lilypond.org/doc/v2.21/Documentation/notation/writing-rests#full-measure-rests?
Well, precisely the fact that \compressEmptyMeasures is applie
Federico,
Thank you very much for this. I had no idea that's what I'd been doing
wrong all this time! I tried it many years ago and just assumed it was
impossible -- my eyes have been opened. Now I can get on with things.
With much gratitude,
Brent.
On Mon, 4 May 2020 at 19:56, Federico Bruni
Hi Lukas/Samuel,
On Thu, Apr 30, 2020 at 10:24:27AM +0200, Lukas-Fabian Moser wrote:
> in contrast to my above definition of "lyric?" using music-is-of-type?.
>
> 1) Which variant is to be preferred?
> 2) What is the difference between 'LyricEvent and 'lyric-event ?
Looking at the code, it appea
The first one below works fine but the second does not work when the
dollar is replaced with \markup \vcenter \huge \bold "$". Please
explain why?Why is \markup bound in the first and not in the
second.I see \markup used in many places like to the second
example that works, what is the di
Hi Freeman,
Am 04.05.20 um 16:02 schrieb Freeman Gilmore:
The first one below works fine but the second does not work when the
dollar is replaced with \markup \vcenter \huge \bold "$". Please
explain why?Why is \markup bound in the first and not in the
second.I see \markup used in many
Hi Freeman,
> The first one below works fine but the second does not work when the
> dollar is replaced with \markup \vcenter \huge \bold "$". Please
> explain why?Why is \markup bound in the first and not in the
> second.I see \markup used in many places like to the second
> example tha
> On 3 May, 2020, at 3:57 PM, Caio Barros wrote:
>
> Personally I tend to use explicit durations (no \lyricsto) in complex cases
> like this, but a workaround would be simply:
I’m avoiding explicit durations in this project because each set of words can
be set to multiple possible tunes. Thes
On 5/4/20 2:10 AM, Mats Bengtsson wrote:
On 2020-05-04 08:14, Valentin Villenave wrote:
On 5/3/20, Paul Scott wrote:
Out of simple curiosity what is the purpose of the \compressMMRests { }
structure rather than the \set or \override action I would think of?
I'm guessing \compressMMRests does
On Mon 04 May 2020 at 11:14:43 (-0400), Fr. Samuel Springuel wrote:
> > On 3 May, 2020, at 3:57 PM, Caio Barros wrote:
> >
> > Personally I tend to use explicit durations (no \lyricsto) in complex cases
> > like this, but a workaround would be simply:
>
> I’m avoiding explicit durations in this
> On 4 May, 2020, at 12:45 PM, David Wright wrote:
>
> Well, in a sense, you haven't managed to localise the complications
> because the lyrics are stuffed with redundant associatedVoices when
> reused elsewhere.
Very true. Getting the separation I want is still very much a work in progress.
>
Lukas and Kevin:
Thank you, this should do it. Looks like it answers many question I have
been having.
ƒg
On Mon, May 4, 2020 at 10:51 AM Kevin Barry wrote:
> Hi Freeman,
>
> > The first one below works fine but the second does not work when the
> > dollar is replaced with \markup \vcenter \
Em seg., 4 de mai. de 2020 às 13:46, David Wright
escreveu:
> From your example's "music" variable, I would derive two simple
> versions, musicA and musicIII, each for one rhythm. The words
> would contain no specific indications, but set with NullVoice
> to the appropriate music.
>
> Of course,
> On 4 May, 2020, at 12:45 PM, David Wright wrote:
>
> Of course, you can break up the music into several variables
> from which you assemble the different versions, in order to
> localise the variation and make it easier to maintain.
So, attached is my first go at that sort of “assembly-require
> On 4 May, 2020, at 3:20 PM, Fr. Samuel Springuel
> wrote:
>
> Now, I’m almost certain the answer is yes (at least in principle), but before
> I start trying to write a music function that does [concatenates a variable
> consisting of pairs of keys and music expressions into a single music
>
Lukas-Fabian Moser writes:
> Hi Freeman,
>
> Am 04.05.20 um 16:02 schrieb Freeman Gilmore:
>> The first one below works fine but the second does not work when the
>> dollar is replaced with \markup \vcenter \huge \bold "$". Please
>> explain why?Why is \markup bound in the first and not in
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