Re: Creating click tracks for an arbitrary time signature and length of music

Hello ! here's a very useful thing ... Is it possible to add a countdown ? -- Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html

Re: Suppressing a voice in the midi output

On Sun, Dec 15, 2019 at 12:56:22PM +0100, Karsten Reincke wrote: > Dear friends; > > In the LilyPOnd tutorial I found the explanation how to assign each a voice a > separate midi channel = instrument > > http://lilypond.org/doc/v2.18/Documentation/notation/creating-midi-files > > Unfortunately,

Re: Suppressing a voice in the midi output

On Fri, Dec 20, 2019 at 10:41:26AM +0100, Sandro Santilli wrote: > On Sun, Dec 15, 2019 at 12:56:22PM +0100, Karsten Reincke wrote: > > Dear friends; > > > > In the LilyPOnd tutorial I found the explanation how to assign each a voice > > a > > separate midi channel = instrument > > > > http://l

Re: Creating click tracks for an arbitrary time signature and length of music

On 20/12/2019 01:10, Aaron Hill wrote: On 2019-12-19 3:03 pm, Matt Wallis wrote: What I want to do is to automatically create a click track for any length of music, and any time signature. For example, if the music is L measures in length, and the numerator of the time signature is N, and the de

Re: Notes or chords sustained with a pedal

Robert Blackstone wrote: Dear all, I’m presently transcribing some piano-scores in which schords, sustained with a pedal are notated in a way had not seen before (see screenshot). I would like to copy it but I have no idea how to do it. This thread may get you started: https://lists.gnu.org/a

How to use make-music?

Thee are many examples of the use of the make-music function in NR and Snippets, but I cannot find any reference to its definition in LR, NR or IR. I can use the examples to do what I want, but I'd like to know a bit more about how it works. Is there a definition of it and its parameters anywher

Re: How to use make-music?

Peter Toye writes: > Thee are many examples of the use of the make-music function in NR and > Snippets, but I cannot find any reference to its definition in LR, NR > or IR. I can use the examples to do what I want, but I'd like to know > a bit more about how it works. Is there a definition of it

Re: How to use make-music?

David, Thanks for this. I'm obviously going to have to dust off my LISP lectures from 1967! Best regards, Peter mailto:lilyp...@ptoye.com www.ptoye.com - Friday, December 20, 2019, 12:41:31 PM, David Kastrup wrote: > Peter Toye writes: >> Thee are many examples of th

How to avoid dynamic clashes?

I'm trying to set a score where dynamic words are too close together for beautiful typesetting. I've tried using offsets to move one of them vertically, but they don't seem to work. What's the best way of setting this to produce a good-looking result? \version "2.19.83" \score { << \new

Re: How to avoid dynamic clashes?

Hi Peter, > I'm trying to set a score where dynamic words are too close together for > beautiful typesetting. I've tried using offsets to move one of them > vertically, but they don't seem to work. What's the best way of setting this > to produce a good-looking result? I’d force the notes them

Re: How to avoid dynamic clashes?

How to avoid dynamic clashes? If you read about dynamics in the NR, it says: "Vertical positioning of dynamics is handled by Section "DynamicLineSpanner" in Internals Reference." Looking in the IR we see reference to Y-offset. So this does as you wish, I think: \score { << \new St

Re: convert-ly problem 2

I think all you need in Windows is an entry in your PATH like this: C:\Program Files (x86)\LilyPond\usr\bin Then type convert-ly.py and Windows will ask you what program you want to execute it with. Select python.exe and you're done. At least that's how it works in my version of Window

Re: How to avoid dynamic clashes?

Thanks Phil. I was looking in the 'spacing issues' section. Just what I need for this particular score. Best regards, Peter mailto:lilyp...@ptoye.com www.ptoye.com - Friday, December 20, 2019, 4:26:46 PM, Phil Holmes wrote: If you read about dynamics in the NR, it says

Re: How to avoid dynamic clashes?

Hello Kieren, Yes it does. So does Phil's solution. I now have to work out which I prefer in this particular situation. Best regards, Peter mailto:lilyp...@ptoye.com www.ptoye.com - Friday, December 20, 2019, 4:14:06 PM, Kieren MacMillan wrote: > Hi Peter, >> I'm tryi

Naming multiple midi files

Hello, I would like to specify the name (or extensions) of the .midi files exported by the \midi{} command. I have multiple \scores{} in one .ly file producing one .pdf file and multiple .midi files. Thanks

Re: LSR contribution

Hi Harm et al., attached is my updated version. I decided to split up the validity checks from the actual engraver, because otherwise in case of invalid parameters the engraver would only be instantiated to do nothing and nevertheless have its acknowledger called every time. The code is much more

Re: LSR contribution

Btw. what I do not understand is why (process-acknowledged) is called multiple times after one grob has been acknowledged, it is even called >before< any grob has been acknowledged. You can notice this clearly in input/regression/scheme-engraver.ly Cheers, Michael Am 16.12.2019 um 01:50 schrieb

harmonyli.ly stable release 1.2 published

Dear Friends; a few moments ago, I published the next stable release of harmonyli.ly. This lib for adding Functional Harmony Analysis symbols and/or Scale Step Theory symbols into LilyPond scores can now additionally indicate, that an expected tone of a chord does NOT appear in the notes. (see cha