David,
If I correctly understand your problem, you need to have the Lyrics of the alto
voice above the Staff after the eight bar.
I think the best solution is to use the 'alignAbovecontext' which sould be
applied to a 'Staff' context. You will find a proposal attached to this email.
If y
Thank you!
Yes. This works perfectly!
With deep appreciation,
David
From: "Remy CLAVERIE"
To: "dadadharma @dslextreme.com" , "lilypond-user"
Sent: Monday, December 9, 2019 12:50:16 AM
Subject: re: alignAboveContext for alto
David,
If I correctly understand your problem, you
Some time ago (2015) I prepared a quintet version of the Farrenc Nonetto. To
make things easier I added copious quotes to the many long chains of rests
to help the players. For this purpose I created an ily containing a set of
music for each line & movement (without cues) so that I could pick and c
"Peter Gentry" writes:
> Some time ago (2015) I prepared a quintet version of the Farrenc Nonetto. To
> make things easier I added copious quotes to the many long chains of rests
> to help the players. For this purpose I created an ily containing a set of
> music for each line & movement (without
Hi all. I'm trying to typeset a choral arrangement where each stanza
is set for different voices (1: SSA, 2: TTBB, 3: SSATTBB). The
handwritten original uses a separator between the first two stanzas
similar to lilyponds \slashSeparator - but in lilypond I can't find a
way to show the separator onl
Hi List,
let us say I have a piece where I want to specify the key signature once
for all instruments. I have something like the following:
\version = 2.19.82
global= {
\key f \minor
\time 4/8
}
%% (and whatever other settings I want)
oDAMusic = \transpose a c {
\relative c''' {
\key
I have done some digging with small files.
1. putting each set of potential cues as reqd. as the first lines in each
music file (Movement) works :
cueNotesOneA=\include "file1.ily"
\addQuote "cueNotesOneA" { \cueNotesOneA }
Etc...
2. when several musi
Andrew,
Try this:
\transposition a \transpose a c {
\global
\clef treble
\relative c''' { %notes go here }
}
Regards,
Rick
From: lilypond-user on
behalf of N. Andrew Walsh
Sent: Monday, December 9, 2019 8:24 AM
To: lilypond-user
Subject: transpositio
Hello,
in the following snippet, I assigned to the TupletBracket grob an
outside-staff-priority higher than the OttavaBracket. Then, the
OttavaBracket is placed below it, as expected.
{
\override TupletBracket.outside-staff-priority = #340
\override Staff.OttavaBracket.outside-staff-prio
Hello,
https://www.staffpad.net/
Mark
"Peter Gentry" writes:
> I have done some digging with small files.
>
> 1. putting each set of potential cues as reqd. as the first lines in each
> music file (Movement) works :
>
> cueNotesOneA=\include "file1.ily"
>
> \addQuote "cueNotesOneA" { \cueNotesOneA }
>
>
Am Mo., 9. Dez. 2019 um 17:05 Uhr schrieb Paolo Pr :
>
> Hello,
>
> in the following snippet, I assigned to the TupletBracket grob an
> outside-staff-priority higher than the OttavaBracket. Then, the OttavaBracket
> is placed below it, as expected.
>
>
> {
> \override TupletBracket.outsi
Is this spam, because it looks like a spam message.
It has no context in any lilypond-related discussions
It also looks to be proprietary, which is no fun at all
On Mon, 2019-12-09 at 08:22 -0800, Mark Stephen Mrotek wrote:
> Hello,
>
> https://www.staffpad.net/
>
> Mark
On Mon, Dec 9, 2019 at 5:38 PM Thomas Morley
wrote:
> Am Mo., 9. Dez. 2019 um 17:05 Uhr schrieb Paolo Pr :
> >
>
> > Is there a way to set the staff-padding property of a grob and preserve
> at the same time the vertical order set with outside-staff-priority?
>
> Provoke collision by setting st
Hi Rick,
On Mon, Dec 9, 2019 at 4:54 PM Rick Kimpel wrote:
> Andrew,
> Try this:
>
What I ended up having to do was this, inside the \score block:
\new Staff = "Staff_oboeDA" <<
\transposition a \transpose a c << \global \oDAMusic \keyandtempo >>
>>
(\keyandtempo is another variable
Hi everyone,
For pedagogical reasons, I want to include every measure number in my
scores. I've been using the LSR's consistently left-aligned numbers
available at http://lsr.di.unimi.it/LSR/Item?id=840
But this causes problems with slurs, ledger lines, etc., which push the
measure numbers up high
From: lilypond-user On
Behalf Of Sam Bivens
Sent: Monday, December 9, 2019 8:38 PM
To: lilypond-user
Subject: Cleanly showing every measure number
Hi everyone,
For pedagogical reasons, I want to include every measure number in my scores.
I've been using the LSR's consistently left-aligned
> From: Freeman Gilmore
> Subject: Two or more accidentals per note.
> How do you wright two (or more) accidentals to modify the same note?
> Where is this written?And is there more than one way to do this? For
> example how would I write 3 #; 2 double sharps; 2 or more microtonal
> accide
From: Sam Bivens
Date: Monday, December 9, 2019 at 12:37 PM
To: lilypond-user
Subject: Cleanly showing every measure number
Hi everyone,
For pedagogical reasons, I want to include every measure number in my scores.
I've been using the LSR's consistently left-aligned numbers available at
http
Am Mo., 9. Dez. 2019 um 18:00 Uhr schrieb Paolo Pr :
>
>
>
> On Mon, Dec 9, 2019 at 5:38 PM Thomas Morley wrote:
>>
>> Am Mo., 9. Dez. 2019 um 17:05 Uhr schrieb Paolo Pr :
>> >
>
>
>>
>> > Is there a way to set the staff-padding property of a grob and preserve at
>> > the same time the vertical o
Am 09.12.19 um 15:24 schrieb N. Andrew Walsh:
Hi List,
let us say I have a piece where I want to specify the key signature
once for all instruments. I have something like the following:
\version = 2.19.82
global= {
\key f \minor
\time 4/8
}
%% (and whatever other settings I want)
oDAMus
This is really quite close, but can I remove that horizontal line and bring the
chords and
lyrics closer together?
On 07.12.19 15:50, lilyp...@de-wolff.org wrote:
>
>
>> -Original Message-
>> From: lilypond-user
>> On Behalf Of Dominic Sonntag
>> Sent: Friday, December 6, 2019 11:08 A
Hi Kieren,
thanks for this hint. I checked it and it looks *quite* good, but there is a
problem that
chords are out of alignment.
I created a "minimal" example (which doesn't fit into ten lines because of the
layout
setup part) you can find attached and the result.
As you can see, the chords i
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