Markup problem

Hello folks, In the following example, the markup doesn’t show up in the score, one only gets: Removing the \book around the \score avoids this problem, though. I’ve missed something it seems... Thanks for your help! JM -- %% \version "2.19.83" \markup { \fill-line { \hs

Re: Markup problem

Le mercredi 04 décembre 2019 à 10:19 +0100, Jacques Menu a écrit : > Hello folks, > > In the following example, the markup doesn’t show up in the score, > one only gets: > > > Removing the \book around the \score avoids this problem, though. > I’ve missed something it seems... > > Thanks for yo

Re: Markup problem

Hi Jacques, you should be getting two output files, since the toplevel markup is outside the explicit book with the score. On my machine, that’s what’s happening. HTH, Simon On 04.12.19 10:19, Jacques Menu wrote: Hello folks, In the following example, the markup doesn’t show up in the scor

Re: Writing notes in Pythagorean tuning in microlily

As Adam noticed, the file regular.ly is not part of the current distribution, and it is used to retune to E53. So E72 is an alternative in absence of that, but might also be suitable when playing with E12 instruments. Also, the Helmholtz—Ellis accidentals were proposed to be added to the distri

Re: Markup problem

Am 04.12.19 um 10:19 schrieb Jacques Menu: Hello folks, In the following example, the markup doesn’t show up in the score, one only gets: Removing the \book around the \score avoids this problem, though. I’ve missed something it seems... Shouldn’t the \markup live inside the \book too?

Poster for music engraving conference

Folks, the music engraving conference in Salzburg (January 17.-19.) aims to present as much note engraving programs as possible. While some companies send representatives (e.g., Dorico, Capella, Finale) – some even with talks – we don't have something similar for LilyPond in the main part of th

Re: Markup problem

Am Mi., 4. Dez. 2019 um 11:03 Uhr schrieb Jacques Menu < imj-muz...@bluewin.ch>: > Hello folks, > > In the following example, the markup doesn’t show up in the score, one > only gets: > > Removing the \book around the \score avoids this problem, though. I’ve > missed something it seems... > > Than

Re: Markup problem

Hello Simon, Jean and Thomas, Thanks, that was the solution. I had tried to place the markup inside the score, to no avail. A nice day! JM > Le 4 déc. 2019 à 12:11, Thomas Morley a écrit : > > > > Am Mi., 4. Dez. 2019 um 11:03 Uhr schrieb Jacques Menu >: > He

Not understanding outside-staff-priority

Hi list, I'm trying to place a RehearsalMark under a MetronomeMark and from the Notation Manual derived I should set the outside-staff-priority property for that. Playing with it resulted in the six examples below. Only the 5. shows the RehearsalMark where I want it to be. Why don't the other a

Re: Not understanding outside-staff-priority

Hi Michael, > I'm trying to place a RehearsalMark under a MetronomeMark and from the > Notation Manual derived I should set the outside-staff-priority property for > that. > Playing with it resulted in the six examples below. Only the 5. shows the > RehearsalMark where I want it to be. Curious

Re: Poster for music engraving conference

> Am 2019-12-04 um 12:05 schrieb Werner LEMBERG : > > Folks, > > the music engraving conference in Salzburg (January 17.-19.) aims to > present as much note engraving programs as possible. While some > companies send representatives (e.g., Dorico, Capella, Finale) – some > even with talks – we

Re: Not understanding outside-staff-priority

Michael Gerdau wrote: Could someone please shed some light as to why lilypond behaves the way it does? The default context for both Mark_engraver and Metronome_mark_engraver is Score. Your overrides are ineffective because you omit 'Score.' Cheers, Robin

Piano Staves equidistant from Middle C?

Hello, I'm trying to get my piano staves equidistant from middle C, with precisely the width of one staff-space between middle C and the top line of the bass clef and the bottom line of the treble. I can't find anything on the spacing page that seems to work, and nothing seems to be forthcom

Re: Poster for music engraving conference

Werner: > the music engraving conference in Salzburg (January 17.-19.) aims to > present as much note engraving programs as possible. While some > companies send representatives (e.g., Dorico, Capella, Finale) – some > even with talks – we don't have something similar for LilyPond in the > mai

Re: Not understanding outside-staff-priority

> > Could someone please shed some light as to why lilypond behaves the way it > > does? > > > > The default context for both Mark_engraver and Metronome_mark_engraver > is Score. Your overrides are ineffective because you omit 'Score.' Aaahh. Thank you Robin for this explanation. Kind regar

Re: Not understanding outside-staff-priority

> > I'm trying to place a RehearsalMark under a MetronomeMark and from the > > Notation Manual derived I should set the outside-staff-priority property > > for that. > > Playing with it resulted in the six examples below. Only the 5. shows the > > RehearsalMark where I want it to be. > > Curiou

Re: Piano Staves equidistant from Middle C?

Am 04.12.19 um 14:46 schrieb Kale Good: Hello, I'm trying to get my piano staves equidistant from middle C, with precisely the width of one staff-space between middle C and the top line of the bass clef and the bottom line of the treble. I’m not sure why setting values for PianoStaff.Sta

Re: Markup problem

Thanks Leo and Malte, same solution already provided on the list. JM > Le 4 déc. 2019 à 12:38, Malte Meyn a écrit : > > > > Am 04.12.19 um 10:19 schrieb Jacques Menu: >> Hello folks, >> In the following example, the markup doesn’t show up in the score, one only >> gets: >> Removing the \book

RE: Ddoubled parentheses

Thanks Aaron. Looking at http://lilypond.org/doc/v2.18/Documentation/notation/visibility-of-objects#index-_005comit I would have expected the syntax to be \new NullVoice \with { \omit Score.ParenthesesItem } { \music } and I would have expected that to eliminate the parentheses in _all_ voice

Re: Poster for music engraving conference

Hi, I have some experience making posters for conferences, so I will share in case anyone is up for stepping up. For a conference, you want to focus the poster in one single idea that you want the reader to take home. What drew me to Lilypond was the essay, so that is what I would turn into a pos

Re: Re: Poster for music engraving conference

Hi David, No need to apologize! It's great that you can and want to share that valuable expertise. I would add that even Gregorian chant is probably too niche, and that Lily’s handling of ligatures and other aspects isn't quite on a level that one would want to showcase it… I could provide good

Re: Poster for music engraving conference

On 12/4/2019 2:40 PM, Simon Albrecht wrote: some of the best engravings done with Lily How about having various made-with-Lilypond printed works on display as well as the poster? -- Karlin High Missouri, USA

Re: Poster for music engraving conference

David: ... > For a conference, you want to focus the poster in one single idea that you > want the reader to take home. ... So, should the main point be . quality in detail . excellent print quality . one source, multiple output variations like Simon Albrecht pointed to, and which I was thin

Re: Poster for music engraving conference

Hi All, I have seen lots of A0 posters for medical and scientific research congresses. Here's an article that summarizes exactly what I think about conference posters. https://colinpurrington.com/tips/poster-design/ Andrew