What is the position tolerance distance for cross staff stems to work?
Zero? Or is there some wriggle room?
I ask because I have a complex (as always) bit of free form music with
different overlapping tuplet ratios in different voices that is just more
or less 'thrown on the page' by the composer
Brilliant!
I realized that defining the glissando gradient taking the stencil as point of
departure, rather than the grob properties, makes it work for broken glissandi
too. It was a quite minimal change.
(gliss-gradient (/ (+ (- (car stil-y-ext) (cdr stil-y-ext)) (* half-line-thick
2))
Hello,
I'm typesetting a work which includes this single measure (here as a MWE)
in a PianoStaff.
\version "2.19.83"
\score {
\new PianoStaff {
\set PianoStaff.connectArpeggios = ##t
<<
\new Staff \with { \consists "Span_arpeggio_engraver" } \relative c''
{ \clef treble \time 6/8 b4.
