Hi Jacques,
> What is the usual way to setup such a choral, in terms of compound time
> signatures, partials, measure 13 spanning over a line break, minimizing the
> number of rests such as measure 4, the display of rests at measure 8, and the
> like?
"Alternating time signature" = common
Meas
On 8/20/2019 8:22 AM, Kieren MacMillan wrote:
Tick bar lines = uncommon
This is coming from a Psalter of some sort? Originally unmetered,
perhaps? I cannot find a reference just now, but I seem to remember a
prior discussion (perhaps Simon Albrecht, or not) that the tick bar
lines (from top
Greetings to all,
This piece does not come from a book of psalms (there atre no more than 150
psalms) but from a song book (GesangBuch) and this is not the original metering
which is only 2/2. the original pitch is also a 3rd higher.
Have a nice day,
Rémy
> Message du 20/08/19 15:
On 8/20/2019 8:58 AM, Remy CLAVERIE wrote:
(there are no more than 150 psalms)
Well, I've heard the Orthodox traditions have 151. :)
But good catch; I hadn't thought of that at all.
--
Karlin High
Missouri, USA
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lilypon
I think you're right because the numbering has changed over the last century
and I'm not familiar with it. The lithurgy at Luther's time had 150 psalms.
Rémy
> Message du 20/08/19 16:02
> De : "Karlin High"
> A : "Remy CLAVERIE" , "Kieren MacMillan" , "Jacques Menu"
> Copie à : "L
Jacques,
Do a search for "merge-rests.ily" -- this is a LP .ily file you can include
in your LP files to merge the rests of differing voices to get a single
rest for places like m. 4 in your score. The file includes usage examples.
I use it a great deal as I mostly write choral music.
Guy Stalna
Hello Jacques,
If the intention is to eliminate the display of time signatures,
Isn't it possible to use the make-moment function?
{
\set Timing.measureLength = #(ly:make-moment 2 2)
d2 a'2 fis2}
{
\set Timing.measureLength = #(ly:make-moment 3 2)
d2 a'2 b4 b4 }
From: "Guy Stalnaker
For bars that span the line break, use \partial X {...}, where X is the
duration of the partial measure. You can place a partial measure anywhere,
really.
-Greg
From: Jacques Menu
> To: LilyPond Users
> Cc:
> Bcc:
> Date: Tue, 20 Aug 2019 13:54:47 +0200
> Subject: Choral scores conventions que
> On 20 Aug 2019, at 13:54, Jacques Menu wrote:
>
> I’ve created this score from a psalms book, both attached, with explicit,
> sometimes artificial, time signatures and rests for the time being.
>
> What is the usual way to setup such a choral, in terms of compound time
> signatures, partial
Hi Gregory,
> For bars that span the line break, use \partial X {...}, where X is the
> duration of the partial measure. You can place a partial measure anywhere,
> really.
I prefer to simply use
\bar "" \break
Best,
Kieren.
Kieren MacMillan, composer (he/h
Kieren suggests another method to break a measure (see below).
Both should work, just a matter of preference.
-Greg
On Tue, Aug 20, 2019 at 12:03 PM Kieren MacMillan <
kieren_macmil...@sympatico.ca> wrote:
> Hi Gregory,
>
> > For bars that span the line break, use \partial X {...}, where X is t
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