Anybody?
I have tried experimenting with large values of \override
DynamicLineSpanner.staff-padding to no avail. I am stumped. Is it a bug?
Andrew
On Sun, 24 Mar 2019 at 20:48, Andrew Bernard
wrote:
> I have a score with a lot of dynamics, a string quartet. There is more or
> less a continuum
Hi Stig,
Am 24.03.19 um 20:15 schrieb Stig Brautaset:
["Frenching" at the beginning of a score]
PS: I'm a beginner both with reading/writing music and Lilypond so feel
free to let me know if this is simply Not Done, especially if you have
suggestions of What To Do Instead. :-)
This is
i) po
Hi, David!
On Sun, Mar 24, 2019 at 8:38 AM David Kastrup wrote:
> Abraham Lee writes:
>
> > Hi, Chad!
> >
> > On Fri, Mar 22, 2019 at 11:19 AM Chad Linsley wrote:
> >
> >> Hi all,
> >>
> >> I’m by no means a seasoned Lilypond pro but I’ve been exploring how the
> >> program handles beams. In t
In the following code I force a line break in the middle of a measure
\version "2.19.82"
\new PianoStaff
<<
\new Staff {\partial 4 r4 b1 1 1 2.~4 }
\new Staff {\partial 4 g4 g1 1 1 2. \bar"" \break \partial 4 4}
>>
(see image a1)
This is ok.
Now, I know it's musically wrong but I would lik
Abraham Lee writes:
> Hi, David!
>
> On Sun, Mar 24, 2019 at 8:38 AM David Kastrup wrote:
>> >
>> > Here's my first page of this piece.
>>
>> I'd have been interested in the second one, the multi-string passages
>> close to the end. Since there are fingerings in your page, you are
>> obviously
If exact midi playback isn’t a main concern I would do it like:
\version "2.19.82"
\new PianoStaff
<<
\new Staff {\partial 4 r4 b1 1 1 1*3/4 s4 }
\new Staff {\partial 4 g4 g1 1 1 2. \bar"" \break \partial 4 4}
>>
> 25 mars 2019 kl. 14:39 skrev Gianmaria Lari :
>
> In the following code I
Yes, thanks. I should mention that "copying this from another source"
is a bad idea _unless_ you are creating an Urtext since things like the
fingering are copyrighted (except for quite old editions). This may be
particularly infuriating concerning the Bach solo string pieces since
a) the mor
Am 25.03.19 um 15:17 schrieb Leo Correia de Verdier:
[Line break in mid-measure and mid-note]
If exact midi playback isn’t a main concern I would do it like:
\version "2.19.82"
\new PianoStaff
<<
\new Staff {\partial 4 r4 b1 1 1 1*3/4 s4 }
\new Staff {\partial 4 g4 g1 1 1 2. \bar"" \brea
On Mon, 25 Mar 2019 at 15:17, Leo Correia de Verdier <
leo.correia.de.verd...@gmail.com> wrote:
> If exact midi playback isn’t a main concern I would do it like:
>
> \version "2.19.82"
> \new PianoStaff
> <<
> \new Staff {\partial 4 r4 b1 1 1 1*3/4 s4 }
> \new Staff {\partial 4 g4 g1 1 1 2. \b
On Mon, 25 Mar 2019 at 15:39, Lukas-Fabian Moser wrote:
>
> Am 25.03.19 um 15:17 schrieb Leo Correia de Verdier:
>
> [Line break in mid-measure and mid-note]
> > If exact midi playback isn’t a main concern I would do it like:
> >
> > \version "2.19.82"
> > \new PianoStaff
> > <<
> >\new Staff
I'm setting a fairly short song. It's sixteen measures, in the
standard four voice parts. I used Frescobaldi to set up the basic
structure, so the syntax I'm using comes from modifying what it put
out.
What causes the grief is that the last measure in the soprano part is
polyphonic (or polyrythmic
Tim,
You can "insert" a second voice using the << // >> syntax explained here:
http://lilypond.org/doc/v2.19/Documentation/learning/i_0027m-hearing-voices
Mark
-Original Message-
From: lilypond-user
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of Tim
Slattery
S
Tim,
Slight amendation of Mark's suggestion. Since you're doing a vocal
composition, to keep lyrics applied into this temporary poloyphonic
context, use this syntax:
<< { \voiceOne } \\
\new Voice { \voiceTwo { } }
>> \oneVoice
Lyrics set to the voice will carry into the temporary polyphonic con
P.S. Using the syntax from my first email, you don't need any longer the
\sopranoVoiceTwo. You simply put the notes in the { \voiceTwo } location of
the temporary polyphonic context.
Guy Stalnaker
jimmyg...@gmail.com
On Mon, Mar 25, 2019 at 12:38 PM Guy Stalnaker wrote:
> Tim,
>
> Slight amend
Opps. True. No \\ if using my earlier code. Thanks for catching that!
Guy Stalnaker
jimmyg...@gmail.com
On Mon, Mar 25, 2019 at 1:02 PM Lukas-Fabian Moser wrote:
>
> Slight amendation of Mark's suggestion. Since you're doing a vocal
> composition, to keep lyrics applied into this temporary pol
On Mon, Mar 25, 2019 at 7:43 AM David Kastrup wrote:
> Abraham Lee writes:
>
> > Hi, David!
> >
> > On Sun, Mar 24, 2019 at 8:38 AM David Kastrup wrote:
> >> >
> >> > Here's my first page of this piece.
> >>
> >> I'd have been interested in the second one, the multi-string passages
> >> close t
Slight amendation of Mark's suggestion. Since you're doing a vocal
composition, to keep lyrics applied into this temporary poloyphonic
context, use this syntax:
<< { \voiceOne } \\
\new Voice { \voiceTwo { } }
>> \oneVoice
Lyrics set to the voice will carry into the temporary polyphonic
con
And since we're talking about temporary polyphonic contexts (TPC) there are
a few other things, like lyrics, that don't work in to and out of them.
Mostly multi-note events like slurs, crescendos, etc. You cannot start them
outside a TPC and conclude them inside one, or start them inside a TPC and
Am Mo., 25. März 2019 um 10:42 Uhr schrieb Andrew Bernard
:
>
> Anybody?
>
> I have tried experimenting with large values of \override
> DynamicLineSpanner.staff-padding to no avail. I am stumped. Is it a bug?
>
> Andrew
>
>
> On Sun, 24 Mar 2019 at 20:48, Andrew Bernard wrote:
>>
>> I have a sco
On 2019-03-25 2:42 am, Andrew Bernard wrote:
Anybody?
I have tried experimenting with large values of \override
DynamicLineSpanner.staff-padding to no avail. I am stumped. Is it a
bug?
While it may not be ideal, to me this is not a bug. DynamicLineSpanners
behave differently when not starte
On 2019-03-25 2:15 pm, Aaron Hill wrote:
On 2019-03-25 2:42 am, Andrew Bernard wrote:
Anybody?
I have tried experimenting with large values of \override
DynamicLineSpanner.staff-padding to no avail. I am stumped. Is it a
bug?
While it may not be ideal, to me this is not a bug.
**DynamicLineS
Hi Aaron,
Thanks you. But the hairpins in question in my code all end on dynamics
such as p or f, and were working fine up until a couple of days ago. I
can't see what has changed, except the quartey score is now 110 pages. I am
very sorry I cannot stimulate this in a small MWE.
I am using 2.19.8
Hi Harm,
I am critically aware of the need to provide MWE's. I spent all yesterday
trying to write one, and all works fine. It's only in the context of my
large score that it shows up. What's more, it only just started happening,
and all used to be fine.
I raised the post to see if anybody has ha
Hi Aaron,
Thank you for looking into this. As mentioned in my original post, I am not
using a Dynamics context as this New Complexity score is very, very complex
rhythmically, and it would tale a month to go back and figure out all the
spacer rests to use a dynamics context. I'd rather not do that
Hi Harm,
My issue can't be related to stopping and starting staves, as that does not
occur in my score. But it has a hint of being somehow related.
Andrew
On Tue, 26 Mar 2019 at 07:20, Thomas Morley
wrote:
>
> A minimal triggering the problem (\break\stopStaff \startStaff needed)
> and showin
Hello Aaron,
Your hairpin marker code is astounding.
Does this attached image from my score indicate anything awry?
Andrew
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Hi Aaron,
The pink arrow lines - how does lilypond work out this distance? It seems
to be that that is jumping around. Can you help me understand that?
Andrew
On Tue, 26 Mar 2019 at 08:18, Aaron Hill wrote:
>
>
> Consider the following:
>
>
> \version "2.19.82"
> \paper { indent = 0 line
Sorry, Andrew. I've been buried in work for my choir. Allow me to try
to address the questions/comments in a single mail to catch up.
On 2019-03-25 5:04 pm, Andrew Bernard wrote:
The pink arrow lines - how does lilypond work out this distance? It
seems
to be that that is jumping around
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